Tag Archives: flock

Sandhill Cranes, Pond, Sunrise

Sandhill Cranes, Pond, Sunrise
The first light comes to a pond as sandhill cranes begin to take to the air

Sandhill Cranes, Pond, Sunrise. San Joaquin Valley, California. December 26, 2016. © Copyright 2016 G Dan Mitchell – all rights reserved.

The first light comes to a pond as sandhill cranes begin to take to the air

Morning in these wetlands brings the literal reawakening of life in and above the ponds. I usually arrive before dawn, in the faint light of morning dusk and often in fog, just as the sunrise chorus of birds begins. Some take flight, but many are still settled in. Sandhill cranes often stand in shallow water and on low islands in this far corner along the western edge of this place, and I often begin my day of photography with these birds.

This was mostly a clear morning, with just a bit of general morning haze and here and there small bits of fog. As the pre-sunrise light in the eastern sky increased these cranes became more active, and eventually they began to take off and depart for the day. I made this photograph just as the first sunrise light arrived on the trees along this levee.


G Dan Mitchell is a California photographer and visual opportunist. His book, “California’s Fall Color: A Photographer’s Guide to Autumn in the Sierra” is available from Heyday Books and Amazon.
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The Cranes Return

The Cranes Return
Lesser sandhill cranes return to wetland marshes in fading dusk light

The Cranes Return. San Joaquin Valley, California. December 3, 2016. © Copyright 2016 G Dan Mitchell – all rights reserved.

Lesser sandhill cranes return to wetland marshes in fading dusk light

There is a natural cycle to the day during the winter at these San Joaquin Valley wetland marshes — actually there are multiple cycles. One is the cycle of the animals themselves, responding to the dawn, moving to daytime activities, coming and going, then settling in once again for the night. Another is the cycle of the photographer or viewer of this wildlife, whose own patterns are inextricably linked to those of the birds and the light, but who also may sometimes choose when and where to focus efforts.

The midday and early afternoon hours are, at least most of the time, relatively quiet and slow. It makes sense that during the times of day when conditions are the most stable that the birds would also be more settled. (There are seasonal exceptions, including the late winter time when the winter residence of many birds is coming to an end and another migration cycle is about to begin.) The evening brings another transition, and one of the final and most impressive moments often comes after sunset with the dusk fly-in of the sandhill cranes. Long strings of these birds appear (usually from the south in this place), flying low and straight paths toward the places where they will land and spend the night.


G Dan Mitchell is a California photographer and visual opportunist. His book, “California’s Fall Color: A Photographer’s Guide to Autumn in the Sierra” is available from Heyday Books and Amazon.
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Sandhill Cranes, Island, Fog

Sandhill Cranes, Island, Fog
A group of sandhill cranes stands on a small wetland island on a foggy morning

Sandhill Cranes, Island, Fog. San Joaquin Valley, California. December 3, 2016. © Copyright 2016 G Dan Mitchell – all rights reserved.

A group of sandhill cranes stands on a small wetland island on a foggy morning

I love the Central Valley tule fog during this part of the year — perhaps not for driving, but when it comes to creating moody and interesting atmosphere, the fog produces. In fact, quite often I’ll check the weather forecast before heading that way during gate late-fall through early spring period, and if the weather looks too nice I won’t go. But if the weather calls for fog, I’m on my way! This visit started out to be an exception to that rule, since the weather forecast did not mention fog at all. But when I checked the current conditions before departing there was an indication that some fog had developed in a few areas.

My drive, 100 miles done entirely in pre-dawn darkness, did not suggest fog… until I left the final town before arriving at my slightly remote location. I immediately encountered a surprise fog bank, and it only got thicker as I turned off the main highway onto narrow country roads. I arrived at my destination in freezing temperatures and light fog which continued to thicken for the next hour. These lesser sandhill cranes were hanging out in a spot where I can reliably find them early in the morning, though they were a pretty good distance off across a network of wetland ponds. This group was assembled on a small island, and they must have been comfortable there, as they were the last group to finally take to the air and fly off.


G Dan Mitchell is a California photographer and visual opportunist. His book, “California’s Fall Color: A Photographer’s Guide to Autumn in the Sierra” is available from Heyday Books and Amazon.
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All media © Copyright G Dan Mitchell and others as indicated. Any use requires advance permission from G Dan Mitchell.

Arrival of Geese, Dusk

Arrival of Geese, Dusk
Geese land in a wetland pond at dusk

Arrival of Geese, Dusk. San Joaquin Valley, California. December 3, 2016. © Copyright 2016 G Dan Mitchell – all rights reserved.

Geese land in a wetland pond at dusk

In an earlier post I alluded to my occasional good fortune in being the recipient of unanticipated events while out photographing, in this case the unexpected arrival of a dusk flock of geese right in front of the spot where I was standing and quietly watching the dusk light fade, thinking that I had finished my photography for the day. In that last moment, a flock took to the air a good distance away across wetland ponds, expanded the circle of its flight, and without warning began to land in the pond next to my position.

The relationships between luck and skill and preparation are complex, but there is no denying that luck plays a role in photographing the natural world. While I could tell that the sky was becoming beautiful, and while I am prepared to make technical and esthetic decision about how to photograph things as they happen, the fact that this flock took off in the dusk light and then landed perhaps fifty feet from my position is certainly nothing for which I can take credit. It does pay to be prepared, to have done this enough times to have a good chance of making the right decisions quickly when the opportunity arrives and, perhaps most of all, to be out there in the field as much as possible. One moment like this one makes it worthwhile.


G Dan Mitchell is a California photographer and visual opportunist. His book, “California’s Fall Color: A Photographer’s Guide to Autumn in the Sierra” is available from Heyday Books and Amazon.
Blog | About | Flickr | Twitter | FacebookGoogle+ | LinkedIn | Email


All media © Copyright G Dan Mitchell and others as indicated. Any use requires advance permission from G Dan Mitchell.