Tag Archives: gold

Photographs: Architecture, Photographs: Northern California, Photographs: San Francisco, Photographs: Structures and Objects, Photographs: Urban/Street

Ferry Building and Embarcadero Center Building

May 27, 2011 G Dan Mitchell 1 Comment

Embarcadero Center and Ferry Building near the San Francisco waterfront on a foggy morning.

This is another photograph that I’ve been sitting on for a while – first while it languished as a raw file between last July and early this year when I did my annual review of the previous year’s images, and then after post-processing as I posted photographs from Death Valley, the Sierra, and the coast. It has been sitting on my desktop long enough.

The photograph was made from the dock side of the San Francisco Ferry Building, looking back over the building past its iconic tower towards some of the modern buildings in the Financial District. The light was very interesting – there was still, obviously, the usual summer morning overcast where I was. However, behind me and out over the Bay the clouds were breaking up and the light was starting to come in at a low angle from off the bay, providing a glow to features like the windows of the tall background building.

This photo was made while walking streets in San Francisco and shooting mostly “old school” with just a 50mm prime.

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Text, photographs, and other media are © Copyright G Dan Mitchell (or others when indicated) and are not in the public domain and may not be used on websites, blogs, or in other media without advance permission from G Dan Mitchell.

Photographs: Central California, Photographs: Nature, Photographs: Northern California, Photographs: Ocean & Coast

Twilight Surf

January 12, 2011 G Dan Mitchell Leave a comment

Many times the most interesting late-day light comes after the sun set, and I have learned to stick around as long as I can in these situations. The colors can become more intense as the details become softer, especially when the low light allows me to use longer exposure times with moving subjects in the very low light. By the time I made this photograph my exposure time was up to four seconds. (Shortly after this it was too dark to continue shooting – I could hardly see my camera any more!)

This image falls into my “minimalist seascape” category, without any particular central subject – though there are some points in the scene that do, I think, draw a bit more attention. There is a certain element of chance in these photographs since, obviously, I cannot control the waves. However, by watching their patterns and thinking about how their sharply defined shapes might form more diffused shapes over the longer exposures, I can make some reasonable guesses about when to trip the shutter release. Besides the sky, there are three things in the water portion of this scene that “worked” for me: the single darker wave just below the horizon, the row of three parallel waves in the middle of the frame, and the blurred and reflective area closest to the shore.

G Dan Mitchell is a California photographer and visual opportunist. His book, “California’s Fall Color: A Photographer’s Guide to Autumn in the Sierra” (Heyday Books) is available directly from him.

All media © Copyright G Dan Mitchell and others as indicated. Any use requires advance permission from G Dan Mitchell.

Photographs: Northern California, Photographs: San Francisco, Photographs: Structures and Objects

San Francisco Skyline, Light Beams

December 21, 2010 G Dan Mitchell 2 Comments

Beams of light from brilliantly lit clouds send beams of light past downtown San Francisco buildings and toward the waterfront.

Anyone who knows San Francisco might be wondering about this light – and I wouldn’t blame them. These were really unusual conditions. Believe it or not, the photograph was made very early in the morning, perhaps a bit less than a half hour after sunrise. Which begs a couple of questions: why is the light coming from the right (west to southwest) at dawn? And, why does the light seem to be coming from such a high angle?

The light beams are not direct sunlight. The sun is actually far to the left of the frame and very low in the sky. Its direct light was blocked by intervening fog clouds. As the clouds moved from left to right, thinner areas in the cloud cover were struck from behind by the very low angle sunlight coming from the left and set aglow. It was the brilliant light from these areas of backlit clouds that cast the light through the mist and between buildings. What you cannot see in the still photograph is that as the clouds moved the beams of light slowly swept from right to left. From moment to moment the light beams would angle from right to left, then straight down, and then left to right.

Another amazing thing was that I appeared to be the only person out making photographs of this…

This photograph is not in the public domain and may not be used on websites, blogs, or in other media without advance permission from G Dan Mitchell.

Photographs: Nature, Photographs: Northern California, Photographs: Sierra Nevada

Fall Leaves, Lundy Canyon

December 5, 2010 G Dan Mitchell Leave a comment

Leaves transition from summer to fall colors in a deeply shaded area of forest in Lundy Canyon.

Since it was the second week of October, and the time at which I’ve seen Lundy Canyon aspens change color in the past, I headed up into the canyon on the last day of this visit to the eastern Sierra to look for aspen color. As I drove up the canyon from highway 395 I could see some brilliant color far above on the ridges above the canyon, but I wasn’t seeing much down in the bottom of the canyou. I continued up the canyon past Lundy Lake and the resort – closed up for the season – and then continued on the one-lane dirt road that goes on up to the trailhead, passing some flooded flats along the way. There is often color in these areas and then again in the grove of aspens near the trailhead… but not this time.

(Looking back on this “aspen season” from an early-December perspective, it was a bit of a strange one. It seemed to begin early at the higher elevations and there were stunningly colorful trees up high during the first week of October. However, storms soon came in and took down many leaves – and then there was a “dead zone” period of nearly two weeks before the color resumed at lower elevations. This visit to Lundy Canyon took place near the start of this slow period.)

After figuring out that the color I had coming looking for was not to be found, I started back down the canyon. I stopped briefly by the ponds but the light was not quite what I was looking for – it was still a bit too early in the afternoon and the light was harsh and coming from the “wrong” direction for my purposes. However, elsewhere in the canyon I decided that I had to photograph something before leaving the canyon for a planned evening shoot nearby, so I simply pulled out on a short dirt side road where I had earlier seen some tree trunks leaning against rocks. It turned out that I couldn’t find a composition there either – sometimes this is just the way it goes! However, I found these leaves nearby next to the path I had taken down to the river. I thought that the contrast between the green and yellow and the very dark forest floor might be interesting, so I put on a long lens (to minimize depth of field and to give myself some working distance) and I made a few exposures.

This photograph is not in the public domain and may not be used on websites, blogs, or in other media without advance permission from G Dan Mitchell.

Photographer and visual opportunist. Daily photos since 2005, plus articles, reviews, news, and ideas.