Tag Archives: evening

Criminal Courts Building

Criminal Courts Building
“Criminal Courts Building” — North Entrance, Criminal Courts Building, Manhattan.

This photograph comes from the same winter walk from Midtown to Lower Manhattan that I wrote about in another recent post. It was a somewhat unusual photographic walk, in that we had a specific appointment to make in Lower Manhattan just after sunset. With that in mind we were less able to follow our noses on this walk, and rather than pausing too much or taking little side journeys along the way, we progressed at a fairly regular rate to the south. This meant that I rarely had time to pause long to make photographs, aside from the occasional street light, so most of the photographs were made quickly, and I had only a short time to work any of the subjects. (In fact, we moved fast enough that I often did not have time to even take careful note of what I was photographing.)

As we passed this impressive Art Deco building in Lower Manhattan, the combination of angular stone faced, blue-toned evening light, and the contrasting warm yellow tones of interior light caught my attention. I was working quickly and using a fixed-focal length lens, so my compositional options were limited. I couldn’t photograph the entirety o the building, so I focused on this entrance area. It occurred to me later how profoundly the appearance of this scene is affected by light — a daytime photograph here would not be particularly dramatic, but there’s something a bit oppressive about the quality in this light.


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G Dan Mitchell is a California photographer and visual opportunist. His book, “California’s Fall Color: A Photographer’s Guide to Autumn in the Sierra” (Heyday Books) is available directly from him. Blog | Bluesky | Mastodon | Substack Notes | Flickr | Email

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Central Valley Winter Sunset Clouds

Central Valley Winter Sunset Clouds
Sunset clouds above a Central Valley winter pond.

Central Valley Winter Sunset Clouds. © Copyright 2021 G Dan Mitchell – all rights reserved.

Sunset clouds above a Central Valley winter pond.

Recently, as we approached the end of 2021, I revisited some photographs from around New Years day of 2020, the last New Year’s of the Before Times. As is our tradition, a group of us met to spend a couple of days photographing winter subjects, pausing to raise a toast to the New Year following a few hours of early morning photographing on the first day of the new year. If you are focused on your New Year’s Eve party plan, it may be difficult to understand, but I can’t imagine anything better than greeting the literal dawn of the new year in a wild place, accompanied by friends.

We have met on New Year’s Day for a few years, but more recently some of us have expanded our celebration to begin the day before. So we were out there photographing on New Year’s Eve Day, right into the twilight hours. Sunsets can be exactly what you expect them to be, but sometimes they toss something unexpected and remarkable your direction. That was the case on this evening, when a combination of the passing tail edge of a weather front, still air, and a very colorful sky combined to create a rather remarkable set of conditions. It was one of those moments when it almost feels like I just have to point the camera and push the shutter button. (OK, there’s a bit more to it than that, but at least the primary subject is plainly obvious.)


G Dan Mitchell is a California photographer and visual opportunist. His book, “California’s Fall Color: A Photographer’s Guide to Autumn in the Sierra” is available from Heyday Books, Amazon, and directly from G Dan Mitchell.

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Owens Valley Trees, Sierra Nevada, Evening

Owens Valley Trees, Sierra Nevada, Evening
The last light of an autumn day falls across a group of trees in Owens Valley with the Sierra Nevada in the background.

Owens Valley Trees, Sierra Nevada, Evening. © Copyright 2021 G Dan Mitchell – all rights reserved.

The last light of an autumn day falls across a group of trees in Owens Valley with the Sierra Nevada in the background.

Landscape photography often feels a bit like hunting to me. I may go to a particular location with a general sense that something worthwhile is likely to happen there — and that sense is often based on some combination of long-developed intuition and knowledge of the antecedent conditions and the current situation. But I often do not have a specific subject or composition in mind. (Sometimes I do, but that is less likely.) In other words, I believe that there is a good chance that I’ll find the sort of thing that appeals to me photographically… so I go to a place at a time because I think the odds are good I’ll find something interesting.

One result is that I have to be ready to discover, change plans, improvise, and respond quickly to whatever I discover. (It also means that there are occasional dead-ends, but I digress…) We went to this spot with something entirely different in mind, but within minutes of arriving I decided that the “something else” was not going to work… and I saw that the line of sunlight coming across Owens Valley was striking this group of trees and that I only had a moment or two to photograph before the light left them. I made an initial exposure in landscape mode, then switched to portrait mode when I noticed more light on the foreground than the background. In the end, I came away with two rather different photographs of these trees — in the landscape version they lie near the bottom of the frame with only more distance subjects above them, while here they are situated beyond the stretch of foreground plants and the distant peaks occupy less of the frame.


G Dan Mitchell is a California photographer and visual opportunist. His book, “California’s Fall Color: A Photographer’s Guide to Autumn in the Sierra” is available from Heyday Books, Amazon, and directly from G Dan Mitchell.

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Four Trees, Owens Valley And The Sierra

Four Trees, Owens Valley And The Sierra
Four Owens Valley trees in evening light, against the shadowed backdrop of the eastern escarpment of the Sierra Nevada.

Four Trees, Owens Valley And The Sierra. © Copyright 2021 G Dan Mitchell – all rights reserved.

Four Owens Valley trees in evening light, against the shadowed backdrop of the eastern escarpment of the Sierra Nevada.

Our recent travels ultimately took us to Utah, but we began with an obligatory visit to the Eastern Sierra Nevada. It doesn’t really seem like autumn until I have renewed my acquaintance with the autumnal transformation of the aspen trees. I had been up there a week earlier, so this was a shorter visit, but it gave us enough time to do a bit of exploring, visiting some spots that we don’t typically visit.

On our final evening before continuing to the east we decided to do a bit of wandering in Owen’s Valley, and our random ride eventually brought us to this spot just as the last sunlight was coming over the Sierra crest and angling across the Valley. We had headed out this direction for an almost entirely unrelated reason, but once there this row of four trees distracted us, and we quickly worked the light before it was gone. (This was one of those landscape-photography-as-action-photography moments — that shadow line was approaching quickly as I made my exposures, and before long the trees were no longer in the sun.) From this vantage point the immensity and abruptness of the eastern escarpment of the Sierra is clear — the wall of peaks, here embellished with a trace of autumn snow, towers above Owens Valley.


G Dan Mitchell is a California photographer and visual opportunist. His book, “California’s Fall Color: A Photographer’s Guide to Autumn in the Sierra” is available from Heyday Books, Amazon, and directly from G Dan Mitchell.

Blog | About | Flickr | FacebookEmail

Links to Articles, Sales and Licensing, my Sierra Nevada Fall Color book, Contact Information.

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All media © Copyright G Dan Mitchell and others as indicated. Any use requires advance permission from G Dan Mitchell.