Tag Archives: geology

Light in the Canyon

Light in the Canyon
Afternoon light strikes a hill in the lower reaches of a Death Valley canyon.

Light in the Canyon. © Copyright 2023 G Dan Mitchell.

Afternoon light strikes a hill in the lower reaches of a Death Valley canyon.

As I mentioned I recent posts, my plans for Death Valley were somewhat thwarted when I arrived there to find that large areas of the park were not accessible due to flood damage. I had to strike some remote areas from my agenda, recalibrate, and visit more accessible locations. As a result I ended up visiting more accessible areas that I had avoided in the past, including several fascinating washes that I really should have visited before. Since I had a free afternoon before evening photography I decided to take a long hike up this wash and back, and I’m glad I did.

The deeper and narrower Death Valley canyons are great places to visit during the daytime hours — in fact, a typical shooting plan for me includes a sunrise and sunset locations with one or more canyons partially filling the time between the morning and evening shoots. The timing of this canyon walk was such that the bottom of the canyon was almost fully shaded at times. I made this photograph near a bend where a bit of light reached the bottom of the canyon and illuminated this lighter colored formation.


G Dan Mitchell is a California photographer and visual opportunist. His book, “California’s Fall Color: A Photographer’s Guide to Autumn in the Sierra” is available from Heyday Books, Amazon, and directly from G Dan Mitchell.

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Playa Patterns

Playa Patterns
Patters of earth, water flow, and salt deposits in Badwater Basin, Death Valley.

Playa Patterns. © Copyright 2023 G Dan Mitchell.

Patterns of earth, water flow, and salt deposits in Badwater Basin, Death Valley.

In a roundabout way, this photograph is the result of last-minute changes to my plans during my recent Death Valley visit, changes necessitated by the closure of other places I intended to visit there. I took advantage of this situation by more carefully exploring some popular (and some less popular) locations in my central portions of the park. And that led to me being being at Dantes View on a rather cold evening. This is a location with some rather remarkable views, stretching from distant Sierra peaks to mountains near Las Vegas.

I arrived while there was still direct light on the salt flats and other features in Death Valley, and then I continued to photograph right on through sunset until early dusk. I made this photograph was the sun-shadow line was just passing over this area of salt deposits in, more or less, Badwater Basin. From Dantes View, more than 5000′ above Death Valley, these features look quite different than what we see when we are among them, and I used a long lens to isolate interesting sections of this otherworldly landscape.


G Dan Mitchell is a California photographer and visual opportunist. His book, “California’s Fall Color: A Photographer’s Guide to Autumn in the Sierra” is available from Heyday Books, Amazon, and directly from G Dan Mitchell.

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All media © Copyright G Dan Mitchell and others as indicated. Any use requires advance permission from G Dan Mitchell.

Blue Stone

Blue Stone
Detail of fractured blue stone with colors intensified by light from overcast sky.

Blue Stone. © Copyright 2022 G Dan Mitchell.

Detail of fractured blue stone with colors intensified by light from overcast sky.

At some point on almost any backcountry trip I end up spending time looking at things that I might not notice and photograph at first. The initial focus is often the grand landscape of mountains and valleys and trees and rivers — but eventually I focus on the more “intimate” aspects of the landscape. Among these are the infinitely varied patterns and colors of rock, miniature landscapes of textures and fractures and more.

While walking back and forth between our camp and a nearby high point from which I photographed the larger landscape I had noticed several bands of interesting rock and made a mental note to return to them. A few days into our stay that moment arrived and I spent a few hours wandering slowly through this area, looking intently and finding more to photograph than I had initially seen. The intense color of these rocks is partially due to their innate blue tint and partly due to photographing them when they were in shadows.


G Dan Mitchell is a California photographer and visual opportunist. His book, “California’s Fall Color: A Photographer’s Guide to Autumn in the Sierra” is available from Heyday Books, Amazon, and directly from G Dan Mitchell.

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Fractured Stone

Fractured Stone
Detail of a section of fractured Sierra Nevada rock, Ansel Adams Wilderness.

Fractured Stone. © Copyright 2022 G Dan Mitchell.

Detail of a section of fractured Sierra Nevada rock, Ansel Adams Wilderness.

At some point on almost any Sierra Nevada backcountry trip I get the bug to photograph rocks — just plain rocks. In case you haven’t noticed, there are a lot of them in these mountains, and their variety is astounding. I’m no geologist — I’m one of those folks who refers to too many things as “granite” — but I’m a bit of a connoisseur of fractures, stains, lichen, colors, and junctures between different materials.

Earlier on this backcountry visit I had realized that some outcroppings very close to our camp were full of interesting patterns, and I made a mental note to spend some time among them. A few days later, not having any other pressing subjects to photograph, I spent an evening walking slowly among these formations.


G Dan Mitchell is a California photographer and visual opportunist. His book, “California’s Fall Color: A Photographer’s Guide to Autumn in the Sierra” is available from Heyday Books, Amazon, and directly from G Dan Mitchell.

Blog | About | Twitter | Flickr | FacebookEmail

Links to Articles, Sales and Licensing, my Sierra Nevada Fall Color book, Contact Information.

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All media © Copyright G Dan Mitchell and others as indicated. Any use requires advance permission from G Dan Mitchell.