Tag Archives: graze

Photographs: Nature, Photographs: Northern California, Photographs: Sierra Nevada, Photographs: Yosemite

Deer Graze Below Lembert Dome and Mount Dana, Tuolumne Meadows

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Deer Graze Below Lembert Dome and Mount Dana, Tuolumne Meadows - Deer graze in the early evening in Tuolumne Meadows below Lembert Dome and Mount Dana, Yosemite National Park.
Deer graze in the early evening in Tuolumne Meadows below Lembert Dome and Mount Dana, Yosemite National Park.

Deer Graze Below Lembert Dome and Mount Dana, Tuolumne Meadows. Yosemite National Park, California. July 11, 2012. © Copyright 2012 G Dan Mitchell – all rights reserved.

Deer graze in the early evening in Tuolumne Meadows below Lembert Dome and Mount Dana, Yosemite National Park.

Although compressed here by the use of the telephoto lens, this view of Tuolumne Meadows, Lembert Dome, and Mount Dana is one of the first that you might see when arriving at the Meadows from the west – at least if you happen to look towards Dana after dropping to the meadow and rounding the first gentle curve to the left past a group of trees that grows along the roadside and at the edge of the meadow. This alignment of Lembert and Dana is one that I always look for when I arrive.

Perhaps because I often see it when I arrived at Tuolumne, and because I most often arrive in the morning, my mental image of this view usually includes haze that makes the view of Dana opaque, especially in when the haze is back-lit by this morning light. Oddly, I don’t often look across the meadows from this point of view during the evening, when I suppose I’m more likely to be further up the meadow and closer to the Tuolumne River itself. On this July evening, however, I did happen to be here just before sunset. (I don’t recall for sure, but I’ll bet that I was returning from photographing somewhere to the west.) When I saw that familiar alignment of Lembert and Dana in the evening light, I stopped. I don’t think that I noticed the herd of deer along the meadow at the bottom of the frame until I was set up.

G Dan Mitchell is a California photographer whose subjects include the Pacific coast, redwood forests, central California oak/grasslands, the Sierra Nevada, California deserts, urban landscapes, night photography, and more.
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Text, photographs, and other media are © Copyright G Dan Mitchell (or others when indicated) and are not in the public domain and may not be used on websites, blogs, or in other media without advance permission from G Dan Mitchell.

Photographs: Nature, Photographs: Northern California, Photographs: Owens Valley

Ranch and Morning Fog, Owens Valley

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Ranch and Morning Fog, Owens Valley
Ranch and Morning Fog, Owens Valley

Ranch and Morning Fog, Owens Valley. Owens Valley, California. October 9, 2011. © Copyright 2011 G Dan Mitchell – all rights reserved.

As is often the case, there is a story behind this photograph – an image that I think is fairly atypical of my work, at least as to the subject.

A year ago, almost to the day, I was also in the eastern Sierra to photograph aspens. And on that day I got up very early at my lodging in Mammoth and headed out before sunrise, which it was still dark actually, without a fixed idea of where or what I was going to photograph. I reached highway 395 and headed south, with a vague idea of heading up one of the promising canyons such as that of McGee or perhaps Rock Creek. But very soon I saw fog out in Owens Valley above Crowley Lake and I started thinking of instead heading away from the Sierra and out into that Valley. I ended up at a small pond from which I photographed the light from the rising sun as it hit the eastern slopes of the Sierra.

That show was over fairly quickly, so I decided to explore a bit. I had noticed mist and fog in various places in the surrounding area. Some of it seemed to come from small hot springs while in other places it seemed to extensive for that. I picked, more or less randomly, some gravel roads that headed toward the foggy areas and ended up on Hot Creek, where I made several photographs of and through the fog rising from the water.

Fast forward to this year. The first day of aspen shooting was productive, but the colors were overall not really as spectacular as I had hoped. If the intended subject “isn’t happening,” I’ll often change course and look for something else. So, once again I woke up without an aspen photography plan, but with two other vague ideas in mind. One was to go up to Minaret Summit and photograph the first light on the Minarets and Ritter and Banner Peaks. The other was to drive south again on 395 to see what would happen. When I got in my car to head out I still literally did not know where I would go. I sat in the car a moment and then, for reasons that I can’t recall, picked the 395 option. (Later I realized that the other option could have been productive, too.) I headed south on 395 and was astonished to see – again! – the fog over Crowley and the mist rising out in Owens Valley. So I went to my little lake to shoot there first and then headed out to where I had shot Hot Creek last year, but this time I kept going. At one point I passed this small range while heading out but couldn’t see a shot. Later on my return trip I passed it again, and this time I saw the stock grazing in the frozen meadow next to this small creek, with mist and fog rising everywhere. I stopped.

(By the way, this is a color photograph…)

G Dan Mitchell Photography
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Photographs: Nature

Three Elk, Point Reyes

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Three Elk, Point Reyes
Three Elk, Point Reyes

Three Elk, Point Reyes. Point Reyes National Seashore, California. May 30, 2011. © Copyright G Dan Mitchell – all rights reserved.

Three tule elk grazing on hills above Drakes Beach at Point Reyes National Seashore, California.

This is one more – and possibly the last – in the series of tule elk photographs that I made at the Point Reyes National Seashore on Memorial Day. A group of perhaps eight or ten bull elk were grazing along the top of the hills above Drakes Bay when we encountered them in beautiful late afternoon light. As soon as I got out with my camera they moved just a bit further away, but still well within photography range.

There is a typical sequence in how I usually photograph creatures such as these. Because I never know how long they will stick around, I begin my just shooting them in any way that seems even somewhat interesting, perhaps muttering to myself, “At least I have tule elk shots in my portfolio now!” But after getting a few “insurance” shots right off the bat, I start to be more selective and more observant. Initially, I’m looking for a variety of interesting individual shots. These might include a single animal separate from the group, perhaps the full group, and perhaps sub-groups of two or three. I also pay a lot of attention to their positions, watching to make sure that faces are visible. (In this shot, the leftmost elk is partially obscured, but because his eyes are still visible and because of the way his antlers align with those of the front animal, on balance I don’t think this is a big problem.) I also watch for distracting elements, and may stop shooting if they are present. For example, the rear end of an elk is bright white and, uh, not the most photogenic part of the beast – so I wait until an animal presenting its backside to the camera either moves out of the frame or rotates into a better position.

I also try to think the same way I think when photographing a group of people. Their faces and eyes are the most important things, with the relationships their positions create among them being a very close second. Here two of the elk are looking almost at me, but slightly past my left shoulder. The third animal seems to be looking more toward the other two, creating a different sort of relationship among the animals. These things are so fleeting that I sometimes don’t see them until they have happened, so I have learned to not be conservative about exposing a lot of frames!

To the extent that I have control over such things, I also like to think about the angle of the light on the subjects. Sometimes you have no choice – you simply have to shoot from where you are. However, with these elk I did have some range of options. They were along a road, and I chose to stop a bit before their position because the light coming from the left would light them in a more dramatic and interesting fashion than if I had gotten closer and shot them with the light right behind me. In addition, I try to look beyond the animals themselves and be aware of how they position themselves against background subjects. This particular shot isn’t a great example, but in others I might wait for the moving animals to position themselves in a place where the background elements relate to them in some interesting way.

With all of this detail, you might get the idea that I’m standing there making a series of careful and logical calculations about how to shoot these guys. That’s not really what happens at all. Much of it turns out to happen in a quick and intuitive and almost subconscious manner “in the moment.” I’ve probably written here before about my belief in the important of “practice” (something I learned from my musical background) when it comes to being able to work and see quickly and effectively.

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Text, photographs, and other media are © Copyright G Dan Mitchell (or others when indicated) and are not in the public domain and may not be used on websites, blogs, or in other media without advance permission from G Dan Mitchell.

Photographs: Nature, Photographs: Northern California, Photographs: Wildlife

Bull Tule Elk, Point Reyes

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Bull Tule Elk, Point Reyes
Bull Tule Elk, Point Reyes

Bull Tule Elk, Point Reyes. Point Reyes National Seashore, California. May 30, 2011. © Copyright G Dan Mitchell – all rights reserved.

A bull tule elk grazes among the grassy hills near Drakes Bay, Point Reyes National Seashore.

The group of bull tule elk that I encountered at Point Reyes National Seashore on Memorial Day was large and tended to stick together very closely. Most of the photographs that I shot include multiple animals. However, this fellow paused for a moment as the others moved to the right and I had a chance to make a few photographs containing only a single elk. He was even thoughtful enough to pose in front of the rolling green hills rising above Tomales Bay in the distance!

The elk were apparently native to Point Reyes – and much of the rest of California – but were decimated in the 1800s as a result of hunting and displacement by cattle. As I understand it, a small group was reintroduced to Point Reyes in the 1970s or thereabouts. Eventually they were so successful that the herd began to expand to other areas of the park, and the area has now reached it normal carrying capacity for these animals. This specimen and the group it was part of were along the top of the rolling hills above Drakes Bay.

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Text, photographs, and other media are © Copyright G Dan Mitchell (or others when indicated) and are not in the public domain and may not be used on websites, blogs, or in other media without advance permission from G Dan Mitchell.