Tag Archives: fog

Cranes in Fog

Cranes in Fog
A group of lesser sandhill cranes in thick morning fog, California Central Valley.

Cranes in Fog. © Copyright 2022 G Dan Mitchell – all rights reserved.

A group of lesser sandhill cranes in thick morning fog, California Central Valley.

Awake almost three hours before sunrise, I headed to the kitchen to make coffee — enough to wake me up and enough to fill a thermos for later. I had mostly packed the car the previous night, so I just had to grab a small bag and head out the door to begin a two-hour pre-dawn drive to a place where I expected to find migratory birds and plenty of tule fog, two subjects that I chase during the winter months. The fog began a half hour before I arrived at my destination, and when I arrived as the first light came to the sky I heard thousands of birds in the distance.

At first it was too dark and the atmosphere too opaque for photography, so I headed out to find the source of the sounds. Soon I encountered a large flock of snow geese which departed a moment later. Moving on I got to a spot where I could hear the easily recognized sound of cranes nearby. I could just barely see them though the thick fog, but I stopped and waited, and as the fog drifted a bit I was able to spot them and make a few photographs of a group standing in shallow wetlands.


G Dan Mitchell is a California photographer and visual opportunist. His book, “California’s Fall Color: A Photographer’s Guide to Autumn in the Sierra” is available from Heyday Books, Amazon, and directly from G Dan Mitchell.

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Winter Wetland Trees

Winter Wetland Trees
A copse of winter wetland trees along the Pacific Flyway, New Year’s Day 2022.

Winter Wetland Trees. © Copyright 2022 G Dan Mitchell – all rights reserved.

A copse of winter wetland trees along the Pacific Flyway, New Year’s Day 2022.

This photograph is another one from our New Year’s Day adventure with friends under the skies of the Pacific Skyway. We joined up for New Year’s Eve and then New Year’s Day morning to celebrate the arrival of the new year along with a few tens of thousands of our bird friends, something that has become a tradition among this group of friends and (mostly) photographers.

I think that most of us would agree that it is the combination of birds and fog that primarily attracts us to these places in the winter. The attraction of fog might seem strange to those who live in it and have to drive in it and sometimes tolerate weeks of damp and gray. But its presence lends mystery to this landscape and creates an unending variety of conditions of mystery and light. On the morning I made this photograph, the skies were mostly clear, though a combination of high clouds and very thin fog near the ground softened the light on this group of trees.


G Dan Mitchell is a California photographer and visual opportunist. His book, “California’s Fall Color: A Photographer’s Guide to Autumn in the Sierra” is available from Heyday Books, Amazon, and directly from G Dan Mitchell.

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Water Plants

Water Plants
Water plants and their reflections on a foggy late-winter day in California’s Central Valley.

Water Plants. © Copyright 2021 G Dan Mitchell – all rights reserved.

Water plants and their reflections on a foggy late-winter day in California’s Central Valley.

During the first week of December I finally made my first trip of the season to my favorite bird photography area in Central California. In autumn, all up and down the state, we start to see the arrival of the winter migratory birds, and I’ve become addicted to photographing them and the landscapes in which they appear. I would have gone a bit earlier this year, but I was waiting for the right combination of fog and driving conditions. Yes, I WANT fog. But, no, I don’t want it so thick that dangerous driving conditions are an impediment.

From my perspective, the best bird photograph days in these places start with fog that begins to thin by mid- to late-morning, allowing some filtered, directional light to appear. This was not that kind of day. It ended up being uniformly gray. There were interesting birds around, but not in the numbers that we’ll likely see later. For these and other reasons, by mid-morning I turned my attention mostly away from the birds and towards the landscape. During the early season, as the shallow ponds begin to refill, there is more of a feeling of autumn than winter, and lots of interesting plants still stand in the water. The plants in this picture might be of limited interest — they certainly are not prominent landscape features — but their reflections caught my attention.


G Dan Mitchell is a California photographer and visual opportunist. His book, “California’s Fall Color: A Photographer’s Guide to Autumn in the Sierra” is available from Heyday Books, Amazon, and directly from G Dan Mitchell.

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Wave-Filled Bay, California Coast

Wave-Filled Bay, California Coast
Surf along the beach at the mouth of San Carpoforo Creek near the southen end of the Big Sur coast.

Wave-Filled Bay, California Coast. © Copyright 2021 G Dan Mitchell – all rights reserved.

Surf along the beach at the mouth of San Carpoforo Creek near the southen end of the Big Sur coast.

We were recently in Southern California for the Thanksgiving holiday, and we decided to extend our drive back to Northern California, taking an extra day to drive up the Pacific Coast Highway along the Big Sur Coast. The question of just what is and is not “Bug Sur” comes up in a photograph of a location like this one. My working definition of “Big Sur” is larger than the town by that name much further north, and it encompasses everything south of roughly Carmel, down to the area below Ragged Point where the coastal landscape is much gentler. This photograph comes from the very southern end of that area — the vantage point is very close to Ragged Point, but it looks south toward those coastal lowlands.

Recently I was involved in a discussion in which someone asked about photographing some specific icons along this part of the California coast where one person chimed in with, to paraphrase, “there’s nothing left to photograph there.” While I agree that just re-photographing that handful of familiar icons is a doubtful enterprise, this hundred-mile section of coast is so complex and diverse that I cannot imagine anyone ever being “done” with it or discovering everything it offers. I’ve photographed there for decades, and I still encounter things I haven’t seen before — including this view of the coast and successive beaches and peninsulas stretching to the south.

(Note: I’m experimenting with some changes to the way I format and present photographs online. You may see some differences in how this photograph appears.)


G Dan Mitchell is a California photographer and visual opportunist. His book, “California’s Fall Color: A Photographer’s Guide to Autumn in the Sierra” is available from Heyday Books, Amazon, and directly from G Dan Mitchell.

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Links to Articles, Sales and Licensing, my Sierra Nevada Fall Color book, Contact Information.

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All media © Copyright G Dan Mitchell and others as indicated. Any use requires advance permission from G Dan Mitchell.