Tag Archives: fall

Gambel Oak Leaves, Autumn

Gambel Oak Leaves, Autumn - Brilliantly colored autumn colors of Gambel Oak leaves, Capitol Reef National Park
Brilliantly colored autumn colors of Gambel Oak leaves, Capitol Reef National Park

Gambel Oak Leaves, Autumn. Capitol Reef National Park, Utah. October 26, 2012. © Copyright 2012 G Dan Mitchell – all rights reserved.

Brilliantly colored autumn colors of Gambel Oak leaves, Capitol Reef National Park

This is a very different view of the autumn gambel oak leaves than another that I recently posted. That other photograph showed the perhaps more typical brown or tan phase of fall oak leaf color. This one, on the other hand, shows a particularly colorful specimen of these leaves, caught at perhaps just the right moment and in the right light in a canyon of Capitol Reef National Park early one late-October morning.

The angle from which you view these leaves matters a lot, as it often does with autumn leaves in general. The nature of the ambient light also makes a big difference. And did I mention the timing!? If you can get a bit of back-light behind the oak leaves, what might otherwise be a bit dull can begin to glow. And the soft, diffused lighting in this deep canyon setting allowed the light to fill in the shadows. These particular specimens possess very interesting color and shape patterns: there is an interior still-green section on many of the leaves that is just beginning to edge towards yellow-gold, and it is surrounded by brilliantly red and orange leaf edges. When I shoot in deep shade – and these plants were deep in the shade of this small canyon – I often find that the photograph seems unnaturally blue, given that most of the light is either direct or reflected blue sky. In most cases, in order to get a color balance that reflects what the eye saw – and our visual system compensates for the blue saturation – I have to alter the color balance a bit and move it away from this artificial-seeming blueness. However, in this case, if I adjusted far enough to neutralize the blue that you can still see on the more-or-less gray branches and twigs, the color of the leaves would probably defy belief!

G Dan Mitchell is a California photographer whose subjects include the Pacific coast, redwood forests, central California oak/grasslands, the Sierra Nevada, California deserts, urban landscapes, night photography, and more.
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Text, photographs, and other media are © Copyright G Dan Mitchell (or others when indicated) and are not in the public domain and may not be used on websites, blogs, or in other media without advance permission from G Dan Mitchell.

Great Blue Heron, Foggy Pasture

Great Blue Heron, Foggy Pasture - A long great blue heron overlooks a pasture in clearing fog, Merced National Wildlife Refuge, California
A long great blue heron overlooks a pasture in clearing fog, Merced National Wildlife Refuge, California

Great Blue Heron, Foggy Pasture. San Joaquin Valley, California. November 25, 2012. © Copyright 2012 G Dan Mitchell – all rights reserved.

A lone great blue heron overlooks a pasture in clearing fog, San Joaquin Valley, California

I photographed this critter on my first bird photography trip of the season in the Central Valley of California, during which I visited several wildlife refuges in the Merced area. In typical Central Valley form, the day started out very foggy – tule fog hugged the valley floor and obscured the view in many places. By late morning most of the fog had dissipated, and hazy light came through the still-humid cool-season atmosphere.

When I first arrived at this refuge, the fog was so thick that it was more or less impossible to photograph the birds – though I tried! Eventually I reconsidered and did some landscape photography in the mysterious atmosphere of the thick fog. As it finally began to clear, I turned my attention back to the migratory birds. I found this solitary blue heron in a pasture at the far corner of the refuge, and I used my car as a “blind” to eventually pull almost parallel to it on the gravel access road, then stopping to make a series of telephoto shots with the foggy pasture as the backdrop.

G Dan Mitchell is a California photographer and visual opportunist whose subjects include the Pacific coast, redwood forests, central California oak/grasslands, the Sierra Nevada, California deserts, urban landscapes, night photography, and more.
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Text, photographs, and other media are © Copyright G Dan Mitchell (or others when indicated) and are not in the public domain and may not be used on websites, blogs, or in other media without advance permission from G Dan Mitchell.

Ross’s Geese Fill the Sky

Ross's Geese Fill the Sky - A large flock of Ross's geese fill the dusk sky during the fly-in, San Joaquin Valley, California
A large flock of Ross’s geese fill the dusk sky during the fly-in, San Joaquin Valley, California

Ross’s Geese Fill the Sky. San Joaquin Valley, California. November 25, 2012. © Copyright 2012 G Dan Mitchell – all rights reserved.

A large flock of Ross’s geese fill the dusk sky during the fly-in, San Joaquin Valley, California

I photographed these birds on my first visit of the season to the San Joaquin Valley wildlife refuges… on a “wild goose chase” to find the Ross’s geese and other migratory birds out there. I spent the entire day in the general area, starting and ending at this refuge since it seems to be one of the more reliable locations in this area for finding the geese.

When I returned in the early evening it was perhaps an hour before sunset. I did a slow drive around the refuge, looking for geese. I saw a few, but they were mostly a bit too far away and out in the marshes where I would not really be able to photograph them. However, as I continued to look, I began to see the first hints of the evening fly-in across on the far side of the refuge, where groups of geese were flying over and an occasional flock would rise and circle for a minute or two. I headed over that direction to find a very large flock in a pasture area not far from the road. As I watched, they rose up in masse, circled the refuge, and then landed more or less where they had started. This is behavior that I recognize from previous visits, and I knew there was a very good chance that they would do it more than once, so I put a long lens on the camera and got out my tripod. (I might shoot birds handheld during the day, but in the evening when the light dims I prefer to use the tripod.) Sure enough, the flock soon lifted off again, once more circling the wider expanse of the refuge, and filling the dusk sky as they came close to my position.

G Dan Mitchell is a California photographer and visual opportunist whose subjects include the Pacific coast, redwood forests, central California oak/grasslands, the Sierra Nevada, California deserts, urban landscapes, night photography, and more. Blog | About | Flickr | Twitter | FacebookGoogle+ | 500px.com | LinkedIn | Email Text, photographs, and other media are © Copyright G Dan Mitchell (or others when indicated) and are not in the public domain and may not be used on websites, blogs, or in other media without advance permission from G Dan Mitchell.

Canyon Bottom, Red Rock, and Trees

Canyon Bottom, Red Rock, and Trees - Red rock sandstone terrain, trees, and brush line a canyon bottom in the high country of Zion National Park
Red rock sandstone terrain, trees, and brush line a canyon bottom in the high country of Zion National Park

Canyon Bottom, Red Rock, and Trees. Zion National Park, Utah. October 22, 2012. © Copyright 2012 G Dan Mitchell – all rights reserved.

Red rock sandstone terrain, trees, and brush line a canyon bottom in the high country of Zion National Park

Yes, I’m still working that vein of October 2012 Utah photographs! This one came from a productive day, though it wasn’t an easy one, during which we spent a lot of time along the Mount Carmel Highway that passes through the high country of the park, looking for fall color and juxtapositions of light and rock and trees.

This rough terrain varies in its susceptibility to being photographed as the light changes. Areas that might be muted while in shadow can become highlighted and separated from background terrain when the sun strikes them. On the other hand, certain subjects such as fall foliage may be almost impossible to photograph in direct light, but when they fall into shadows the soft and diffuse light can change them. This photograph combines the shadows and the direct light, with the sun lighting a few trees, especially those at the top of the foreground red rock, and letting them stand out against the background terrain that is in the shadows.

G Dan Mitchell is a California photographer and visual opportunist whose subjects include the Pacific coast, redwood forests, central California oak/grasslands, the Sierra Nevada, California deserts, urban landscapes, night photography, and more.
Blog | About | Flickr | Twitter | FacebookGoogle+ | 500px.com | LinkedIn | Email

Text, photographs, and other media are © Copyright G Dan Mitchell (or others when indicated) and are not in the public domain and may not be used on websites, blogs, or in other media without advance permission from G Dan Mitchell.