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Commentary, News, Photographers, Publications

First Light: Five Photographers Explore Yosemite’s Wilderness

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So, you like landscape photography, right? And you are aware that some of the most beautiful photographic subjects can be found in the back-country of California’s Yosemite National Park, right? And you very much enjoy looking through and absorbing the work of photographers who know the place especially well, right?

You need to pick up a copy of First Light: Five Photographers Explore Yosemite’s Wilderness, published by Heyday Press.

The book features the wonderful photography of a group of photographers whose experience in the park is extraordinary and varied: Charles Cramer, Karl Kroeber, Scot Miller, Mike Osborne, and Keith S. Walklet. Right now copies of the book autographed by all five photographers are available from the Ansel Adams Gallery.

(For the record, I have no financial interest in this book and if you purchase through the links in my post I receive no compensation from the sale. I just like the book and the photographers a lot and think you might, too!)

Photographs: Desert, Photographs: Mono Lake Basin, Photographs: Nature

First Light, South Tufa

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First Light, South Tufa

First Light, South Tufa. Mono Lake, California. June 7, 2009. © Copyright G Dan Mitchell – all rights reserved.

First light of dawn illuminates tufa towers and distant mountain at Mono Lake, California.

This photograph was made at the usual spot – anyone who has photographed at Mono (and who hasn’t!? :-) knows that the most consistent spot to shoot sunrise light is at the South Tufa area, down the road from highway 395 a bit south of Lee Vining. On a good morning you’ll have at least some clouds, and the location of those clouds may dictate what your foreground subject is; do you want to shoot to the north and the low hills, to the east and towards the sunrise, or toward the Sierra Nevada crest? You arrive very early, usually well before dawn, and walk out to the edge of the water where the towers are. You find a composition and wait, with the only sounds the cries of seagulls (a sound I immediately associate with Mono) and possibly the voices of other photographers. The sky begins to lighten and then, almost before you know it, the warm glow of the first dawn light begins to light up the towers. (Am I the only one who marvels that this happens in almost complete silence?)

This photograph is not in the public domain. It may not be used on websites, blogs, or in any other media without explicit advance permission from G Dan Mitchell.

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Photographs: Death Valley, Photographs: San Francisco, Photographs: Sierra Nevada, Photographs: Yosemite

Half Dome and El Capitan, Morning Light

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Half Dome and El Capitan, Morning Light

Half Dome and El Capitan, Morning Light. Yosemite National Park, California. May 10, 2009. © Copyright G Dan Mitchell – all rights reserved.

The first view of Half Dome and El Capitan upon arriving at Yosemite Valley in the early morning.

Let’s think of this as a work in progress…

Almost every time I enter Yosemite Valley via the northern highway 120 route I stop at this turnout not far below the turnoff to Foresta, where the first view of Half Dome and El Capitan suddenly looms ahead. I am so familiar with this road that I know exactly when this view will appear, but it must be stunning for a first-time visitor to round this ridge and see these icons looming ahead. I pull out, park the car, fit the long lens, and see what the conditions will produce on this particular day.

I have a vision for a photograph that I’ll probably get some day from this spot, but it will take a perfect combination of light (type, angle, intensity) and atmosphere (some haze but some clarity in the scene as well) and conditions (a bit of snow somewhere, perhaps like that on the summit of Half Dome in this photo). I have a feeling that the day on which it happens will not necessarily be an otherwise stunning day – but the conditions for this shot will be right.

In the meantime this version and a companion in landscape orientation that I shot in early May will have to do. Besides the obvious iconic stuff (Half Dome in the far center and the face of El Capitan looming on the left) there are some interesting visual coincidences in this scene. Notice that the curve of the upper right ridge of Half Dome is mirrored in the curve of the foreground ridge in front of El Capitan. The concave curve on the very upper left side of Half Dome (close to the cliff next to the “cable route”) is mirrored by the dip in the foreground trees. The descending angle of the middle-distance ridge on the right side extends into the downward slanting crown of the trees at lower left.

This photograph is not in the public domain. It may not be used on websites, blogs, or in any other media without explicit advance permission from G Dan Mitchell.

G Dan Mitchell Photography

keywords: yosemite, valley, national park, half dome, el capitan, silhouette, haze, light, cliff, mountain, forest, trees, black and white, landscape, scenic, travel, california, usa, sky, snow, spring, morning, early, first, view, overlook, stock

Commentary, Equipment, Photographs: Nature

Canon EOS 5D II: Notes on Today’s Photograph

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Since today’s photograph (“Redwood Forest, Morning“) was one of the first landscape photographs I shot with my new Canon EOS 5D II, I was interested to see how the camera would perform and what print quality might look like.

This photograph was a bit trickier than may be apparent. It was overcast and early in the morning, I was in the bottom of a deep valley, the wind was blowing, and the light was constantly changing. In addition I used a 85mm lens (the excellent EF 85mm f/1.8) on a full frame DSLR, so I had to shoot at a rather small aperture for DOF reasons, necessitating a very slow shutter speed in order to work at my preferred ISO 100.

With all of those challenges, when I made the first small test print of this photograph last night I was very impressed with the level of detail in the photograph and I’m certain that it will work as a very good sized print – in fact, this particular image almost needs to displayed large.

When a new camera body is introduced there always seems to be a string of reports of poor performance. Sometimes there is some truth to the reports, but it is my opinion that many of the reports are the result of poor technique, unrealistic expectations,  obsession with “issues” that are irrelevant in actual photographs, and general mistrust of any Big Company that sells expensive camera equipment. I read these reports and think about them a bit, but I don’t assume that they are correct until I see evidence – preferably evidence that I produce myself. The first direct evidence comes from looking closely at photographs on the monitor as I work on them in ACR and then in Photoshop, but the real evidence comes when I make a print. After doing both of the above – and contrary to some rumors you may hear – there are no issues with noise in the shadows and the overall image – even with the increased number of photosites – seems excellent in every way to me.

Does my Canon EOS 5D II produce excellent image quality? Yes. Am I seeing unusual or troubling amounts of noise? No. Are banding problems in the shadows impairing my photographs? No. Do carefully made photographs using this equipment have the potential to produce excellent prints? Yes.

Am I pleased with the results from my 5DII at this point? Yes.