Tag Archives: first light

Scot Miller’s ‘First Light’ Videos

A bit more than two decades ago (I believe it was 2001), the Yosemite Fund (now the Yosemite Conservancy) initiated a project to put groups of landscape photographers into the Yosemite backcountry for a week or more at a time. With pack animal support, the photographers were able to bring the range of equipment required to do this work, and to remain “out there” long enough to become deeply acquainted with these places and produce an extensive body of photographic work.

The initial group was comprised of Charles Cramer, Karl Kroeber, Scot Miller, Mike Osborne, and Keith S. Walklet. I started tagging along in about 2008 and eventually became one of the gang. Over the years the group — will occasional others join us — continued to photograph in the Yosemite backcountry and eventually branched out to work in other locations in the high country.

There have been few projects like this one, supporting serious photography in the High Sierra over a period of many years and producing an exception body of work.

Scot Miller is not only a fine still photographer, but also a very accomplished videographer. In addition to making his own beautiful photographs on these trips, from the very beginning he was documenting the group’s work in video form. More recently Scot managed to do a series of interviews with each of us, and he has begun releasing them on YouTube.

Below are links to some of the videos that are currently available. First the “origin story” of the group.

Then pieces on three of the photographers:

Charles Cramer

Karl Kroeber

Mike Osborne.

And a bonus: The Longest Ride

G Dan Mitchell is a California photographer and visual opportunist. His book, “California’s Fall Color: A Photographer’s Guide to Autumn in the Sierra” (Heyday Books) is available directly from him. Blog | Bluesky | Mastodon | Substack Notes | Flickr | Email

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Red Wall Sunrise

Red Wall Sunrise
Saturated sunrise light on sandstone cliffs and ledges, Zion National Park.

Red Wall Sunrise. © Copyright 2021 G Dan Mitchell – all rights reserved.

Saturated sunrise light on sandstone cliffs and ledges, Zion National Park.

If you have been reading my posts about Utah recently, you may recall that I mentioned the striking contrast between my home range, the Sierra Nevada, and the far more colorful landscapes of Utah. Every time I return from red rock country the California landscape seems so… gray. (Don’t worry. I get over this quickly, and there’s plenty to photograph here, too!) But in many places in Utah the combination of blue sky, red rock, and green foliage — often with a few other colorations mixed in — produces a landscape of remarkably varied coloration.

But sometimes things go just a bit over the top. I have a few photographers here and there in my archives where the colors were so intense or so unusual that I hesitate the share them, as I know that someone will inevitably doubt that the photograph represents something close to what happened. (To be sure, photographs do not simply “capture” what the camera saw, and most good photography involves some level of post processing… just like good writing involves some degree of editing.) This sunrise light in Zion Canyon produced something that seems, at least in a photograph, to be unbelievable and even impossible. But red dawn light on red rock walls actually can look like this, at least for a brief interval. The truth of the matter here is that I had to reduce the color saturation!


G Dan Mitchell is a California photographer and visual opportunist. His book, “California’s Fall Color: A Photographer’s Guide to Autumn in the Sierra” is available from Heyday Books, Amazon, and directly from G Dan Mitchell.

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Trees, Rocky Ridge, Sunset

Trees, Rocky Ridge, Sunset
Wildfire smoke turns the sunset deep red on a rock and tree covered Yosemite wilderness ridge.

Trees, Rocky Ridge, Sunset. © Copyright 2021 G Dan Mitchell – all rights reserved.

Wildfire smoke turns the sunset deep red on a rock and tree covered Yosemite wilderness ridge.

Every so often the sky coughs up some light that is almost unbelievable, and I feel obligated to say that, yes, this really did happen… and perhaps offer an explanation. In this case the story is a combination of location Every so often the sky coughs up some unbelievable light, and I feel obligated to say that, yes, this really did happen… and perhaps offer an explanation. In this case the story is a combination of location and conditions. This granite dome-like ridge is located in the Yosemite backcountry overlooking a large canyon and with an unobstructed view to the western horizon. That distant horizon is across the Great Central Valley and marked by the Coast Range. Because the ridge is high the line to the sun right at sunset goes though a lot of atmosphere, which tends to soften and warm the light. On top of that, this was the season of widespread wildfire smoke, and that added to the bloody red color of the light on this ridge.

I had been out on an evening walk away from camp that took me up to a high point on the ridge behind this camera position. I made photographs up there and then started to walk along the backbone of the ridge that would take me back to camp. As I came around to this section that is open to the west, the color of the light was just about as intense as it gets. I dropped my camera bag, popped up my tripod, and made a few exposures during the last moments before the sun dropped below the horizon.


G Dan Mitchell is a California photographer and visual opportunist. His book, “California’s Fall Color: A Photographer’s Guide to Autumn in the Sierra” is available from Heyday Books, Amazon, and directly from G Dan Mitchell.

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Peninsula Trees, Morning

Peninsula Trees, Morning
Trees on a rocky peninsula catch the first morning sun at a Yosemite National Park backcountry lake.

Peninsula Trees, Morning. © Copyright 2021 G Dan Mitchell – all rights reserved.

Trees on a rocky peninsula catch the first morning sun at a Yosemite National Park backcountry lake.

There’s nothing like have the time for a slow morning wandering the perimeter of a forest-lined Yosemite backcountry lake. We camped at this one for something like four nights back in 2014, when a group of us spent a week in the high country making photographs. Each morning, well before sunrise, it was down to the shoreline wander and photograph.

I love photographs of trees in back-light, but there are some challenges. The obvious one, of course, is that you are pretty much guaranteed to be shooting almost directly into the sun. But second challenge is that the scene between camera position and subject is often in the bright sunlight, even if the background is pleasantly shaded. Photographing on a lake can help with this issue since the water helpfully reflects that shaded background and is hardly affected at all by the direct light, aside from a bit of extra illumination of anything that happens to be floating on the water.


G Dan Mitchell is a California photographer and visual opportunist. His book, “California’s Fall Color: A Photographer’s Guide to Autumn in the Sierra” is available from Heyday Books, Amazon, and directly from G Dan Mitchell.

Blog | About | Flickr | FacebookEmail

Links to Articles, Sales and Licensing, my Sierra Nevada Fall Color book, Contact Information.

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All media © Copyright G Dan Mitchell and others as indicated. Any use requires advance permission from G Dan Mitchell.