Tag Archives: foggy

Coastal Farm, Burned Ridge

Coastal Farm, Burned Ridge
Foggy morning at a coastal far at the base of hill burned by recent wildfires.

Coastal Farm, Burned Ridge. © Copyright 2021 G Dan Mitchell – all rights reserved.

Foggy morning at a coastal far at the base of hill burned by recent wildfires.

On one hand, this is a pleasant enough scene. I had headed to the California coast just north of Santa Cruz for the morning. This is one of the closest coastal locations to me, and I can be in sight o the ocean in a bit over a half hour or so. It was a typical late-spring coastal morning, with thick fog around the peaks as I drove over, and “high fog” (aka “low clouds”) all along the coast. The fog breaks up first over land, and along the this edge of the fog there is often lovely light — mixed sun and shadow, misty atmosphere, and a general soft glow. The bucolic little farm sits against the base of coastal hills, on a flat area near small lagoons.

But there’s something else in this photograph that you may have noticed if you looked closely. That far, upper ridge should be shrouded in forest trees… not the bare, skeletal remains of trees destroyed by last year’s wildfires in the Big Basin region. As a Californian, I’m used to the late-summer and early-autumn wildfire season. In the past decade or so, however, it has become worse and more widespread as the combination of unusual heat and drought have stressed the landscape. This past fire season all kinds of places burned where don’t usually expect to see such huge fires, including locations like this one where the charred forests extend to within sight of the ocean, and in a few cases all the way to it.


G Dan Mitchell is a California photographer and visual opportunist. His book, “California’s Fall Color: A Photographer’s Guide to Autumn in the Sierra” is available from Heyday Books, Amazon, and directly from G Dan Mitchell.

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Departure

Departure
waves of Ross’s geese lift off into foggy early morning winter sky

Departure. © Copyright 2018 G Dan Mitchell – all rights reserved.

Waves of geese lift off into foggy early morning winter sky

There are many ways in which geese may depart, and almost any time I watch them I think about when and how they will leave. They might leave one or two at a time, perhaps circling around and returning, or possibly simply flying a short distance to a more interesting spot nearby. They might begin a mass departure by leaving in small groups of perhaps a half-dozen or a few more. The geese in this photograph were leaving in what might be described as waves — groups of perhaps a dozen or two lifting off at once and forming into lines as they headed to the north. There is also that most spectacular event, when many thousands of them erupt into the air simultaneously, with a shocking sound of thousands of wings along with their cries.

On this winter morning we arrived before dawn, as always, and watched as ground fog formed over the wetlands. We did not find the spectacularly large flocks that we sometimes see but there were groups still settled into ponds. As the first light arrived they began to fly away, first a few, then larger groups, until very soon all of them had left.


G Dan Mitchell is a California photographer and visual opportunist. His book, “California’s Fall Color: A Photographer’s Guide to Autumn in the Sierra” is available from Heyday Books and Amazon.
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All media © Copyright G Dan Mitchell and others as indicated. Any use requires advance permission from G Dan Mitchell.

Cranes and Geese, Fog

Cranes and Geese, Fog
Cranes and Geese, Fog

Cranes and Geese, Fog. San Joaquin Valley, California. February 13, 2015. © Copyright 2015 G Dan Mitchell – all rights reserved.

Sandhill cranes and Ross’s geese on the ground and in the air on a foggy winter morning.

This visit to the San Joaquin Valley birds was almost a sort of accident. We were on our way to Yosemite for a couple of days for the opening reception for an exhibit in Oakhurst, and as we headed west from the Bay Area we thought we might just make a detour to one of our favorite spots. Initially it didn’t look too promising — we got on the road later than usual, once in the Valley it looked like it was going to be a “blah” fair weather day. But I had a hunch that there might still be some interesting fog out in this area, so we left the main road on our detour. Sure enough, before long we encountered tule fog, and the refuge we visited was still pretty socked in when we arrived.

We didn’t know what we might find, so we were very excited to find very large and active flocks of Ross’s geese and sandhill cranes in an area close to observations locations. We quickly grabbed camera gear and headed to a spot where we could see them… and we got one of the best bird and light shows of the year so far. The white geese and the darker cranes were mixing together, almost as a single flock. There was action everywhere as birds left, other birds arrived, and still more wheeled overhead. The noise was incredible, and there were periodic excited lift-offs. Shortly after we got there the fog began to thin, and the light went from uniform gray to bands of softly glowing sunlight. Here the birds on the ground stretch off into the fog to the point where they are no longer visible, and overhead hundreds more birds were in flight, and they also disappeared into the thick fog.


G Dan Mitchell is a California photographer and visual opportunist whose subjects include the Pacific coast, redwood forests, central California oak/grasslands, the Sierra Nevada, California deserts, urban landscapes, night photography, and more.
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Text, photographs, and other media are © Copyright G Dan Mitchell (or others when indicated) and are not in the public domain and may not be used on websites, blogs, or in other media without advance permission from G Dan Mitchell.

Tree, Fog, Dawn Sky

Tree, Fog, Dawn Sky
Tree, Fog, Dawn Sky

Tree, Fog, Dawn Sky. San Joaquin Valley, California. March 9, 2013. © Copyright 2013 G Dan Mitchell – all rights reserved.

Dawn light on a solitary tree in a foggy pasture under morning clouds, San Joaquin Valley, California

Spring seemed to arrive too soon (for me, anyway) this year in California. I like spring, but I think I like winter more, and I would be fine if spring took its time arriving. However, what started out as a wetter and colder winter than usual here, ended seeming like a very short and mostly mild season as our winter rains more or less stopped in January and February and the hoped-for “March Miracle” of late season rain never came. Instead, as I write this in mid-March, we are experiencing beautiful, sunny weather with temperatures more typical of April than of March.

Against this backdrop I decided to make at least one more trip to some of my favorite San Joaquin Valley migratory bird refuges to photograph geese, cranes, herons, ibises, white pelicans, egrets, and whatever else I could find. Arriving in the Valley very early, in the first dim light I could see that it was a clear morning. I prefer a bit of fog, but dawn light is good light in any case. But as I got closer to the refuge, I was surprised but pleased to see some fog forming over this very wet and marshy area, and before long there was some quite nice fog filling in as the sun began to light the high clouds above. The effects of early morning light in fog can be quite subtle, but a favorite sort of light is that which comes faintly through partially clearing mist, casting a bit of light on features like this tree and parting enough to reveal the sky overhead. Because this light and atmosphere were so appealing – and because it can be darned hard to photograph birds in fog! – I took a break from bird photography and spent a bit of time shooting elements in this foggy landscape.

G Dan Mitchell is a California photographer and visual opportunist whose subjects include the Pacific coast, redwood forests, central California oak/grasslands, the Sierra Nevada, California deserts, urban landscapes, night photography, and more.
Blog | About | Flickr | Twitter | FacebookGoogle+ | 500px.com | LinkedIn | Email

Text, photographs, and other media are © Copyright G Dan Mitchell (or others when indicated) and are not in the public domain and may not be used on websites, blogs, or in other media without advance permission from G Dan Mitchell.