Tag Archives: evening

Photographs: Nature, Photographs: The Southwest, Photographs: Utah

Aretes, Hoodoos, and Trees

December 26, 2012 G Dan Mitchell Leave a comment

Sunset light on sparse trees, hoodoos, and descending aretes at Cedar Breaks National Monument, Utah

Cedar Breaks National Monument is almost (but not quite!) a sort of “one trick pony” of a park, though it is quite a spectacular pony! The main draw is the steep and very colorful Bryce-like canyon that drops precipitously from a high ridge along which the park road runs. Below this ridge, beautiful pink layers are exposed, and they have been heavily weathered and eroded into ridges, canyons, steep cliffs, and hoodoo, dotted here and there with a few sparse trees. The canyon faces roughly west, to the late afternoon and evening light on these red rock formations can be quite stunning. (Meanwhile, above the drop-off, the land is entirely different, consisting of gently rolling highland forest mixed with meadows.)

On our first day in the area we got settled in to lodging at nearby Brian Head ski area – where rooms were available at really low rates since this was probably about as “off-season” as you can be! We had some time in the evening so we headed up the road out of Brian Head and were quickly inside the monument. There are quite a few viewpoints along this road, so we picked one. This photograph was in light softened by low clouds on the horizon that still allowed a bit of fading light to illuminate the canyon features from the right.

Text, photographs, and other media are © Copyright G Dan Mitchell (or others when indicated) and are not in the public domain and may not be used on websites, blogs, or in other media without advance permission from G Dan Mitchell.

Photographs: Central California, Photographs: Flight, Photographs: Nature, Photographs: Northern California, Photographs: Wildlife

Blue Geese, Red Sky

December 25, 2012 G Dan Mitchell 4 Comments

Ross’s geese, blue in the fading light of the overhead evening sky, fly against the reds of a wild Central Valley sunset

Back in early December, 2012 we were out photographing migratory birds in California’s Central Valley, on a day that began with extremely thick tule fog, gradually transitioned to hazy sunshine, then was interrupted by the atmospheric muck of an incoming weather system, and ended with a surprising and astonishing sunset and post-sunset display of color. It seems that there must have been a gap between the clouds and the horizon somewhere far to our west, and as the sun dropped to the horizon the late and very red light shone up into the clouds, turning them blood-red (and, at times, pink and purple and orange and more.)

Right before this we had been parked near a very large flock of geese that were mostly grounded, but which would occasionally take off en masse and circle for a bit before settling back in, often quite close to where they started. I had been tracking and photographing them in the somewhat gloomy light, and when the brilliantly colorful sky arrived I was ready to try to take advantage of it. This created a challenge though, that is probably familiar to anyone who has photographed such a sky. It is very bright and (important to those shooting digital systems) very red – which means that it can be necessary to underexpose a bit to avoid seeing very strange things happen to the red channel in the image file. In addition, since I was shooting straight into this brilliant light here, the geese were backlit. So, in post I was faced with a couple of contradictory issues – I had to control the brightness of the sky while trying to regain a bit of detail on the bodies of the backlit and rather dark birds! About the “blue geese, red sky” title… Because the dimmer light falling on the portions of the geese facing me was largely diffused light from a non-colorful (e.g. – blue) part of the sky, their white feathers registered very much as blue.

Photographs: Nature, Photographs: The Southwest, Photographs: Utah

Juniper Tree and Sandstone Cliffs, Evening

December 24, 2012 G Dan Mitchell Leave a comment

Soft evening light on a single juniper tree among boulders at the base of tall sandstone cliffs, Capitol Reef National Park

This photograph was a serendipitous one that resulted from going to a somewhat unlikely place, and going there without a whole lot of enthusiasm, having only modest success at that place, and then while leaving happening to look up at the right moment and spot some very interesting and somewhat unusual post-sunset light. The plot began with an evening last-minute decision to go shoot “somewhere” in Capitol Reef, but without a specific objective in mind. We perhaps had some thoughts about shooting along the descent from Torrey, Utah toward the park boundary, but this is tricky late in the day due to the way the terrain slants up to the west, causing the sun to drop below the elevated horizon rather early and stealing the light from the foreground terrain.

When we passed the park boundary we still didn’t have a clear idea of what the evening’s “target” might be, so we drove slowly into the park, looking at many things but not seeing quite the photographic opportunities that might have caused us to stop. We finally decided to investigate a large canyon and drove to its entrance, parked, and walked in a ways. Because of the orientation of this canyon, the light here also left us rather soon. We made some photographs – a few of which might even turn out to be interesting – and then headed back out of the canyon. The way passed along the base of a very tall sandstone cliff formed from one of the thicker layers of sedimentary rock. Typically the rock would appear darker and redder, but the soft post-sunset light changed the tones to an almost pastel effect – and we both quickly decided to stop and do some shooting. This lone juniper trees was growing improbably in the middle of a pile of very large boulders that had fallen from the cliffs, and those cliffs were catching the late and soft light from the west.

Photographs: Nature, Photographs: The Southwest, Photographs: Utah

Zion High Country, Evening

December 16, 2012 G Dan Mitchell Leave a comment

High country of Zion National Park in evening light

As an official member of the I Love Backlit Trees club, I’m more or less unable to resist shooting straight toward the sun near the start of end of the day to capture the light illuminating the fringes of trees from behind. Yes, it is a repeating subject of mine… The high country of Zion National Park along the Mount Carmel Highway is a great place to find such light if you are observant and think about where and when to look. Especially late in the day – but not quite all the way to sunset – the light slants across ridges and hills and picks off the trees, which here are separated enough to allow the light to catch whole trees. (This is a bit harder to find among the denser forests of my Sierra Nevada.)

This sort of shooting provides some challenges. One, of course, is the potential for a very wide dynamic range between the brightly lit leaves and needles of the trees and the shaded areas that may be behind and around them. Although the camera’s metering system may not show it, the sunlit portions of the trees are often extremely bright and can easily blow out completely – and the solution is to expose less… which diminishes the light in the shadows. Several solutions are possible. Here I made a single exposure with the brightest areas just at the limit of exposure, and if I had opened up more or lengthened the exposure the fringes of the trees would likely have gone all the way to pure white. (You can allow this to happen with a few specular highlights without much of a problem, but don’t over-do it!) With the single-exposure approach, I find that the shadow fader in ACR is my friend! It does a fine job of bringing back a bit of the detail in the darker areas that might otherwise be lost. Although I didn’t employ them in this photograph, there are some other approaches that can also work. One is to use exposure bracketing – making two or more images at different exposures, usually one for the shadows and one for the highlights, which are then manually combined in post by means of layer masks. This is labor intensive but can produce very wonderful results.

G Dan Mitchell Photography

Tag Archives: evening

Aretes, Hoodoos, and Trees

Blue Geese, Red Sky

Juniper Tree and Sandstone Cliffs, Evening

Zion High Country, Evening

Photographer and visual opportunist. Daily photos since 2005, plus articles, reviews, news, and ideas.