Tag Archives: erosion

Red Cliffs, Sunrise

Red Cliffs, Sunrise
Sunrise light on Red Cliffs and badlands, Death Valley National Park.

Red Cliffs, Sunrise. © Copyright 2023 G Dan Mitchell.

Sunrise light on Red Cliffs and badlands, Death Valley National Park.

There is a little story behind this photograph of the Red Cliffs, an almost-icon in Death Valley. The feature is a striking, eroded formation close to a famous park location. I decided to photograph here on the final morning of my recent visit to the park since I was looking for something that I could visit early and still have time to pack up my nearby camp and begin the long drive home. Of course, timing wasn’t the only issue — I had explored the location earlier and found it to be pretty interesting!

The window for the best sunrise light here is brief, since the light doesn’t get here right away. It arrives soon enough that it still has the golden hour character, but that starts to fade quickly. One thing I like about this perspective is that it places the distant, haze-shrouded peaks right behind Red Cliffs. (What I like less is that a very close inspection may reveal a place in the scene where a lot of sunrise spectators are standing!)


G Dan Mitchell is a California photographer and visual opportunist. His book, “California’s Fall Color: A Photographer’s Guide to Autumn in the Sierra” is available from Heyday Books, Amazon, and directly from G Dan Mitchell.

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Light in the Canyon

Light in the Canyon
Afternoon light strikes a hill in the lower reaches of a Death Valley canyon.

Light in the Canyon. © Copyright 2023 G Dan Mitchell.

Afternoon light strikes a hill in the lower reaches of a Death Valley canyon.

As I mentioned I recent posts, my plans for Death Valley were somewhat thwarted when I arrived there to find that large areas of the park were not accessible due to flood damage. I had to strike some remote areas from my agenda, recalibrate, and visit more accessible locations. As a result I ended up visiting more accessible areas that I had avoided in the past, including several fascinating washes that I really should have visited before. Since I had a free afternoon before evening photography I decided to take a long hike up this wash and back, and I’m glad I did.

The deeper and narrower Death Valley canyons are great places to visit during the daytime hours — in fact, a typical shooting plan for me includes a sunrise and sunset locations with one or more canyons partially filling the time between the morning and evening shoots. The timing of this canyon walk was such that the bottom of the canyon was almost fully shaded at times. I made this photograph near a bend where a bit of light reached the bottom of the canyon and illuminated this lighter colored formation.


G Dan Mitchell is a California photographer and visual opportunist. His book, “California’s Fall Color: A Photographer’s Guide to Autumn in the Sierra” is available from Heyday Books, Amazon, and directly from G Dan Mitchell.

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All media © Copyright G Dan Mitchell and others as indicated. Any use requires advance permission from G Dan Mitchell.

Layers and Folds

Layers and Folds
The complex geology of badlands terrain, Death Valley National Park.

Layers and Folds. © Copyright 2022 G Dan Mitchell.

The complex geology of badlands terrain, Death Valley National Park.

The landscape of Death Valley National Park is extremely varied. The popular imagination first focuses on scenes of sand dunes, the classic signifier of “desert.” But the place is full of canyons, stream beds, surprising instances of water, mountain peaks, and even forests of several types. All of these are special, but scenes like this one may embody one of the the most common elements of this landscape, the exposure of its underlying geology.

The area of this photograph is incredibly complex. It is a maze of small, eroded formations and canyons, all of them interconnected. Underlying this are uplifted layers of material in colors ranging from nearly black to nearly white, interspersed with surprising bits of red, blue, and green. I photographed here early in the morning because the light was softer and richer and because the low angle of the sun entering the scene from the side delineated the eroded features.


G Dan Mitchell is a California photographer and visual opportunist. His book, “California’s Fall Color: A Photographer’s Guide to Autumn in the Sierra” is available from Heyday Books, Amazon, and directly from G Dan Mitchell.

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Badlands Valley

Badlands Valley
A small wash passes beneath badlands terrain in morning light, Death Valley National Park.

Badlands Valley. © Copyright 2022 G Dan Mitchell.

A small wash passes beneath badlands terrain in morning light, Death Valley National Park.

There is a lot going on in this photograph of the Death Valley National Park landscape. Early morning light is coming from behind and to the left of the camera position and striking the eroded landforms from the side. Although it is sometime after dawn, it is early enough that the light still has a warm, post-sunrise color. All of the complex structures in the scene are interconnected — they all drain toward the desert wash at the bottom of the frame.

More than almost any other landscape that I know, the appearance of the desert changes radically depending on the direction, quality, and color of the light. I have sequences of photographs made over a half-hour period in which the transition is striking. At first, before dawn, the light is soft and blue-toned. At first light it may become intensely colorful if the sunrise cooperates. A half hour later the color fades toward that familiar desert midday harshness.


G Dan Mitchell is a California photographer and visual opportunist. His book, “California’s Fall Color: A Photographer’s Guide to Autumn in the Sierra” is available from Heyday Books, Amazon, and directly from G Dan Mitchell.

Blog | About | Flickr | FacebookEmail

Links to Articles, Sales and Licensing, my Sierra Nevada Fall Color book, Contact Information.

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All media © Copyright G Dan Mitchell and others as indicated. Any use requires advance permission from G Dan Mitchell.