Tag Archives: eroded

Photographs: Death Valley, Photographs: Desert, Photographs: Nature, Photographs: Southern California

Eroded Badlands Hills

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Eroded Badlands Hills
Deeply eroded badlands hills and more distant mountains in morning light, Death Valley National Park.

Eroded Badlands Hills. © Copyright 2022 G Dan Mitchell.

Deeply eroded badlands hills and more distant mountains in morning light, Death Valley National Park.

Special Note: Patty and I are presenting a Silicon Valley Open Studios event on May 21 and 22. Look us up (Dan | Patty) or contact us for information. Come and see our prints!

You could look at this photograph in several ways, but I think the complex patterns of this landscape are the main attraction. Recently I read an article about photography that suggested (to paraphrase) that landscape photography aspires toward abstraction. I like that idea a lot. I feel there should be more to a landscape photograph than an ostensible “record” of things in front of the camera. Ideally photographs can be viewed on multiple levels simultaneously — our relationship to the place and the way we see it, the sum of compositional elements, some level of mystery, suggestions of things not contained in the frame, emotional implications, and more.

This feels like one of those photographs to me. You could respond to the remarkable nature of the landscape that was in front of the camera. You could also consider the visual forms from an abstract perspective — the complex patterns of elements in contrary and parallel motion. You are free to ponder where this portrayal of the landscape fits into the larger scheme of landscape art. And who am I to try to stop you from looking for relations to other, larger things?

G Dan Mitchell is a California photographer and visual opportunist. His book, “California’s Fall Color: A Photographer’s Guide to Autumn in the Sierra” is available from Heyday Books, Amazon, and directly from G Dan Mitchell.

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Photographs: Nature, Photographs: The Southwest, Photographs: Utah

Sandstone Columns

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Sandstone Columns
Columns on eroded sandstone, Zion National Park.

Sandstone Columns. © Copyright 2021 G Dan Mitchell – all rights reserved.

Columns on eroded sandstone, Zion National Park.

While the entirely of the Utah landscape (and similar landscapes in the American Southwest) is compelling, for me the main defining feature always seems to be the red sandstone formations. Yes, I know there are other geological wonders, but in so many cases I see those relative to the massive layers of sandstone. Those lovely white strata? Much more powerful juxtaposed with the red sandstone? The beautiful forests? That red is a powerful complement to their color. And on it goes.

So it shouldn’t be surprising that my photographs of the regions from time to time distill down to photographs of that rock itself. It is a remarkable material. Sometimes it is fractured and broken, but it can also appear to be as smooth and unbroken as butter. We say it is “red,” but the truth is much more complicated, and the light affects our perception of its color a great deal. I photographed this small section of a Zion Canyon wall from below using a long focal length that allowed me to constrain the view to a few columns in the diffused and reflected light.

G Dan Mitchell is a California photographer and visual opportunist. His book, “California’s Fall Color: A Photographer’s Guide to Autumn in the Sierra” is available from Heyday Books, Amazon, and directly from G Dan Mitchell.

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Links to Articles, Sales and Licensing, my Sierra Nevada Fall Color book, Contact Information.

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All media © Copyright G Dan Mitchell and others as indicated. Any use requires advance permission from G Dan Mitchell.

Photographs: Nature, Photographs: The Southwest, Photographs: Utah

Sculpted Sandstone

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Sculpted Sandstone
Detail of a section of eroded sandstone cliff at Arches National Park.

Sculpted Sandstone. © Copyright 2012 G Dan Mitchell – all rights reserved.

Detail of a section of eroded sandstone cliff at Arches National Park.

To be honest, I’m not sure I could find this bit of sandstone cliff again if I went back to Arches National Park and looked for it. I think I have a vague idea of where it was, but if I’m correct it was just one small section of a much larger wall that ran for a significant distance. But isn’t that part of the challenge of the red rock country, that there are so many impressive and fascinating walls with unending variations of color and form?

The basic shapes of the rock walls, arches, buttresses, and ridges are fascinating in their own right. But the surface textures of the rock are immensely varied and interesting. The blue material coats these rocks in many places, and it can outline erosion patters in the rock. There are vertical lines everywhere, formed by water oozing, dripping, flowing, and occasionally flooding across the faces. And the color can vary from hour to hour as the angle and quality of the sunlight change, and as light reflected from other red rock surfaces intensifies the color.

G Dan Mitchell is a California photographer and visual opportunist. His book, “California’s Fall Color: A Photographer’s Guide to Autumn in the Sierra” is available from Heyday Books and Amazon.

Blog | About | Flickr | Facebook | Email

Links to Articles, Sales and Licensing, my Sierra Nevada Fall Color book, Contact Information.

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All media © Copyright G Dan Mitchell and others as indicated. Any use requires advance permission from G Dan Mitchell.

Photographs: Death Valley, Photographs: Desert, Photographs: Nature

Eroded Strata

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Eroded Strata
Colorful eroded desert strata, Death Valley.

Eroded Strata. © Copyright 2019 G Dan Mitchell – all rights reserved.

Colorful eroded desert strata, Death Valley.

Yes, I am still working the morning light on these beautiful eroded formations from Death Valley. (For anyone not already in the loop, I have posted quite a few photographs from this area recently.) The area is remarkable for the diversity of its formations — mostly water-eroded hills but also, here and there, a few rockier structures. The colors make it special, though. In most light they are quite subtle, but at the early and late edges of the day, when the color of the light is warmer, the colors are easier to see.

Timing was the trick for this photograph. I wanted the warm colors of the earliest possible light, but a hill behind my position blocked the light until the sun had risen just a bit. Perhaps you can still make out just a bit of the shadow remnant across positions of the bottom of the scene.

G Dan Mitchell is a California photographer and visual opportunist. His book, “California’s Fall Color: A Photographer’s Guide to Autumn in the Sierra” is available from Heyday Books and Amazon.

Blog | About | Flickr | Facebook | Email

Links to Articles, Sales and Licensing, my Sierra Nevada Fall Color book, Contact Information.

Scroll down to leave a comment or question.

All media © Copyright G Dan Mitchell and others as indicated. Any use requires advance permission from G Dan Mitchell.