Tag Archives: flowers

An Informal (and Surprising!) Death Valley Wildflower Report

Gilia Buds
Gilia Buds

Gilia Buds. Death Valley National Park, California. April 2, 2014. © Copyright 2014 G Dan Mitchell – all rights reserved.

Gilia buds opening on a rainy day, Death Valley National Park

This is going to be a sort of hybrid post, covering two subjects and out of phase with my normal daily photograph posts. Think of it as a bonus post—a photograph and an informal report on Death Valley National Park wildflowers. The description of this photograph follows the report on Death Valley wildflower conditions.

Wildflower Conditions

By now it is no longer news that California and other parts of the west are in the throes of a very serious drought. The situation is especially serious in California, which is now experiencing the worst in a series of three below-normal precipitation years. Many parts of the state are experiencing what have been described as historic drought conditions. The situation remains critical—and many of us are worried about the upcoming wildfire season—though recent March and early April rains brought a bit of relief.

All spring I have been hearing that the drought would make this a poor year for desert wildflowers in Death Valley. However, I knew that Death Valley had experienced some rain events in the past few months and that desert plants are quite opportunistic, often quickly blooming in response to moisture. I know Death Valley fairly well, though I’m no expert on wildflowers. However, I had a hunch that we might be surprised by how the wildflower season would play out.

We visited the park for several days right around the beginning of April. Even before we arrived, we saw a decent number of wildflowers as we drove across other desert areas on the way to the park. It seemed like plants were acting in the opportunistic manner I describe above and quickly sprouting up and blooming in response to recent rains. As we entered the park and crossed Towne Pass we (especially my wife, who is passionate about photographing the “small things”) began to notice a lot of wildflowers in many places, including whole beds of colorful flowers in many places along this drive. While we did not see the tremendous blooms on the Valley floor that can occasionally occur, once we got up into higher country we saw flowers everywhere, at least when we slowed down and looked. There was more rain and snow during our visit, and the additional moisture is bound to encourage other plants and flowers to grow.

I just saw a report at the Desert USA website (which names the flowers in ways that I cannot hope to do) confirming what we saw—that there is actually a substantial bloom of desert wildflowers in many places. If you have the opportunity to head out that way soon, do so!

About the Photograph

Believe it or not, it was snowing lightly when I made this photograph! We began our day by driving on gravel roads before sunrise to reach a high location in the Panamint Range from which we planned to photograph at sunrise. The sunrise photography turned out to be a challenge, as it was cloudy at first light and the clouds only increased as the sunrise progressed. Soon we began to notice snow falling on nearby peaks, though it did not fall where we were until after we moved on. Later, in a less exposed location but with temperatures in the low thirties, we encountered our first very light snowfall, and we could see that it was snowing more heavily on the peaks and ridges around us.

We moved on, heading up into Wildrose Canyon. My original plan had been to drive to the end of the road, but by the time we reached the Charcoal Kilns it was snowing hard enough that this no longer seemed like a great idea. In fact, other drivers with two-wheel drive vehicles were having problems ascending the last section of the road to the kilns. We photographed the snowy conditions here and back in Wildrose Canyon, and then as the snow abated a bit we drove on, heading back in the direction of Emigrant Pass. Not far from the pass we found a hillside covered with a spectacular display of flowers. At first it was some cacti that caught our attention, but as we got out and looked around we saw many, many flowers all around. These gilia buds had not yet opened into their more showy display.

G Dan Mitchell is a California photographer and visual opportunist whose subjects include the Pacific coast, redwood forests, central California oak/grasslands, the Sierra Nevada, California deserts, urban landscapes, night photography, and more.
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Text, photographs, and other media are © Copyright G Dan Mitchell (or others when indicated) and are not in the public domain and may not be used on websites, blogs, or in other media without advance permission from G Dan Mitchell.

Canyon Wall in Reflected Light

Canyon Wall in Reflected Light
Canyon Wall in Reflected Light

Canyon Wall in Reflected Light. Death Valley National Park, California. December 11, 2013. © Copyright 2013 G Dan Mitchell – all rights reserved.

Pink and blue canyon wall and plants in midday light reflected from a nearby cliff

This is the second photograph I made along this section of curiously colorful cliff face deep in the “narrows” of a Death Valley National Park canyon. I have visited this place a number of times – it isn’t all that hard to get to – and often found it to be a very challenging photographic subject. I have shot it before, but mostly made it work by including people in the frame or by shooting subjects above the canyon rather than at the bottom. Because it is so deep – and it lacks the beautiful reddish rock of the Southwest – the depths of the canyon are often simply dark and somewhat drab.

As I passed through this time I took a slower pace than sometime, and I’m sure I saw things that I had overlooked before. This was certainly the first time that I had noticed the pink tinge to the rocks in this spot, much less the subtle blue tones of the underlying layers, the interesting rippled patterns, and the glow of light from an opposite canyon wall. I almost kept going but something told me to slow down and spend a bit of time here looking around, and I finally decided to see what compositions I could make out of the cracked rock and very sparse plants.

G Dan Mitchell is a California photographer and visual opportunist whose subjects include the Pacific coast, redwood forests, central California oak/grasslands, the Sierra Nevada, California deserts, urban landscapes, night photography, and more.
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Text, photographs, and other media are © Copyright G Dan Mitchell (or others when indicated) and are not in the public domain and may not be used on websites, blogs, or in other media without advance permission from G Dan Mitchell.

Downtown Storefronts

Downtown Storefronts
Downtown Storefronts

Downtown Storefronts. Seattle, Washington. August 14, 2013. © Copyright 2013 G Dan Mitchell – all rights reserved.

A row of downtown bars and restaurants, Seattle, Washington

This is another Seattle photograph, shot quickly in street style while walking around portions of the city and exploring. It is hard for me to put my finger on precisely what it is that appeals to me about subjects like this, but let me make an attempt. My first impression of such a location, especially in the daytime when everything is more clearly seen and fewer people are around, is that a lot of it is simply run down and even drab – weathered bricks, worn and peeling paint, construction that isn’t quite square. This patina of age and use is itself interesting, and somehow a photograph of it (or the act of making a photograph of it) helps me see it for what it is and for what else I might otherwise not see.

On the large scale, there are patterns that appeal to me – and, yes, patterns are part of my way of seeing. The scene is divided into successively smaller and smaller rectangular shapes for the most part, ranging from the largest one formed by the green facade to the very small ones formed by things like the spaces between the bars of a gate. Superimposed on this are things that don’t fit the geometric grid – the car (which also seems a bit out of context with the old buildings), the roughly triangular shapes of umbrellas, and many other odd little bits and pieces. In fact, if you like this sort of thing, seeing those “bits and pieces” might make the photo become a bit more than what it first seems to be: the figure of a red and white chef statue in the window at far right above some sort of bright green carts, the tree bright blue flower pots and a pink watering can on a ledge, the bright colors near the “Il Chiosco” sign, one door that has been varnished rather than painted the same drab colors as everything else, etc.

G Dan Mitchell is a California photographer and visual opportunist whose subjects include the Pacific coast, redwood forests, central California oak/grasslands, the Sierra Nevada, California deserts, urban landscapes, night photography, and more.
Blog | About | Flickr | Twitter | FacebookGoogle+ | 500px.com | LinkedIn | Email

Text, photographs, and other media are © Copyright G Dan Mitchell (or others when indicated) and are not in the public domain and may not be used on websites, blogs, or in other media without advance permission from G Dan Mitchell.

Trance Entrance

Trance Entrance
Trance Entrance

Trance Entrance. Seattle, Washington. August 14, 2013. © Copyright 2013 G Dan Mitchell – all rights reserved.

A sign with multiple potential meanings, Pike Place Market

There are so many possible bad puns that could be made about the sign in this photograph, especially considering the city in which it was made and other things that were going on in town at that time. I’ll refrain.

On a free day during a recent trip to Seattle we decided to wander around downtown Seattle and do mostly street photography. We started out near Pike Place Market, where there are abundant opportunities to find not only the coffee and food we were seeking, but also lots of interesting “Seattlish” photographic opportunities. As we walked past an entrancing entrance to the Market, I looked up to see some wildly colorful flowers (not that you can tell here!) growing along the edge of the roof and partially hanging over the sign.

G Dan Mitchell is a California photographer and visual opportunist whose subjects include the Pacific coast, redwood forests, central California oak/grasslands, the Sierra Nevada, California deserts, urban landscapes, night photography, and more.
Blog | About | Flickr | Twitter | FacebookGoogle+ | 500px.com | LinkedIn | Email

Text, photographs, and other media are © Copyright G Dan Mitchell (or others when indicated) and are not in the public domain and may not be used on websites, blogs, or in other media without advance permission from G Dan Mitchell.