Tag Archives: grand

White Rim, Colorado River Valley

White Rim, Colorado River Valley
White Rim, Colorado River Valley

White Rim, Colorado River Valley. Canyonlands National Park, Utah. October 10, 2012. © Copyright 2013 G Dan Mitchell – all rights reserved.

The Colorado River winds through rugged country beyond the White Rim, Canyonlands National Park

On our second visit to Canyonlands National Park (the first had been back in April of the same year, when we briefly visited the “Island in the Sky” highlands of the park) we were somewhat stymied by less than astonishing light. Overall the skies were sort of partly cloudy, but that “partly” portion seemed to line up almost perfectly with where we were, and from afternoon on a large mass of clouds sat above us and to the west. For this photograph, that might have actually been a bit of a blessing, in that trying to photograph the tremendously intricate and detailed landscape visible from the “Grand View” overlook in full sun at this time of day would have been challenging, to say the least. This landscape, lit that way, would have contained some extremely bright features along with very deep shadows in the canyons, and the result probably would not have been all that great. The clouds, however, somewhat mute the contrasty light, making the bright areas a bit less bright and allowing diffused light down into areas that would otherwise be dark. At least there was a bit of light on the buttes in the far distance at the upper edge of the frame.

This scene is one of those “iconic” views that, well, everyone photographs. Generally, I’m not that much about photographing icons. In fact, often when I go to places like this I try to not know what the iconic shots are or where to find them, preferring to instead just sort of guess, follow hunches, poke around, and see what I discover. This may not be the most effective way to find the “cool stuff” in a new location, but it does let me start to develop my own relationship with a landscape from the very beginning. So when we went into Canyonlands the first time I basically had almost no idea what I was “supposed” to see and photograph. (For example, I had no idea that iconic “Mesa Arch” is in this park – drove past the road to it and said, “Ah, that’s where Mesa Arch is!” And, no, I did not photograph it.) However, as we wandered about and looked at stuff, we somehow managed to end up at several of “those places” – especially the Green River overlook (which I now recognize as one of the iconic views of this park) and Grand View. In addition, I’ve often advised others to not eschew icons in certain situations. One, of course, is when you find yourself in front of such an icon and have never photographed it before. But another is when one visits a location for the first time and does not yet have a deeper knowledge of the place. For example, I’ll occasionally get asked by first time visitors to Yosemite or Death Valley (places where I shoot a lot) about where the “secret spots” are that not everyone shoots. I tell them that getting to know a place to such an extent that you can find, “see,” understand and photograph the non-iconic subjects is not a reasonable goal for a first visit. Often that takes many visits, perhaps in different seasons, and the time to let the place “get under your skin” to the point that you have a real feel for it.* But everyone has to start somewhere, and photographing icons is a fine place to start when you are new to a place. They are, after all, usually quite spectacular spots – as I say, “They are icons for a reason.”

*For my part, during my first year photographing in Utah I spent over 30 days there during three long visits. It wasn’t until well into the third visit that I really began to feel that I was moving past the “Oh, wow, Utah!” state and starting to really understand the place.

G Dan Mitchell is a California photographer and visual opportunist whose subjects include the Pacific coast, redwood forests, central California oak/grasslands, the Sierra Nevada, California deserts, urban landscapes, night photography, and more.
Blog | About | Flickr | Twitter | FacebookGoogle+ | 500px.com | LinkedIn | Email

Text, photographs, and other media are © Copyright G Dan Mitchell (or others when indicated) and are not in the public domain and may not be used on websites, blogs, or in other media without advance permission from G Dan Mitchell.

Box Elder with Sparse Leaves

Box Elder with Sparse Leaves
Box Elder with Sparse Leaves

Box Elder with Sparse Leaves. Grand Staircase-Escalante National Monument, Utah. October 24, 2012. © Copyright 2013 G Dan Mitchell – all rights reserved.

The last autumn leaves on a box elder tree against a dark wall of Escalante Canyon, Utah

On a very cold and somewhat cloudy day in late October we explored portions of the Escalante River in Utah. This was a tough day for shooting! Not only was it cold – it was trying to snow by the end of the day – but it was also very windy, making photography of cottonwood and box elder trees and other vegetation a real challenge.

In places the river twists and turns, first going one way and permitting sun down to the river, then abruptly turning in a share s-curve and heading back the other direction. Then, as they say, “lather, rinse, repeat.” The back and forth winding course of the river continues. As we passed through one of the sharp bends, beneath very tall cliffs and in deep shade, we had to wade across the river as it flowed next to this sandstone wall. Tucked up against the wall and growing from rocky ledges were several trees, including this one that still retained just a few autumn leaves.

G Dan Mitchell is a California photographer and visual opportunist whose subjects include the Pacific coast, redwood forests, central California oak/grasslands, the Sierra Nevada, California deserts, urban landscapes, night photography, and more.
Blog | About | Flickr | Twitter | FacebookGoogle+ | 500px.com | LinkedIn | Email

Text, photographs, and other media are © Copyright G Dan Mitchell (or others when indicated) and are not in the public domain and may not be used on websites, blogs, or in other media without advance permission from G Dan Mitchell.

Cottonwood, Fallen Monolith, and Cliff

Cottonwood, Fallen Monolith, and Cliff - Sunlight reflected from nearby canyon walls illuminates an autumn cottonwood tree in front of a fallen sandstone monolith and vertical cliff face.
Cottonwood, Fallen Monolith, and Cliff – Sunlight reflected from nearby canyon walls illuminates an autumn cottonwood tree in front of a fallen sandstone monolith and vertical cliff face.

Cottonwood, Fallen Monolith, and Cliff. Grand Staircase-Escalante National Monument, Utah. October 29, 2012. © Copyright 2012 G Dan Mitchell – all rights reserved.

Sunlight reflected from nearby canyon walls illuminates an autumn cottonwood tree in front of a fallen sandstone monolith and vertical cliff face.

I may be repeating a story I’ve previously told, but here goes. Earlier during my late-October visit to Utah we had wandered into this area, only to be largely stymied by clouds, cold, absurdly strong winds, and even a bit of rain. It was a bit disappointing, in that we had really looked forward to visiting this portion of the Escalante River, and when we started out in the early morning and saw a lot of beautiful fall color we thought we were in for a good day of shooting. Although that day was not a complete loss, it wasn’t what we hoped for – and by the end of the day we were struggling against very strong winds and cold.

Fortunately, nearly a week later we found ourselves back in roughly the same area of Utah, and as we considered the next day’s possible shooting locations the idea of giving this spot a second try came up. After considering that alternatives of trying a new location or going back, we decided to go back. It was a good decision! Where the first visit had been cold, cloudy, windy and even a bit damp, the second visit brought warmer conditions, almost completely clear skies… and most important, nearly windless conditions. (At one point we were cautiously admitting to one another that we had made exposures of foliage that lasted as long as a couple of seconds!) Near one large bend in the canyon there was a spectacular abundance of “targets” – brilliant cottonwood and box elder trees, beautiful canyon walls of various colors, fallen leaves, and more. On the previous visit we had all looked at this little scene of a large fallen section of the canyon wall with golden cottonwoods growing all around, and then pretty much continued on since the trees where being whipped around by the wind. But on this second visit the wind was calm, and light was reflected into the scene from sunlit sandstone walls to our left.

G Dan Mitchell is a California photographer whose subjects include the Pacific coast, redwood forests, central California oak/grasslands, the Sierra Nevada, California deserts, urban landscapes, night photography, and more.
Blog | About | Flickr | Twitter | FacebookGoogle+ | 500px.com | LinkedIn | Email

Text, photographs, and other media are © Copyright G Dan Mitchell (or others when indicated) and are not in the public domain and may not be used on websites, blogs, or in other media without advance permission from G Dan Mitchell.

Aspens, Boulder Mountain, Evening

Aspens, Boulder Mountain, Evening
Aspens, Boulder Mountain, Evening

Aspens, Boulder Mountain, Evening. Dixie National Forest, Utah. October 6, 2012. © Copyright 2013 G Dan Mitchell – all rights reserved.

Autumn aspens in front of rugged landscape of the Grand Staircase-Escalante National Monument, Utah

This was an especially beautiful evening on the shoulder of the Boulder Mountain area of Utah. Six months earlier, on our first visit to this state, we had passed over Boulder Mountain early in April, before the spring leaves had appeared on the tremendous aspen groves found here. I imagined that this must be quite a sight in the fall when all of those aspens would inevitably change to yellow and gold and red and orange. With this in mind we planned our fall visit to cross this area again in early October, figuring that this would be about the right time for fall color.

It turns out that we probably missed the absolute peak of color – partly because the change happens on a slightly different schedule in these Utah mountains than in “my” Sierra Nevada, and because the transition seemed to occur a bit early this year, perhaps due to dry conditions earlier in the year. When we arrived we found that at the highest elevations the trees were already devoid of leaves. However, as we passed around the shoulder of the range to turn toward Torrey, we came upon some extensive and beautiful stands of colorful trees just before sunset and stopped to make photographs. This photograph looks across nearby aspens in the shadow of high clouds and beyond to the sandstone terrain in the area between Capitol Reef National Park and the small town of Boulder, an area that we finally got to investigate a few days later after crossing over the high country of Capitol Reef. At the time I made this photograph there was a nice soft haze – my kind of conditions! – and high clouds to the west were creating a lightscape alternating shadows and sun that played across the terrain.

G Dan Mitchell is a California photographer and visual opportunist whose subjects include the Pacific coast, redwood forests, central California oak/grasslands, the Sierra Nevada, California deserts, urban landscapes, night photography, and more.
Blog | About | Flickr | Twitter | FacebookGoogle+ | 500px.com | LinkedIn | Email

Text, photographs, and other media are © Copyright G Dan Mitchell (or others when indicated) and are not in the public domain and may not be used on websites, blogs, or in other media without advance permission from G Dan Mitchell.