Tag Archives: flats

San Pablo Bay

San Pablo Bay
Old pilings in tidal flats along the edge of San Pablo Bay.

San Pablo Bay. © Copyright 2013 G Dan Mitchell – all rights reserved.

Old pilings in tidal flats along the edge of San Pablo Bay.

This photograph comes from a wonderful visit to a spot along the shoreline of San Pablo Bay, which is essentially a lobe of San Francisco Bay. While the entire Bay Area, especially those areas that are right along the water, is typically a busy urban area, there are still locations where you can almost completely escape that vibe. This is one of those spots, at a park that walls off almost entirely any signs of urban or modern industrial development, and where the long views obscure those things in the distance.

In this particular location the edges of the bay are more or less tidal flats, and the water along the immediate shoreline tends to be very shallow, often emerging at low tide. The old pilings are a remnant of an earlier time when there was a settlement here and when it was the site of an active shrimp harvesting industry. On this morning, it was mostly a very quiet and still place.


G Dan Mitchell is a California photographer and visual opportunist. His book, “California’s Fall Color: A Photographer’s Guide to Autumn in the Sierra” is available from Heyday Books and Amazon.

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Badlands and Valley, Morning

Badlands and Valley, Morning
Eroded formations and Death Valley in morning light.

Badlands and Valley, Morning. © Copyright 2019 G Dan Mitchell – all rights reserved.

Eroded formations and Death Valley in morning light.

This is a location that I often go to in Death Valley when I want to photograph in the early morning… and I’m feeling a bit lazy and trying to avoid a long drive. The area is, for many folks, more or less a “drive through” site, but I’ve been going back there for years, lingering and exploring on foot and with my camera.

For the most part in this place you’ll find close-up views of beautifully eroded formations of contrasting colors, with lots of opportunities to photograph the “intimate landscape” of close to medium distance subjects. But in a few spots you can obtain a wider view and see far beyond this hills. To make this photograph I climbed a bit so that I could look over the nearby hills and out into the vast expanse of Death Valley in the early morning light.


G Dan Mitchell is a California photographer and visual opportunist. His book, “California’s Fall Color: A Photographer’s Guide to Autumn in the Sierra” is available from Heyday Books and Amazon.

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All media © Copyright G Dan Mitchell and others as indicated. Any use requires advance permission from G Dan Mitchell.

Desert Hills and Salt Flats, Morning

Desert Hills and Salt Flats, Morning
Desert hills on a giant alluvial fan dropping to Death Valley salt flats

Desert Hills and Salt Flats, Morning. © Copyright 2019 G Dan Mitchell – all rights reserved.

Desert hills on a giant alluvial fan dropping to Death Valley salt flats.

Each time I visit Death Valley ‚ and when visiting certain other challenging landscapes, I’m reminded that my memories tend to focus on the most pleasant, easiest, and most beautiful scenes… and that there are a lot of intervening periods when the photography can be quite challenging. I had to remind myself of that on this morning, as it began with extremely unpromising light. The sky was largely overcast, there was some bluish haze in the air, and sunrise came with barely any warming of the color at all. But you (almost) never know whether such light may turn into something more interesting… so you try to stick with it and be ready.

A bit later, around the time when I might typically be starting to think of concluding my early morning photography on an easier day, the clouds began to thin and move into better positions, and areas of light started to play across the landscape. As I often do in such conditions, I remained in a high place with a panoramic view of the immense landscape, putting a long lens on the camera so that I could make photographs of small areas where the light seemed more interesting. The dark hills low in the frame sit on the giant alluvial wash leading down to the salt playa of death valley, where the landscape eventually fades into the distant haze.


G Dan Mitchell is a California photographer and visual opportunist. His book, “California’s Fall Color: A Photographer’s Guide to Autumn in the Sierra” is available from Heyday Books and Amazon.

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All media © Copyright G Dan Mitchell and others as indicated. Any use requires advance permission from G Dan Mitchell.

From Panamints To Death Valley

From Panamints To Death Valley
The view down into Death Valley from high along the summit of the Panamint Mountains

From Panamints To Death Valley. © Copyright 2018 G Dan Mitchell – all rights reserved.

The view down into Death Valley from high along the summit of the Panamint Mountains

Death Valley National Park — like virtually all national parks — contains a few features that have become iconic. These are the places everyone goes, and I probably don’t have to name them here. I would not dismiss such places — many of them, as we say, “are icons for a reason.” When I first visited this part two decades ago, I started with a few of those locations and I was thrilled to do so.

But now, after many, many visits to the place, I have pushed out my boundaries more and more. This is a huge and diverse park, with everything from the familiar low desert to high mountain ranges reaching above 11,000′ of elevation. While the better known locations can be a bit crowded, especially during the ideal season (when it isn’t so hot!), it doesn’t take a lot of exploring to find solitude. The location where I made this photograph isn’t the most isolated in the park, but it does afford a different view of the main valley.


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G Dan Mitchell is a California photographer and visual opportunist. His book, “California’s Fall Color: A Photographer’s Guide to Autumn in the Sierra” is available from Heyday Books and Amazon.
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All media © Copyright G Dan Mitchell and others as indicated. Any use requires advance permission from G Dan Mitchell.