Tag Archives: evening

Photographs: Nature, Photographs: The Southwest, Photographs: Utah

Zion High Country, Evening

December 16, 2012 G Dan Mitchell Leave a comment

High country of Zion National Park in evening light

As an official member of the I Love Backlit Trees club, I’m more or less unable to resist shooting straight toward the sun near the start of end of the day to capture the light illuminating the fringes of trees from behind. Yes, it is a repeating subject of mine… The high country of Zion National Park along the Mount Carmel Highway is a great place to find such light if you are observant and think about where and when to look. Especially late in the day – but not quite all the way to sunset – the light slants across ridges and hills and picks off the trees, which here are separated enough to allow the light to catch whole trees. (This is a bit harder to find among the denser forests of my Sierra Nevada.)

This sort of shooting provides some challenges. One, of course, is the potential for a very wide dynamic range between the brightly lit leaves and needles of the trees and the shaded areas that may be behind and around them. Although the camera’s metering system may not show it, the sunlit portions of the trees are often extremely bright and can easily blow out completely – and the solution is to expose less… which diminishes the light in the shadows. Several solutions are possible. Here I made a single exposure with the brightest areas just at the limit of exposure, and if I had opened up more or lengthened the exposure the fringes of the trees would likely have gone all the way to pure white. (You can allow this to happen with a few specular highlights without much of a problem, but don’t over-do it!) With the single-exposure approach, I find that the shadow fader in ACR is my friend! It does a fine job of bringing back a bit of the detail in the darker areas that might otherwise be lost. Although I didn’t employ them in this photograph, there are some other approaches that can also work. One is to use exposure bracketing – making two or more images at different exposures, usually one for the shadows and one for the highlights, which are then manually combined in post by means of layer masks. This is labor intensive but can produce very wonderful results.

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Photographs: Central California, Photographs: Nature, Photographs: Northern California, Photographs: Ocean & Coast

Coastal Bluffs in Sunset Light

December 11, 2012 G Dan Mitchell 5 Comments

Sunset light momentarily illuminates coastal bluffs near Davenport, California

This photograph or one very much equivalent to it might have been made in any of perhaps thousands of locations along the California coastline, given the right time of year, the right atmospheric conditions, and the right light. With just a bit of looking around, these views from promontory bluffs, looking down the coastline past a series of other rugged bluffs are characteristic of the area. This spot happens to be near the small coastal town of Davenport, California just north of Santa Cruz.

The photograph illustrates one thing about my orientation to photographing the coast line and also illustrates something about light. About the coastline… my favorite times of the year on the coast are not the typical peak tourist season times, but instead are during the late fall through early spring period. Not only is coastal fog much less likely – though still possible! – but the ocean is more interesting and variable under the influence of winter weather, the potential for interesting skies is greater, and the generally lower-angle light creates all sorts of interesting possibilities. The clouds in this photograph, which glow just a bit in the momentary sunset light, are from a weak weather front that passed over during this afternoon along the coast. That weather front leads to my second point about light, which I’ll get to by way of telling part of the story of this afternoon’s photography. When I arrived at this location near the middle of the day, the light seemed very, very unpromising. It wasn’t just the usual nature of midday light, but there was a sort of bland haze in the air, and a shield of approaching clouds was coming down from the north – and as the afternoon wore on it became clear that those thick clouds were going to end up in front of the sun in the late afternoon.

However, sometimes the easiest and most predictable light is the least interesting to shoot in, and the least predictable and sometimes least-promising light can occasionally produce momentary wonders if you watch and are ready for them – or just have enough dumb luck to arrive at the right instant! (On the other hand, you can also watch and wait and, in the end, get… nothing. It goes with the territory!) In this case, I thought about two things. First, I thought about how I could photograph this “boring” light. The way I look at it, I’m there because the place, the circumstances, and the time are interesting – in which case there must be some way to produce a photograph in those conditions that reflect that. But that’s not my point with this particular photograph. The point that this one so nicely illustrates has to do with that possibility of momentary light on a day that seems unpromising. I ran into a couple of other photographers on the bluff during the “blah light” period. I wasn’t making photographs at that point, instead mostly just looking around. We talked briefly about the currently uninspiring light, but I pointed out that I thought I could see an edge to the cloud shield far off-shore, and if I was right there just might be a brief moment of special light as the sun passed below that edge and before it reached the horizon. Sure enough, with just a few minutes left before sunset, the sun dropped below the clouds and an intense band of extremely warm light began to suffuse the coastline against the backdrop of gray higher clouds. It lasted for only a minute or two, but that light was worth the wait.

Photographs: Desert, Photographs: The Southwest, Photographs: Utah

Cliff, Fall Color, Escalante River

November 16, 2012 G Dan Mitchell Leave a comment

Fall foliage of cottonwood and box elder trees at the base of a cliff along the Escalante River, Grand Staircase-Escalante National Monument

This portion of the Escalante River treated us in two very different ways during our late-October visit. Early in the trip, we were anxious to explore this section of the river, where fall colors of cottonwood and box elder trees and more were arriving and where the river continuously twists and turns among sandstone cliffs. In the morning we drove out to our trailhead, noticing two things about the weather – it was cold and there was a lot of the thing that no one wanted to mention but which we might refer to as “W”. (Hint, it moves the branches and leaves a lot!) Undeterred, we entered the canyon and encountered very beautiful conditions, especially when it came to autumn foliage color. However, the “morning breezes” turned into a midday gale, at times forcing us to stop moving as strong gusts momentarily pinned us down. Some clouds began to move overhead. Low light and screaming winds in a deep canyon make for challenging foliage photography, to say the least! By the time we finally left the canyon, it was trying to rain, and across the valley we could see snow falling on higher peaks.

With that first visit in mind, near the end of our trip we found ourselves with time to go back to this canyon. The “I’ve already been there” thoughts were overwhelmed by the “maybe this time we can actually make photographs” thoughts, and so we re-entered this location. On this morning, there was no “W” and it was a few degrees warmer. As we continued up the canyon, the colors were just as beautiful as before, with blown-down leaves having been replaced in many locations by leaves that had more recently changed colors. The light was gorgeous, and we shot almost continuously as we walked downstream, only turning around reluctantly when we ran out of time and energy, though we did get a bit further down-canyon this time. The scale of this photograph may be difficult to understand in this small web jpg, but the trees are good-sized cottonwoods at the base of a giant cliff of light-colored sandstone that towers overhead at a bend in the river.

Photographs: Nature, Photographs: The Southwest, Photographs: Utah

Boulder Mountain Aspens and Distant Peak

November 6, 2012 G Dan Mitchell 1 Comment

A distant peak in alpenglow above the fall aspen color on Boulder Mountain, Utah.

We had anticipated the huge aspen groves on the flanks of Boulder Mountain as we approached on highway 12 from the west, having seen these trees earlier in the year, last April, when we crossed the mountain in spring before the new leaves appeared. We weren’t sure what we would find since, a) Boulder Mountain is high and b) we had seen high elevations aspens earlier during the trip that had almost completely lost their leaves. As we climbed toward the mountain from the town of Boulder, we began to encounter aspen color, but as we climbed it was apparent that we had missed the most colorful phase of this years transition.

That was OK, though. Even a bit pre- or post-peak, the aspen colors can still be spectacular. We stopped at the first place where we could see large aspen groves leading on up the incline toward the higher portions of the mountain and made some photographs. Then we continued on, rounding the shoulder of the mountain to find some very large and still quite colorful groves ahead of us. Although the light was starting to fade as the end of the day approached and as high clouds moved overhead, it seemed worthwhile to try to photograph these trees with a long lens. I continued shooting through sunset and soon the last direct sun left the trees and the more distant mountains. Here there is still a bit of light on the highest peaks to the east, seen faintly through the haze.

G Dan Mitchell Photography

Tag Archives: evening

Zion High Country, Evening

Coastal Bluffs in Sunset Light

Cliff, Fall Color, Escalante River

Boulder Mountain Aspens and Distant Peak

Photographer and visual opportunist. Daily photos since 2005, plus articles, reviews, news, and ideas.