Tag Archives: four

Photographs: Birds, Photographs: Nature, Photographs: Wildlife

Crane Quartet, Fog

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Crane Quartet, Fog
Four sandhill cranes walk thorugh shallow water in front of a larger flock on a very foggy morning.

Crane Quartet, Fog. © Copyright 2020 G Dan Mitchell – all rights reserved.

Four sandhill cranes walk thorugh shallow water in front of a larger flock on a very foggy morning.

As you can imagine, quiet and lonely places have their practical appeal these days. If I’m going out to photograph, especially if I’m driving somewhere, right now I tend to pick a time and place where there won’t be a lot of other people. Out in the middle of nowhere, at the end of a long pre-dawn drive in incredibly dense tule fog seems to do the trick quite nicely!

I’ve often wondered what it must be like to be a bird in a place such as this where the tule fog frequently forms in the winter. This fog is usually not very deep, and I’ve driven through tule fog so thick I could barely see the roadway, but if I looked up I could see stars and morning clouds overhead. I would think that these birds could easily lift off and emerge into sunshine on such a morning.

G Dan Mitchell is a California photographer and visual opportunist. His book, “California’s Fall Color: A Photographer’s Guide to Autumn in the Sierra” is available from Heyday Books, Amazon, and directly from G Dan Mitchell.

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Photographs: Nature, Photographs: Wildlife

White Pelicans, Clouds

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White Pelicans, Clouds
Four white pelicans in a cloud-filled California late-autumn sky

White Pelicans, Clouds. © Copyright 2018 G Dan Mitchell – all rights reserved.

Four white pelicans in a cloud-filled California late-autumn sky.

My timing was fortuitous on this morning. The white pelicans usually congrats in groups that appear to contain a few dozen individuals. The often stay more or less in one place for long periods of time, but eventually they decide to move. They take off in long strings of individuals, generally flying past not too far off the ground. This happens suddenly, and if I’m not in the right spot, rather than being close enough to photograph them I watch the brief spectacle from a distance. On this day I just happened to be in the right spot at the right time.

I think of the white pelicans as being special. Perhaps most people wouldn’t, being mostly familiar with white versions of the bird. But I had a long acquaintance with the coastal brown pelicans before I ever realized that the white version was found locally. I’m sure they were around, but someone I didn’t notice — today I see them in quiet coastal waters, in inland ponds, and more. But even today, the coastal birds seem familiar and conventional to me, while these white birds still seem a bit exotic.

G Dan Mitchell is a California photographer and visual opportunist. His book, “California’s Fall Color: A Photographer’s Guide to Autumn in the Sierra” is available from Heyday Books and Amazon.

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Links to Articles, Sales and Licensing, my Sierra Nevada Fall Color book, Contact Information.

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Photographs: New York City, Photographs: Night, Photographs: Urban/Street

Four Figures In Doorway

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Four Figures In Doorway
Four people stand in front of the doorway of a Manhattan store

Four Figures In Doorway. New York City. December 24, 2015. © Copyright 2015 G Dan Mitchell – all rights reserved.

Four people stand in front of the doorway of a Manhattan store

I suspect that this photograph is going to perplex more than a few folks who watch my landscape and nature photography. In fact, this is one in a large string of very urban photographs made in New York in late December 2015. For those of you who “get” and like this work, thanks! For those who don’t, the more familiar kinds of photography will return before too much longer, and I’ll try to intersperse more of that photography with the urban/street/night stuff.

I’m endlessly fascinated by the way in which seemingly formless and virtually random patterns of motion in the urban environment can suddenly coalesce into something that has structure and which may even be mysterious and suggestive. Capturing this stuff requires me to be “on” all the time — and this can make me not at all fun to be with in these places when I’m carrying a camera! I made this photograph on a very crowded Christmas Eve in Manhattan, and it is one from a short sequence I photographed of this group standing in front of the entrance to a closed store — and for this instant the group miraculously assembled themselves into a fascinating tableaux of individual poses, especially the woman on the left.

G Dan Mitchell is a California photographer and visual opportunist. His book, “California’s Fall Color: A Photographer’s Guide to Autumn in the Sierra” is available from Heyday Books and Amazon.
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Photographs: Central California, Photographs: Flight, Photographs: Nature, Photographs: Wildlife

Four Sandhill Cranes

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Four Sandhill Cranes
Four Sandhill Cranes

Four Sandhill Cranes. San Joaquin Valley, California. December 22, 2014. © Copyright 2014 G Dan Mitchell – all rights reserved.

Four sandhill cranes take flight above a dormant San Joaquin Valley field

At some point every fall my attention turns to (along with a few other seasonal things) the arrival of migratory birds in California’s Great Central Valley. In earlier times this was a landscape full of seasonal pools and marshlands, and it reportedly supported uncountable numbers of birds. Much of the wetland terrain has now been taken for farming and other purposes, but some has been preserved and the birds still come. By the time late fall and early winter roll around again, an impressive number of birds arrive: geese, sandhill cranes, swans, and more. I lived in California since I was a small child and I never knew about this, even though much of the action takes place within a day’s drive of where I grew up. Even today, it seems that few Californians are aware of the rich annual spectacle that takes place so close to them.

I made my first bird photography foray of the season a few weeks before this visit, but by this late December visit a lot more birds had shown up — including the geese who seemed strangely absent earlier. (The three years of very serious drought in California are doubtlessly part of the explanation.) There were a lot of sandhill cranes. I’m not sure if the numbers have increased, of it they just happened to be in places where I could find them more easily, but I sure saw a lot of them. When photographing these birds we always take steps to make ourselves less visible and threatening to the birds — we often photograph from inside our vehicles, and when we can and do get out to photograph we try to avoid disturbing the birds. However, this group was a surprise, showing up very close to us as we crept past slowing in a vehicle and taking to the air almost immediately. Fortunately I had my camera handy and I was able to stop immediately and track their flight as they took off and circled us.

(This photograph appeared here previously in a an article about a new lens that I used to make the photograph.)

G Dan Mitchell is a California photographer and visual opportunist whose subjects include the Pacific coast, redwood forests, central California oak/grasslands, the Sierra Nevada, California deserts, urban landscapes, night photography, and more.
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