Tag Archives: four

White Pelicans, Clouds

White Pelicans, Clouds
Four white pelicans in a cloud-filled California late-autumn sky

White Pelicans, Clouds. © Copyright 2018 G Dan Mitchell – all rights reserved.

Four white pelicans in a cloud-filled California late-autumn sky.

My timing was fortuitous on this morning. The white pelicans usually congrats in groups that appear to contain a few dozen individuals. The often stay more or less in one place for long periods of time, but eventually they decide to move. They take off in long strings of individuals, generally flying past not too far off the ground. This happens suddenly, and if I’m not in the right spot, rather than being close enough to photograph them I watch the brief spectacle from a distance. On this day I just happened to be in the right spot at the right time.

I think of the white pelicans as being special. Perhaps most people wouldn’t, being mostly familiar with white versions of the bird. But I had a long acquaintance with the coastal brown pelicans before I ever realized that the white version was found locally. I’m sure they were around, but someone I didn’t notice — today I see them in quiet coastal waters, in inland ponds, and more. But even today, the coastal birds seem familiar and conventional to me, while these white birds still seem a bit exotic.


G Dan Mitchell is a California photographer and visual opportunist. His book, “California’s Fall Color: A Photographer’s Guide to Autumn in the Sierra” is available from Heyday Books and Amazon.

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Four Figures In Doorway

Four Figures In Doorway
Four people stand in front of the doorway of a Manhattan store

Four Figures In Doorway. New York City. December 24, 2015. © Copyright 2015 G Dan Mitchell – all rights reserved.

Four people stand in front of the doorway of a Manhattan store

I suspect that this photograph is going to perplex more than a few folks who watch my landscape and nature photography. In fact, this is one in a large string of very urban photographs made in New York in late December 2015. For those of you who “get” and like this work, thanks! For those who don’t, the more familiar kinds of photography will return before too much longer, and I’ll try to intersperse more of that photography with the urban/street/night stuff.

I’m endlessly fascinated by the way in which seemingly formless and virtually random patterns of motion in the urban environment can suddenly coalesce into something that has structure and which may even be mysterious and suggestive. Capturing this stuff requires me to be “on” all the time — and this can make me not at all fun to be with in these places when I’m carrying a camera! I made this photograph on a very crowded Christmas Eve in Manhattan, and it is one from a short sequence I photographed of this group standing in front of the entrance to a closed store — and for this instant the group miraculously assembled themselves into a fascinating tableaux of individual poses, especially the woman on the left.


G Dan Mitchell is a California photographer and visual opportunist. His book, “California’s Fall Color: A Photographer’s Guide to Autumn in the Sierra” is available from Heyday Books and Amazon.
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All media © Copyright G Dan Mitchell and others as indicated. Any use requires advance permission from G Dan Mitchell.

Four Sandhill Cranes

Four Sandhill Cranes
Four Sandhill Cranes

Four Sandhill Cranes. San Joaquin Valley, California. December 22, 2014. © Copyright 2014 G Dan Mitchell – all rights reserved.

Four sandhill cranes take flight above a dormant San Joaquin Valley field

At some point every fall my attention turns to (along with a few other seasonal things) the arrival of migratory birds in California’s Great Central Valley. In earlier times this was a landscape full of seasonal pools and marshlands, and it reportedly supported uncountable numbers of birds. Much of the wetland terrain has now been taken for farming and other purposes, but some has been preserved and the birds still come. By the time late fall and early winter roll around again, an impressive number of birds arrive: geese, sandhill cranes, swans, and more. I lived in California since I was a small child and I never knew about this, even though much of the action takes place within a day’s drive of where I grew up. Even today, it seems that few Californians are aware of the rich annual spectacle that takes place so close to them.

I made my first bird photography foray of the season a few weeks before this visit, but by this late December visit a lot more birds had shown up — including the geese who seemed strangely absent earlier. (The three years of very serious drought in California are doubtlessly part of the explanation.) There were a lot of sandhill cranes. I’m not sure if the numbers have increased, of it they just happened to be in places where I could find them more easily, but I sure saw a lot of them. When photographing these birds we always take steps to make ourselves less visible and threatening to the birds — we often photograph from inside our vehicles, and when we can and do get out to photograph we try to avoid disturbing the birds. However, this group was a surprise, showing up very close to us as we crept past slowing in a vehicle and taking to the air almost immediately. Fortunately I had my camera handy and I was able to stop immediately and track their flight as they took off and circled us.

(This photograph appeared here previously in a an article about a new lens that I used to make the photograph.)


G Dan Mitchell is a California photographer and visual opportunist whose subjects include the Pacific coast, redwood forests, central California oak/grasslands, the Sierra Nevada, California deserts, urban landscapes, night photography, and more.
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Text, photographs, and other media are © Copyright G Dan Mitchell (or others when indicated) and are not in the public domain and may not be used on websites, blogs, or in other media without advance permission from G Dan Mitchell.

Egret Quartet

Egret Quartet
Egret Quartet

Egret Quartet. San Joaquin Valley, California. March 9, 2013. © Copyright 2013 G Dan Mitchell – all rights reserved.

A quartet of egrets on a foggy morning in a green late-winter pasture in California’s San Joaquin Valley.

This gang of egrets was politely waiting for me near the far corner of a wildlife refuge that I had visited on the last-winter morning, hoping to photograph (mostly) geese and cranes. The geese and cranes were a bit shy, and as I worked my way around the refuge’s perimeter road I wasn’t finding a lot of opportunities to photograph them. I could hear them, especially the sandhill cranes, but they seemed to be too far off, hidden by fog, or behind the tules. But I wasn’t in a hurry, so I took my time, stopping and watching and listening. By this later point in the season the initial astonishment at the huge numbers of birds had worn off a bit, and rather than jumping out of the car to photograph huge flocks of birds, as if they were the first and only flocks in the world, had given way to a bit more patience.

It had appeared that it would be a clear morning as I drove toward this location, but just moments before I arrived – a bit before dawn – the cool and damp air did begin to form some fog. This was fine with me, as I’d rather have a bit of interesting foggy atmosphere than have perfectly clear sky. But the fog was relatively short-lived – not like the midwinter fogs that can cover these places for days on end. By the time I finally worked my way over to this spot the sun was starting to break through and the fog was thinning. Because of their stark white color, lone egrets are often easy to spot from a good distance, and four of them clustered together were impossible to overlook. As I edged up closer to them, remaining in my vehicle so as not to spook them, they simply stood there, occasionally swinging their heads one way or another. Before I could make this photograph I first had to wait for an unruly band of red-winged blackbirds to depart, and then I waited for the four birds to move their heads in what seemed to me to be interesting directions.

G Dan Mitchell is a California photographer and visual opportunist whose subjects include the Pacific coast, redwood forests, central California oak/grasslands, the Sierra Nevada, California deserts, urban landscapes, night photography, and more.
Blog | About | Flickr | Twitter | FacebookGoogle+ | 500px.com | LinkedIn | Email

Text, photographs, and other media are © Copyright G Dan Mitchell (or others when indicated) and are not in the public domain and may not be used on websites, blogs, or in other media without advance permission from G Dan Mitchell.