Tag Archives: four

Four Sandhill Cranes

Four Sandhill Cranes
Four Sandhill Cranes

Four Sandhill Cranes. San Joaquin Valley, California. December 22, 2014. © Copyright 2014 G Dan Mitchell – all rights reserved.

Four sandhill cranes take flight above a dormant San Joaquin Valley field

At some point every fall my attention turns to (along with a few other seasonal things) the arrival of migratory birds in California’s Great Central Valley. In earlier times this was a landscape full of seasonal pools and marshlands, and it reportedly supported uncountable numbers of birds. Much of the wetland terrain has now been taken for farming and other purposes, but some has been preserved and the birds still come. By the time late fall and early winter roll around again, an impressive number of birds arrive: geese, sandhill cranes, swans, and more. I lived in California since I was a small child and I never knew about this, even though much of the action takes place within a day’s drive of where I grew up. Even today, it seems that few Californians are aware of the rich annual spectacle that takes place so close to them.

I made my first bird photography foray of the season a few weeks before this visit, but by this late December visit a lot more birds had shown up — including the geese who seemed strangely absent earlier. (The three years of very serious drought in California are doubtlessly part of the explanation.) There were a lot of sandhill cranes. I’m not sure if the numbers have increased, of it they just happened to be in places where I could find them more easily, but I sure saw a lot of them. When photographing these birds we always take steps to make ourselves less visible and threatening to the birds — we often photograph from inside our vehicles, and when we can and do get out to photograph we try to avoid disturbing the birds. However, this group was a surprise, showing up very close to us as we crept past slowing in a vehicle and taking to the air almost immediately. Fortunately I had my camera handy and I was able to stop immediately and track their flight as they took off and circled us.

(This photograph appeared here previously in a an article about a new lens that I used to make the photograph.)


G Dan Mitchell is a California photographer and visual opportunist whose subjects include the Pacific coast, redwood forests, central California oak/grasslands, the Sierra Nevada, California deserts, urban landscapes, night photography, and more.
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Text, photographs, and other media are © Copyright G Dan Mitchell (or others when indicated) and are not in the public domain and may not be used on websites, blogs, or in other media without advance permission from G Dan Mitchell.

Egret Quartet

Egret Quartet
Egret Quartet

Egret Quartet. San Joaquin Valley, California. March 9, 2013. © Copyright 2013 G Dan Mitchell – all rights reserved.

A quartet of egrets on a foggy morning in a green late-winter pasture in California’s San Joaquin Valley.

This gang of egrets was politely waiting for me near the far corner of a wildlife refuge that I had visited on the last-winter morning, hoping to photograph (mostly) geese and cranes. The geese and cranes were a bit shy, and as I worked my way around the refuge’s perimeter road I wasn’t finding a lot of opportunities to photograph them. I could hear them, especially the sandhill cranes, but they seemed to be too far off, hidden by fog, or behind the tules. But I wasn’t in a hurry, so I took my time, stopping and watching and listening. By this later point in the season the initial astonishment at the huge numbers of birds had worn off a bit, and rather than jumping out of the car to photograph huge flocks of birds, as if they were the first and only flocks in the world, had given way to a bit more patience.

It had appeared that it would be a clear morning as I drove toward this location, but just moments before I arrived – a bit before dawn – the cool and damp air did begin to form some fog. This was fine with me, as I’d rather have a bit of interesting foggy atmosphere than have perfectly clear sky. But the fog was relatively short-lived – not like the midwinter fogs that can cover these places for days on end. By the time I finally worked my way over to this spot the sun was starting to break through and the fog was thinning. Because of their stark white color, lone egrets are often easy to spot from a good distance, and four of them clustered together were impossible to overlook. As I edged up closer to them, remaining in my vehicle so as not to spook them, they simply stood there, occasionally swinging their heads one way or another. Before I could make this photograph I first had to wait for an unruly band of red-winged blackbirds to depart, and then I waited for the four birds to move their heads in what seemed to me to be interesting directions.

G Dan Mitchell is a California photographer and visual opportunist whose subjects include the Pacific coast, redwood forests, central California oak/grasslands, the Sierra Nevada, California deserts, urban landscapes, night photography, and more.
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Text, photographs, and other media are © Copyright G Dan Mitchell (or others when indicated) and are not in the public domain and may not be used on websites, blogs, or in other media without advance permission from G Dan Mitchell.

Four Ross’s Geese, Sunset Light

Four Ross's Geese, Sunset Light
Four Ross’s Geese, Sunset Light

Four Ross’s Geese, Sunset Light. San Joaquin Valley, California. January 21, 2013. © Copyright 2013 G Dan Mitchell – all rights reserved.

Four Ross’s geese in flight against the sky in sunset light

I photographed this group of Ross’s geese late in the day, just as golden hour light was beginning to intensify. We had spent the day in the San Joaquin Valley, visiting a couple of wildlife refuges, and returned at the end of the day to the place where we had begun shooting before dawn. We hoped for some combination of evening geese and then a dusk fly-in of sandhill cranes.

The amount of control you have when photographing these birds is minimal. It is up to them to decide where they will settle in, when and in what direction they will fly, and much more. A lot of the process involves doing things that you hope will increase your odds – being in likely spots at likely times, and so forth – then being ready to take advantage of whatever comes your way. The latter requires some sensitivity to how things are developing, some experience with the camera so that you can make decisions quickly and track flying birds that may turn up unexpectedly, and more. The situation with the geese on this evening was a bit unusual, at least in my experience. At this place we have often been able to find very large flocks of the birds late in the day, at which point a reasonable strategy is to position yourself nearby, taking into consideration the direction of the light, possible backgrounds, and the paths they will likely fly. Then you wait, ready to photograph, until the birds decide to do what birds decide to do! With luck, they will lift off in interesting groups, against interesting backdrops, and in good light. On this evening, we were only able to find one relatively small group of Ross’s geese. (We saw other much larger groups in the area, but they were further off and in places inaccessible to us.) So we found out spot nearby and waited, photographing very small groups of them as they lifted off and flow to the north. However, a few groups did an extra loop or two around us, coming back over our position quite low. You never know how the birds will line up, and often they will ether be too separated from one another or else they are so tightly clustered that you get blocked heads or wings that cover other birds. However, this group was polite enough to line themselves up in such a way that as they flew past each of them was completely visible in the evening light.

G Dan Mitchell is a California photographer and visual opportunist whose subjects include the Pacific coast, redwood forests, central California oak/grasslands, the Sierra Nevada, California deserts, urban landscapes, night photography, and more.
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Text, photographs, and other media are © Copyright G Dan Mitchell (or others when indicated) and are not in the public domain and may not be used on websites, blogs, or in other media without advance permission from G Dan Mitchell.

Trumpeter Swans and Clouds

Trumpeter Swans and Clouds Trumpeter Swans and Clouds
Trumpeter Swans and Clouds Trumpeter Swans and Clouds

Trumpeter Swans and Clouds. Skagit Valley, Washington. December 3, 2012. © Copyright 2012 G Dan Mitchell – all rights reserved.

Four trumpeter swans on a raining day in Skagit Valley, Washington

I visited the Seattle area in early December for mostly non-photographic purposes, but found myself with with an open schedule on the day when my departing flight was not scheduled to leave until evening. I wasn’t about to pass up the opportunity to do some photography, so I considered street photography in downtown Seattle (plus a museum visit). Then I remembered that I had shot in Skagit Valley last year at roughly the same time and had found lots of interesting birds to photograph – trumpeter swans, eagles, snow geese, and more.

On this trip I wasn’t exactly equipped for bird photography, at least not the sort I would usually do, but I did have a 70-200mm zoom and I know it is possible to make interesting bird photographs with such a lens. So I was up fairly early for the one hour drive north. It rained off and on during my drive, and it was still mostly cloudy and gray when I arrived to find trumpeter swans in their usual spots on the winter fields. (Later I would also find some snow geese, but I’ll save that story for now.) Typically, I would photograph this subject with my 100-400mm zoom, but having nothing longer than 200mm in my bag, I had to think a bit differently about how to photograph these birds. Several strategies worked. One was to use my rental car as a “blind” and slowly and carefully position myself where they might be close enough to photograph with that lens. Another approach was to basically shoot landscape, but include the birds in the scene. The third option, used in this photograph, was to find a spot along one of the country roads where the birds were likely to pass directly overhead or nearly so and wait. These birds have a style of flight that somehow reminds me of a very large jetliner. The use a very low angle take-off, seeming almost as if they are too massive to climb much faster. But once in flight they are beautiful and graceful with their long necks and generally smooth mode of flight. In this photograph I watched as they passed in front of darker rain clouds before making the exposure, isolating the birds against the clouds and with no frame of reference on the ground.

G Dan Mitchell is a California photographer and visual opportunist whose subjects include the Pacific coast, redwood forests, central California oak/grasslands, the Sierra Nevada, California deserts, urban landscapes, night photography, and more.
Blog | About | Flickr | Twitter | FacebookGoogle+ | 500px.com | LinkedIn | Email

Text, photographs, and other media are © Copyright G Dan Mitchell (or others when indicated) and are not in the public domain and may not be used on websites, blogs, or in other media without advance permission from G Dan Mitchell.