Tag Archives: filled

Photographs: Croatia, Photographs: Europe, Photographs: Structures and Objects, Photographs: Travel, Photographs: Urban/Street

Perpendicular

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Perpendicular
Blue wooden doors with former windows filled by painted wood panels.

Perpendicular. © Copyright 2023 G Dan Mitchell.

Blue wooden doors with former windows filled by painted wood panels.

Many photographers are intrigued — obsessed, even — with the abstract qualities of shapes, form, color, and texture. Many of you already understand that these things are often as important as, if not more so, than the objective content of photographs. A photograph does record things, but it isn’t just recording “what we see” — it is also about recording, arranging, and presenting “how we see.” And many of use — almost all, really — see this other things when we use our cameras.

I made this photograph while walking through Trogir, Croatia one morning — I am pretty sure this was the morning when Franka Mlikota Gabler and I met there to photograph. This town can be very crowded later in the day, but in the early morning hours we had it almost to ourselves, and there was plenty of time to photograph things like this without distractions. What is the photograph “about?” Hard to say precisely, and you have a voice in this, too. But I was obviously fascinated by the perpendicular arrangement of lines and rectangles, the subtle difference in the blue tones, and the weathering and other imperfections in the surfaces.

G Dan Mitchell is a California photographer and visual opportunist. His book, “California’s Fall Color: A Photographer’s Guide to Autumn in the Sierra” is available from Heyday Books, Amazon, and directly from G Dan Mitchell.

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Photographs: Birds, Photographs: Central California, Photographs: Nature, Photographs: Wildlife

Cloudscape With Birds

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Cloudscape With Birds
Migratory birds fill the winter sky against a backdrop of clearing storm clouds.

Cloudscape With Birds. © Copyright 2023 G Dan Mitchell.

Migratory birds fill the winter sky against a backdrop of clearing storm clouds.

Yes, it is a little bit difficult to see the birds in this photograph. (If you have the option, you may want to view it larger.) But in a way, that is kind of the point — to set the very small and very numerous birds against that grand scale of this California Central Valley winter cloudscape. When photographing birds I almost always wish I could get closer — but there’s also inevitably a moment when I am moved by the distant view a sky filled with thousands of birds.

I made this photograph on New Year’s morning, shortly after the first dawn of 2023. In order to arise before dawn I had to be in bed well before midnight. (I suppose that there was a time when I might have stayed up until midnight and gotten up before the sun!) As wonderful as it was to greet the new year in the company of thousands of migratory birds, it was even better to be in the company of a wonderful little band of photographers and friends who gather together on every New Year’s Day.

G Dan Mitchell is a California photographer and visual opportunist. His book, “California’s Fall Color: A Photographer’s Guide to Autumn in the Sierra” is available from Heyday Books, Amazon, and directly from G Dan Mitchell.

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Links to Articles, Sales and Licensing, my Sierra Nevada Fall Color book, Contact Information.

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All media © Copyright G Dan Mitchell and others as indicated. Any use requires advance permission from G Dan Mitchell.

Photographs: Nature, Photographs: Sierra Nevada

Lupine-Filled Meadow, Evening

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Lupine-Filled Meadow, Evening
Lupine blooms carpet and alpine meadow against a backdrop of evening light on Sierra Nevada peaks

Lupine-Filled Meadow, Evening. John Muir Wilderness, California. August 28, 2017. © Copyright 2017 G Dan Mitchell – all rights reserved.

Lupine blooms carpet and alpine meadow against a backdrop of evening light on Sierra Nevada peaks

This was an unusual and exceptional year in the Sierra Nevada, primarily because the range finally — after five years of drought! — had not only good winter precipitation, but record-breaking precipitation. After watching the range dry out in very scary ways for the paste half of a decade, it has been tremendously gratifying to see a summer season that felt more normal. Because of the heavy winter storms, the high country snow melted out later than usual, and many places that typically might open by June or earlier were still closed well into July. And when the high country did open, there was still snow everywhere and creeks and rivers continued to run high well into the summer.

A side effect of all of this was that the short high country season of growth was delayed and extended, as we clearly saw during our week-plus backcountry photography excursion at the end of August and into the first few days of September. In a typical year I usually begin to sense autumn coming on by this point in the season, but this year it felt like full-blown summer: the creeks were still flowing strongly, there were snow fields in the higher mountains and we still had to cross them to get over passes, meadows were lush and green, and there were wildflowers everywhere. this meadow was a wonderful example. Located only a short walk away from our camp, it was absolutely filled with flowers, but especially with one of the largest displays of lupine that I’ve seen in the range.

G Dan Mitchell is a California photographer and visual opportunist. His book, “California’s Fall Color: A Photographer’s Guide to Autumn in the Sierra” is available from Heyday Books and Amazon.
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Photographs: Central California, Photographs: Nature, Photographs: Northern California, Photographs: Wildlife

Goose-Filled Sky, Dusk

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Goose-Filled Sky, Dusk
Thousands of Ross’s geese fill the dusk sky above California’s San Joaquin Valley

Goose-Filled Sky, Dusk. San Joaquin Valley, California. February 5, 2016. © Copyright 2016 G Dan Mitchell – all rights reserved.

Thousands of Ross’s geese fill the dusk sky above California’s San Joaquin Valley

The light and the photographic subjects pass through a series of stages at the end of the day in these wetlands areas. The nondescript late afternoon light takes on a warmer tone as the sun drops toward the horizon and shadows lengthen, and often clouds in the distant west may momentarily mute the light. There is still plenty of light for traditional bird photography, as the direct sunlight has not yet disappeared. Before long comes the last bit of direct sun, golden in color on the bodies of white geese, and then it is twilight.

At this transitional moment all sort of light magic can happen. As flocks of birds wheel around in the night sky they take on different colors — the gold of reflected sunset, the blue of the eastern sky that is transitioning towards night, and sometimes they simply are black against the sky. And the sky shifts colors, too. Sometimes the effect is wild and gaudy, but more often it is subtle, with tones of pink and blue and purple and more. By the time I made this photograph the light was becoming quite dim, and it was dark enough that I could no longer maintain a shutter speed that would stop the motion of the birds. So I no longer tried! I use a longer shutter speed and pan, watching for the flocks to compose themselves in interesting ways, always in constant motion, and against the colors of the evening sky.

G Dan Mitchell is a California photographer and visual opportunist. His book, “California’s Fall Color: A Photographer’s Guide to Autumn in the Sierra” is available from Heyday Books and Amazon.
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All media © Copyright G Dan Mitchell and others as indicated. Any use requires advance permission from G Dan Mitchell.