Tag Archives: funeral

Photographs: Death Valley, Photographs: Desert, Photographs: Nature

Desert Mountains, Dust Storm

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Desert Mountains, Dust Storm
A desert dust storm obscures Amargosa Range mountains and ridges, Death Valley National Park.

Desert Mountains, Dust Storm. © Copyright 2020 G Dan Mitchell – all rights reserved.

A desert dust storm obscures Amargosa Range mountains and ridges, Death Valley National Park.

Death Valley dust storms are beautiful and terrible things. They are, from an objective point of view, very unpleasant. The wind alone can make it difficult to do much of anything, especially photography. The dust gets into everything, including camera equipment and your eyes, and is a constant, uncomfortable presence. A really bad dust storm is one of those things that helpfully remind us of how small and insignificant we are in this grand landscape.

The dust storm on this late afternoon was approaching that level. Having seen a few of these in Death Valley, there were a few things that were different about this one, most notably that the wind was carrying the thick dust into place where I don’t usually see it, including far up into the Amargosa Mountain range. It was so windy and dusty in the spot where I stopped to make the photograph that I was only able to cower behind the shelter of my vehicle just long enough to make a few exposures.

G Dan Mitchell is a California photographer and visual opportunist. His book, “California’s Fall Color: A Photographer’s Guide to Autumn in the Sierra” is available from Heyday Books and Amazon.

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Photographs: Death Valley, Photographs: Desert, Photographs: Nature, Photographs: Southern California

Stormy Evening, Sunset Light

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Stormy Evening, Sunset Light
Sunset light on peaks of the Amargosa Mountains, backed by stormy skies and sand storm dust.

Stormy Evening, Sunset Light. © Copyright 2019 G Dan Mitchell – all rights reserved.

Sunset light on peaks of the Amargosa Mountains, backed by stormy skies and sand storm dust.

This is yet one more photograph from a wild Death Valley afternoon and evening in early April. Beforehand I was already aware of weather forecasts that included dust storms, and I anticipated both strong winds and perhaps other challenges… but also the possibility of some very special conditions of the atmosphere and light. Late in the afternoon, as the winds rose, we headed up the valley in the direction most likely to be affected by the combination of wind, sand, and rain. Sure enough, we soon ran into strong winds and blowing sand, and the mountains ahead were largely obscured by a sand and dust cloud blowing northeast out of the valley.

Photographing in these conditions is not easy nor particularly fun, to be honest. Most often the winds are too strong for even a stout tripod, and lens changes are very problematic. I often empty a set of strategies based around photographing from in or near a vehicle, of shooting handheld, and exposing myself to the worst conditions just long enough to get the shot — though I often quickly make several “safety shot,” given all of the variables in play. Just before sunset we ended up near the dunes that were the source of most of the sand. Here the winds were extremely strong and the conditions hellish. I got out briefly and worked from the shelter of the leeward side of the vehicle. This was one of the last photographs of the day, made as sunset light fell on some peaks of the Funeral Range, against a backdrop of storm clouds and with a bit of dust and virgo beginning to intrude on the right.

G Dan Mitchell is a California photographer and visual opportunist. His book, “California’s Fall Color: A Photographer’s Guide to Autumn in the Sierra” is available from Heyday Books and Amazon.

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All media © Copyright G Dan Mitchell and others as indicated. Any use requires advance permission from G Dan Mitchell.

Photographs: New York City, Photographs: Night, Photographs: Southern California, Photographs: Urban/Street

Funeral No Parking

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Funeral No Parking
Street signs stored next to a funeral parlor doorway, New York City

Funeral No Parking. New York City. December 24. 2015. © Copyright 2015 G Dan Mitchell – all rights reserved.

Street signs stored next to a funeral parlor doorway, New York City

I can state with certainty that this is the only time I have made night photographs of funeral homes in Manhattan on Christmas Eve. Go ahead! Prove me wrong! ;-)

So, how did this happen? As many street/urban photographs happen. I have a camera with me wherever I go, day and night, in places like this, and when I see something that catches my eye I make a photograph. We had started the evening by briefly joining the throng up on 5th Avenue where there are tons of holiday lights and displays. After leaving that madhouse we headed down toward Chinatown to find a place where we have had dinner a few times before — but we arrived to find that it had apparently become very popular since our last visit. We were told that the wait might be two hours. So we set out to find something less crowded nearly. We eventually found a nice quite Vietnamese restaurant but first we passed this side street with the doors and glowing windows of this funeral parlor.

G Dan Mitchell is a California photographer and visual opportunist. His book, “California’s Fall Color: A Photographer’s Guide to Autumn in the Sierra” is available from Heyday Books and Amazon.
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All media © Copyright G Dan Mitchell and others as indicated. Any use requires advance permission from G Dan Mitchell.

Photographs: Death Valley, Photographs: Desert, Photographs: Nature, Photographs: Southern California

Hill Near Mesquite Flat, Dusk

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Hill Near Mesquite Flat, Dusk
Hill Near Mesquite Flat, Dusk

Hill Near Mesquite Flat, Dusk. Death Valley National Park, California. March 29, 2011. © Copyright G Dan Mitchell – all rights reserved.

Dusk light above a hill near Mesquite Flat in Death Valley, backed by a large alluvial fan from Tucki Mountain.

At the end of this day I was shooting from the top of a low hill in the Valley east of Stovepipe Wells, and there were interesting subjects throughout almost the entire 360 degree panorama around this elevated position. With this in mind, I had chosen to use the long 100-400mm zoom so that I could have some flexibility in composing elements of this huge scene.

I was mainly working with things that were in the large arc to my west (dunes and Cottonwood mountains and base of Tucki Mountain), north (the main Valley and transverse dunes), and east (the mountains running along that edge of the Valley) since the further subjects of the lower Valley were more or less out of sight beyond the alluvial fan that appears in the photograph. But I kept being intrigued by the low, dark hill on the flats below the similar hill on which I was standing. There is a row of them stretching from near the Devils Cornfield area up and across this alluvial fan. As the evening light transitioned towards post-sunset light I saw that the glow from clouds (a bit of which is visible in the distance above the Black Mountains) was lighting this hill and the surrounding flats in an interesting and colorful way.

But I had a little problem. I was still working a number of subjects and once and I really needed to keep shooting that 100-400. 100mm was still too long for this scene, but I didn’t have time to remove it and put on a shorter lens. I figured that I could simply change the camera to vertical orientation, very carefully level the tripod, and include the whole scene in four panning vertical frames that I could stitch together later. People often do this so that they can produce extremely high-resolution image, but that wasn’t my goal at all. In any case, it worked, and not only did I manage to get the shot that needed a wider lens, but as a bonus it is a very high-resolution shot.

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