We visited the Gaudi-designed Sagrada Família in Barcelona last summer. The place was so visually striking that I honestly haven’t quite known what to do with the photographs, but I started digging into them recently. We are familiar with photographs of the remarkable exterior of the structure, but the interior is anrguably even more amazing. The amount of detail is nearly incomprehensible, and it is profoundly affected by the light coming through myriad stained glass windows and moving across its features.

We visited late in the afternoon, shortly before sunset — and I recommend this timing to others who may go. The sun was low in the sky when we entered, and colorful beams of light from the stained glass windows angled across the interior surfaces. Because it was late, the light was not static, instead changing constantly. Shafts of colored light moved slowly across the cathedral, striking various elements such as this column, illuminated by light coming through glue and yellow glass.

G Dan Mitchell is a California photographer and visual opportunist. His book, “California’s Fall Color: A Photographer’s Guide to Autumn in the Sierra” is available from Heyday Books, Amazon, and directly from G Dan Mitchell.

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