Tag Archives: escalante

Cliff, Fall Color, Escalante River

Cliff, Fall Color, Escalante River - Fall foliage of cottonwood and box elder trees at the base of a cliff along the Escalante River, Grand Staircase-Escalante National Monument
Fall foliage of cottonwood and box elder trees at the base of a cliff along the Escalante River, Grand Staircase-Escalante National Monument

Cliff, Fall Color, Escalante River. Grand Staircase-Escalante National Monument, Utah. October 29, 2012. © Copyright 2012 G Dan Mitchell – all rights reserved.

Fall foliage of cottonwood and box elder trees at the base of a cliff along the Escalante River, Grand Staircase-Escalante National Monument

This portion of the Escalante River treated us in two very different ways during our late-October visit. Early in the trip, we were anxious to explore this section of the river, where fall colors of cottonwood and box elder trees and more were arriving and where the river continuously twists and turns among sandstone cliffs. In the morning we drove out to our trailhead, noticing two things about the weather – it was cold and there was a lot of the thing that no one wanted to mention but which we might refer to as “W”. (Hint, it moves the branches and leaves a lot!) Undeterred, we entered the canyon and encountered very beautiful conditions, especially when it came to autumn foliage color. However, the “morning breezes” turned into a midday gale, at times forcing us to stop moving as strong gusts momentarily pinned us down. Some clouds began to move overhead. Low light and screaming winds in a deep canyon make for challenging foliage photography, to say the least! By the time we finally left the canyon, it was trying to rain, and across the valley we could see snow falling on higher peaks.

With that first visit in mind, near the end of our trip we found ourselves with time to go back to this canyon. The “I’ve already been there” thoughts were overwhelmed by the “maybe this time we can actually make photographs” thoughts, and so we re-entered this location. On this morning, there was no “W” and it was a few degrees warmer. As we continued up the canyon, the colors were just as beautiful as before, with blown-down leaves having been replaced in many locations by leaves that had more recently changed colors. The light was gorgeous, and we shot almost continuously as we walked downstream, only turning around reluctantly when we ran out of time and energy, though we did get a bit further down-canyon this time. The scale of this photograph may be difficult to understand in this small web jpg, but the trees are good-sized cottonwoods at the base of a giant cliff of light-colored sandstone that towers overhead at a bend in the river.

G Dan Mitchell is a California photographer whose subjects include the Pacific coast, redwood forests, central California oak/grasslands, the Sierra Nevada, California deserts, urban landscapes, night photography, and more.
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Text, photographs, and other media are © Copyright G Dan Mitchell (or others when indicated) and are not in the public domain and may not be used on websites, blogs, or in other media without advance permission from G Dan Mitchell.

Small Tree and Pink Rock

Small Tree and Pink Rock - A small tree with yellow autumn leaves grows from a crack in pink sandstone, Grand Staircase-Escalante National Monument
A small tree with yellow autumn leaves grows from a crack in pink sandstone, Grand Staircase-Escalante National Monument

Small Tree and Pink Rock. Grand Staircase-Escalante National Monument. October 23, 2012. © Copyright 2012 G Dan Mitchell – all rights reserved.

A small tree with yellow autumn leaves grows from a crack in pink sandstone, Grand Staircase-Escalante National Monument

The narrow canyons and slots of South Utah, which I’m just coming to know, are full of surprises at every turn. The “turns” are a literal source of the surprise, since you can’t generally see far up or down the canyons and each turn literally does reveal things that were not visible a moment before. As you progress up (or down) the canyons, the nature of the rock constantly changes as you pass through layers of angled strata of rock – smooth and deep red one moment, pale and broken another, and then light pink or gray. The incline of the canyon changes, as does its width – one moment you are walking on a veritable sidewalk, smooth and wide, and the next you are trying to find your way over rocks and boulders, walking up the middle of a stream, trying to avoid deep and sucking sand, squeezing through a slot, or looking for a higher route around an impassable section. The canyon might be rocky and seemingly devoid of plant life… or you might have to squeeze your way among trees and bushes.

This small canyon presented most of these variables at one point or another. Most of the time we were acutely aware of the stream in the canyon, as our route was in, around, or across the water almost constantly. Here a few small bushes found cracks in the rocky walls with sufficient soil to survive, and the light from far above bounced back and forth between the high canyon walls, picking up the reddish color of the sandstone.

G Dan Mitchell is a California photographer whose subjects include the Pacific coast, redwood forests, central California oak/grasslands, the Sierra Nevada, California deserts, urban landscapes, night photography, and more.
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Text, photographs, and other media are © Copyright G Dan Mitchell (or others when indicated) and are not in the public domain and may not be used on websites, blogs, or in other media without advance permission from G Dan Mitchell.

Sandstone Patterns, Dried Plant

Sandstone Patterns, Dried Plant - A dried plant and sandstone patterns in a southwest desert canyon, Utah
A dried plant and sandstone patterns in a southwest desert canyon, Utah

Sandstone Patterns, Dried Plant. Grand Staircase-Escalante National Monument, Utah. October 23, 2012. © Copyright 2012 G Dan Mitchell – all rights reserved.

A dried plant and sandstone patterns in a southwest desert canyon, Utah

I was in Utah twice this fall, most recently with my friends Charlie and Karl to photograph a range of desert canyons and similar terrain. I’ve written before that I’m very new to photographing Utah, having seriously shot there for the first time only this past spring. But I’m trying to make up for lost time! Overall, I have spent something like a total of more than five weeks there this year! Yes, I like shooting in Utah. :-)

On the previous visits, I went to quite a few of the well-known locations – largely the national parks – and began the process of getting to know and understand that place a bit. On the most recent visit I was fortunate to be traveling with people who have shot there for decades, and I benefited from their long experience. Getting a bit more off the beaten track, we barely touched national parks – passing through Zion and visiting some remote areas of Capitol Reef. Instead we poked into a range of little canyons and valleys and so forth that don’t have the prominence of the parks. The specific locations are perhaps not that important since the state seems to be filled with similar places. This was my first real experience with the intimate desert canyons and river/creek courses that carve deeply into the landscape, where midday light bounces and reflects into the deep landscape in ways that are utterly unlike the California locations where I most often photograph.

This photograph was made in such a place, the first narrow canyon that we visited. Parking in an inauspicious spot along a gravel desert road, we dropped into a wash and wandered upstream, soon entering a narrow canyon as the sandstone walls rose beside us. Before long the canyon was narrow enough that we had to continually cross back and forth across the creek or simply wade straight up its course. As the canyon narrowed, direct sunlight no longer made it down to the creek – instead the light reflected from the higher cliff faces and bounced down into the canyon, toning the light red from the sandstone surface. In this photograph the cliff and two large pieces of sandstone contain angled strata and reflect the light in various ways as a small and seemingly dead plant sits in a crack in the rock.

G Dan Mitchell is a California photographer whose subjects include the Pacific coast, redwood forests, central California oak/grasslands, the Sierra Nevada, California deserts, urban landscapes, night photography, and more.
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Text, photographs, and other media are © Copyright G Dan Mitchell (or others when indicated) and are not in the public domain and may not be used on websites, blogs, or in other media without advance permission from G Dan Mitchell.

Sandstone Canyon Walls and Brush

Sandstone Canyon Walls and Brush - Brush including some autumn foliage stands against a bright red sandstone cliff, Capitol Reef National Park
Brush including some autumn foliage stands against a bright red sandstone cliff, Capitol Reef National Park

Sandstone Canyon Walls and Brush. Grand Staircase-Escalante National Forest, Utah. October 7, 2012. © Copyright 2012 G Dan Mitchell – all rights reserved.

Brush including some autumn foliage stands against a bright red sandstone cliff, Capitol Reef National Park

This area was yet another surprise – though perhaps only because I’m a California guy still very much in the early stages of discovering the landscape of Utah. We had driven a long route down a good part of the length of Capitol Reef National Park, climbed over the higher portion of the north-south ridge, and were heading back to our lodgings some distance away. As we drove across this new (to us!) landscape we descended into a long, narrow canyon that had some of the most beautiful red rock walls I had yet seen.

Such canyons provide a wealth of photographic opportunities and require some slightly different thinking about timing and about light. In so many situations, we look for the “good light” at the edges of the day, in the very early morning and then again in the evening. However, in these canyons that is not the only good time to search of the light. At times that are later in the morning and earlier in the afternoon, the higher sun strikes the upper walls of such canyons and reflects beautiful light down into the canyon bottoms, like that may be colored by the rocks from which it reflects. In this spot it was not very bright, but the light was beautiful! Because we were “on our way” from one place to another we almost didn’t stop, if you can believe that!

G Dan Mitchell is a California photographer whose subjects include the Pacific coast, redwood forests, central California oak/grasslands, the Sierra Nevada, California deserts, urban landscapes, night photography, and more.
Blog | About | Flickr | Twitter | FacebookGoogle+ | 500px.com | LinkedIn | Email

Text, photographs, and other media are © Copyright G Dan Mitchell (or others when indicated) and are not in the public domain and may not be used on websites, blogs, or in other media without advance permission from G Dan Mitchell.