Tag Archives: evening

Photographs: Nature, Photographs: Northern California, Photographs: Sierra Nevada

Sierra Foothills, Evening

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Sierra Foothills, Evening - Subtle evening light gently colors the chaparral-covered hills of the Sierra Nevada foothills on a spring evening, California.
Subtle evening light gently colors the chaparral-covered hills of the Sierra Nevada foothills on a spring evening, California.

Sierra Foothills, Evening. Mariposa County, California. April 15, 2012. © Copyright 2012 G Dan Mitchell – all rights reserved.

Subtle evening light gently colors the chaparral-covered hills of the Sierra Nevada foothills on a spring evening, California.

I’m going to take a brief break from posting photographs from my early April week in Utah and post one or more recent photographs from here in California. This past weekend I found time (and the right weather, or so I thought) to make a very quick one-day run up to Yosemite and back. My main goal was to photograph wildflowers in the Merced River Canyon, where lots of interesting color starts to appear about this time each year. Although there was some real concern about how the wildflowers might develop this year, given the serious drought in much of California, some late-season rains and other factors seem to have jump-started some really interesting displays. In Merced Canyon there are lots of wonderful wildflowers and other things, but I was especially interested in California poppies (which, actually, are found throughout much of the state right now) and the blooming redbud plants.

My day didn’t go quite as planned. I was sort of hoping to run into a bunch of other photographs who were likely to be in the canyon as well, but a series of decisions on my part caused me to end up in different places than where they went. After shooting into mid-morning in the Merced Canyon I decided to make a quick trip into Yosemite Valley, but not too long after I arrived there some clouds began to roll in. Clouds can be wonderful in and around the Valley – and I actually managed to use them in some other photographs I’ll share later – but this was still not quite what I was originally looking for. Very late in the afternoon I did a bit of final shooting in and around the Valley, and then I decided to head back down into Merced Canyon before the light was completely gone. I made a few photographs of redbud and California poppies, but it seemed like my day for photography was coming to an end, so I packed up and started my long trek back to the Bay Area. Near the top of the steep climb out of Briceburg I started to notice some interesting light on the spring-green ridges to my right and behind me, and then I spotted a familiar-looking figure alongside the road with a tripod and camera. At this point I had to stop, to say “hi” to my friends if for no other reason! Then I saw this lovely and subtle light on the ridge – the cloud-muted light from the setting sun was washing the clouds with a gentle pink light, and its glow was adding warm colors to the green chaparral near the summit ridge… and a moment later this light was gone.

G Dan Mitchell is a California photographer whose subjects include the Pacific coast, redwood forests, central California oak/grasslands, the Sierra Nevada, California deserts, urban landscapes, night photography, and more.
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Text, photographs, and other media are © Copyright G Dan Mitchell (or others when indicated) and are not in the public domain and may not be used on websites, blogs, or in other media without advance permission from G Dan Mitchell.

Photographs: Nature, Photographs: The Southwest, Photographs: Utah

Turks Head, Green River

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Turks Head, Green River - The green river curves around Turks Head and through deep canyons in hazy evening light, Canyonlands National Park, Utah
The green river curves around Turks Head and through deep canyons in hazy evening light, Canyonlands National Park, Utah

Turks Head, Green River. Canyonlands National Park, Utah. © Copyright 2012 G Dan Mitchell – all rights reserved.

The green river curves around Turks Head and through deep canyons in hazy evening light, Canyonlands National Park, Utah.

I made several photographs Canyonlands National Park’s Green River Overlook on this beautiful early April evening. The upper portion of this area of the park is a high, flat area at about 6000′ of elevation that tends to drop off steeply, especially on the east, south, and west sides which lead to the canyons of the Colorado and Green Rivers just above their confluence. Below this upper plateau there is a second plateau at the level of the White Rim about 1000′ lower, with yet another drop-off into the bottoms of the river canyons and their tributaries.

This photograph is looking roughly southwest into the canyon of the Green River, which is barely visible between the foreground White Rim area and the solitary butte of “Turks Head” just beyond. (At least I hope it is Turks Head! That looks to be the only feature in this area that would fit that description, but I’m now to this geography.) At this early evening time the light was slanting nearly horizontally across the scene from the right and hitting a few of the west-facing slopes and glancing along the top of the White Rim. Haze filled the air, softening the light, muting the colors of the scene, and accentuating the grand scale of this landscape.

G Dan Mitchell is a California photographer whose subjects include the Pacific coast, redwood forests, central California oak/grasslands, the Sierra Nevada, California deserts, urban landscapes, night photography, and more.
Blog | About | Flickr | Twitter | Facebook | Google+ | 500px.com | LinkedIn | Email

Text, photographs, and other media are © Copyright G Dan Mitchell (or others when indicated) and are not in the public domain and may not be used on websites, blogs, or in other media without advance permission from G Dan Mitchell.

Photographs: Nature, Photographs: The Southwest, Photographs: Utah

Detail, Face of The Watchman, Sunset

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Detail, Face of The Watchman, Sunset
“Detail, Face of The Watchman, Sunset ” — The last sunset light on a portion of the face of The Watchman, Zion National Park, Utah.

As this evening approached, I had a plan to be somewhere close to the Zion National Park visitor center above Springdale, where I had seen the nearly full moon rising behind the ridge near The Watchman before sunset the night before. With that timing of the moon in mind, I estimated that on this night, the moon might rise in roughly the same spot but just a bit later. In many ways, the prime time for doing photographs of the full moon is during the golden hour, when there is sufficient ambient light to permit the correct exposure for the moon. But there is no moon in this photograph – so you might wonder what the point is!

I did show up here to photograph the moon, and I did get some photographs of the moon rising over the ridge. But after making a few moon photographs, I began to scan my surroundings a bit more closely, and I saw that the line between the sunset glow and the deeper post-sunset shadows was slowly working its way up the face of the Watchman. So as light/shadow demarcation slowly moved up the face of the cliff below the summit of the Walkman Watchman (!), I turned my camera that direction and made a few exposures of the rugged rocky face as it was lit by the last light of the setting sun.

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G Dan Mitchell is a California photographer and visual opportunist. His book, “California’s Fall Color: A Photographer’s Guide to Autumn in the Sierra” (Heyday Books) is available directly from him. Blog | Bluesky | Mastodon | Substack Notes | Flickr | Email

All media © Copyright G Dan Mitchell and others.

Photographs: Desert, Photographs: Nature, Photographs: Utah

Green River Canyon, Evening

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Green River Canyon, Evening
“Green River Canyon, Evening” — Soft evening light on the canyon of the Green River as it winds through the desert terrain of Canyonlands National Park, Utah

I recently returned from a week in Utah which, perhaps surprisingly, was completely new to me as a photographic subject. More about that in a moment, but first a description of the photograph. It was made in Canyonlands National Park in the “Island in the Sky” area, looking west from a high viewpoint above the canyon containing the winding Green River, not far above its confluence with the Colorado River. The “Island” is a high and relatively flat plateau at around 6000+’ of elevation, surrounding on many sides by deep canyons, cliffs, and then several levels of lower plateaus. There are “edges” everywhere, and all of them provide stunning vistas into the vast spaces below and beyond. We ended up at this spot largely due to a photograph I had seen an a park brochure that included a view of receding mesas and canyons in evening light. We scouted it in the middle of the afternoon as we visited several places in this area of the park, and it seemed inevitable that I would end up at sunset. I initially imagined a scene with brighter colors from the sunset and the post-sunset sky, but instead I ended up with something that I think I like even more, namely softer light with haze in the atmosphere and somewhat gentler colors.

As I mentioned above, I have not photographed in Utah before. I had been through the state several times many years ago, but I think we more or less sped through on interstate highways – which don’t tend to follow the most scenic routes – and I had a very limited view of the place. While it is too bad that I waited so long to go there, it gave me the opportunity to have an experience that I don’t have nearly as often in California where I do most of my shooting. Because I live within a short drive of redwood forests, the Pacific coast, and places like Yosemite Valley and the Sierra and visit all of them frequently, I have to admit that I sometimes forget how extraordinary they are. I can drive right past Yosemite’s Tunnel View if the view is just a typical Yosemite Valley view. But on this trip, I more or less intentionally avoided investigating our destinations before we left. Consequently, I had opportunities to be surprised and astonished — like any good tourist! — by things that I was seeing for the first time. For example, I really had no idea what I would see at Arches National Park when we drove into it at just about the “golden hour” – and I was completely stunned by impossible structures and juxtapositions of sandstone columns and arches and towers and cliffs. I just got a quick taste on this trip… but I’ll be back.

G Dan Mitchell is a California photographer and visual opportunist. His book, “California’s Fall Color: A Photographer’s Guide to Autumn in the Sierra” (Heyday Books) is available directly from him. Blog | Bluesky | Mastodon | Substack Notes | Flickr | Email

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