Yes, one more in the series – perhaps the final one, but we’ll see. I suppose it could be titled, “It ain’t over until it’s over.”
After the astonishing colors of the brightest moments of the sunset fade, one might think that the show is over – but often it isn’t quite done. I remember the time I first learned the value of sticking around until it is too dark to photograph any more. This “lesson” happened a bit further west in Tuolumne Meadows many years ago. I was photographing in the evening, shooting across a transitory early-season lake. Another nearby photographer was photographing the same beautiful evening, and he pointed out that some of his favorite photographs actually came after the intense light of sunset and during the time when the light almost begins to feel more like night than day.
Two wonderful things can happen at this hour. First, you may witness unexpected “color surprises” even after the show seems to be over. (I learned this a second time a few years later after packing up at the summit of Lembert Dome and heading down – only to be surprised by a wonderful and completely unexpected suffusion of beautiful light, and having to quickly unpack to squeeze off a couple of exposures.) Second, as astonishing as the earlier brilliant colors are, this is the time for some wonderfully deep and subtle colors that you just won’t see at any other time of day.
G Dan Mitchell is a California photographer and visual opportunist. His book, “California’s Fall Color: A Photographer’s Guide to Autumn in the Sierra” (Heyday Books) is available directly from him.
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