Cactus plants grow in front of brilliant fall colors along the Escalante River, Grand Staircase-Escalante National Monument
I saw and stopped to photograph this little cluster of cactus plants on our second, mostly wind free (!) visit to this area of the Escalante. I had just photographed the trees in the far distance of this shot, which grew right next to the river at a place where the trail crosses the stream. As I moved on, the trail rose a bit above the river bed and things seemed a bit less directly affected by the passage of the water in the river – and near here I found this group of cactus plants growing in a clump.
The light was special here. The area of the photograph was in shadow at this time of day, with the sun well behind the high cliff walls that towered overhead. But the light from the west was able to strike the upper walls of the canyon to the east, and this light, warmed in tone by the red sandstone rock, cast a glow down of warm light down into the canyon. It intensified the colors of the cottonwood trees, and cast some better light on the cactus plants.
G Dan Mitchell is a California photographer and visual opportunist whose subjects include the Pacific coast, redwood forests, central California oak/grasslands, the Sierra Nevada, California deserts, urban landscapes, night photography, and more. Blog | About | Flickr | Twitter | Facebook | Google+ | 500px.com | LinkedIn | Email
Yellow autumn maple leaves against a sandstone cliff face, Zion National Park.
When I think of Zion National Park, a few sorts of scenes come immediately to mind – red cliffs, curving and rounded patterns of colored sandstone… and trees against the sandstone walls. During my 2012 visits to the park I had ample opportunities to photograph the latter subject – new spring cottonwood growth against the rock in early April, maples in the park’s high country in early October, and then more maples in both the high and low areas near the end of the period.
I photographed these brilliant yellow leaves in the high country along the Mount Carmel highway, on one of my walks away from the road down into the bottom of the canyon where the rocks close in and these trees grow, tucked along the edge of waterways or into small areas up against the rocks. The colors of the trees in these often-quiet places range across almost the entire spectrum of fall color – from unchanged green leaves and some lime green leaves just beginning the transition, through red and orange to this this golden-yellow, and finally to the dull browns of fallen leaves.
G Dan Mitchell is a California photographer and visual opportunist whose subjects include the Pacific coast, redwood forests, central California oak/grasslands, the Sierra Nevada, California deserts, urban landscapes, night photography, and more. Blog | About | Flickr | Twitter | Facebook | Google+ | 500px.com | LinkedIn | Email
UPDATE: As of 2020 I am no longer posting annual updates concerning this subject — and I am editing older posts on the subject in light of the need to be more responsible about not encouraging the onslaught. I also no longer recommend going to the Valley to see it. Unfortunately, too much exposure (yes, I played a part in it, unfortunately) has led to absurd crowds, traffic jams, littering, destruction of areas in the Valley where too many people go to see it… and the park has increasingly — and appropriately — cracked down. Parking options have been eliminated, at least one viewing location has been closed. Good news! The rest of Yosemite Valley is still there and often exceptionally beautiful at this time of year.
The silver strand of Horsetail Fall and water reflecting on surrounding cliffs in late afternoon light, Yosemite Valley, California.
Although it seems like it would be extremely difficult to make a truly original photograph of Horsetail Fall at this point, I won’t completely rule out the possibility, and recently I have seen a few interesting and imaginative photographs of the phenomenon.
The necessary conditions are fairly specific, and even when the basics are in place there is no guarantee that the show will occur on a given evening. To be honest, the odds are distinctly against you, and you are more likely to see something that doesn’t match your expectations.
There must be flowing water in the creek near the east end of the face of El Capitan that feeds the fall. This is not a sure thing in mid-winter. There must be sufficient snow above El Capitan and the temperatures must be warm enough to melt it, or there must have been a recent warm storm that brought some rain to higher elevations.
The setting sun must align just right with a gap in the mountains to the west of El Capitan so that the setting sun (miraculously) casts its last beams right on the face of El Capitan where the fall is located. Roughly speaking this occurs during the second half of February, right around February 20 or so.
You must be in a position such that the fall is back-lit by the sunset light beam. In addition, your position must provide a clear view of the fall – not necessarily a simple thing given the forest cover in the Valley. These areas are now subject to terrible crowding that has damaged areas of the park, and the park service is wisely reducing or eliminating access.
Although photographs make it seem like a huge, overpowering spectacle, it is actually very small. It takes place high on a distant cliff face, and to photograph it you’ll need a very long lens.
Finally, the skies to the west of Yosemite must be clear so that the golden hour sunset light is not blocked. Many tell stories of clouds that made it obvious that the show would not happen or, even more frustrating, developing light that was killed at the last minute when the sun dropped behind clouds to the west, which are quite common.
Any post about the February Horsetail Fall occurrence must include a few other important points:
The event has become so popular in recent years that the experience has been significantly compromised. You will not have an experience of relative solitude such as Galen Rowell likely had when he made the iconic photograph of the subject decades ago. Instead you will likely find yourself among hundreds or thousands (you read that right) of other photographers lined up with lenses pointed the same direction.
This, of course, implies that parking and finding “your spot” may both be challenges. As a result of traffic jams, illegal parking, overwhelming crowds, gross littering, and damage to meadow, forest, and river… the park service is wisely putting several access limits in place, even closing one of the favorite areas as of 2020.
If Horsetail isn’t an option, you are are still in one of the most beautiful and compelling places on the face of the planet for making photographs! Speaking of which, while the crowds are focused on Horsetail, you might consider photographing other things away from the crowds…
The annual Yosemite Renaissance art show typically opens at about this time each February and features the work of photographers and other artists working in Yosemite. The show is in the Yosemite Museum Gallery and the 2013 edition runs from February 22 through May 5, with the opening reception at 5:30-7:30 on February 22. (You can view my work in the show this year.) In addition, there is always something interesting to see at the nearby Ansel Adams Gallery – this year an exhibit of Michael Frye’s photographs opens on February 16.
NOTE: The 2017 edition of the exhibit, Yosemite Renaissance 32, opens with a free public reception at 5:30 PM on Friday, February 24. One of my photographs is in the exhibit again this year. See you there!
G Dan Mitchell is a California photographer and visual opportunist whose subjects include the Pacific coast, redwood forests, central California oak/grasslands, the Sierra Nevada, California deserts, urban landscapes, night photography, and more.
A cottonwood grove in golden fall colors, Grand Staircase-Escalante National Monument
In late October these bright yellow-gold cottonwood trees seem to be almost everywhere in Utah, albeit at slightly different stages of color development. Some are still mostly green with just a hint of yellow, while others have lost most of their leaves. From what I can tell, the difference in the pattern of change relate to things such as elevation, whether the trees are in sheltered canyons – in Zion Canyon they seem to change much later – or out in the open, and other causes that I don’t yet understand. One thing I do know: Between the aspens, which change color several weeks earlier, and the cottonwoods it seems like the entire month of October produces a lot of fall color. From what I hear it even extends into November, though I haven’t been there during that month to see it for myself.
On this day we began early with very cold hike into a portion of the Escalante River, which runs for quite a good distance through this section of Utah. Before the day was over we were challenged by strong wind, more cold, and eventually even a bit of light rain, but early on when I made this photograph the conditions were still bit less challenging, at least as far as the wind was concerned. Here the water course ran very close to the cliff wall, and clumps of golden cottonwoods grew between the water and the sandstone face. Although some direct light was beginning to strike the upper canyon walls and reflect light down into the canyon, here at the bottom along the creek the light was still soft and diffused.
G Dan Mitchell is a California photographer whose subjects include the Pacific coast, redwood forests, central California oak/grasslands, the Sierra Nevada, California deserts, urban landscapes, night photography, and more. Blog | About | Flickr | Twitter | Facebook | Google+ | 500px.com | LinkedIn | Email
G Dan Mitchell is a California photographer and visual opportunist whose subjects include the Pacific coast, redwood forests, central California oak/grasslands, the Sierra Nevada, California deserts, urban landscapes, night photography, and more.
