Tag Archives: grove

Hiker, Black Oaks, and Meadow

Hiker, Black Oaks, and Meadow
Hiker, Black Oaks, and Meadow

Hiker, Black Oaks, and Meadow. Yosemite Valley, California. October 30, 2013. © Copyright 2013 G Dan Mitchell – all rights reserved.

A hiker crosses a Yosemite Valley meadow beyond black oak trees with autumn foliage

Yes, yet another photograph of autumn oak trees and Yosemite Valley meadows! It is (or was) the season in late October and I’m still sorting through the photographs. When I first arrived here my plan was to photograph the black oaks as a “natural” landscape without people. So I found a composition that I thought would work and settled in to wait for the folks who were (as is inevitable in the Valley) wandering around in the meadow to finish and move out of the frame. It seemed that every time the view was about to be clear yet another person would arrive and walk into the frame. I finally decided that I might have to make two or more photographs and blend the “person-less” sections to create one image without hikers, so I made a few exposures as two or three people walked across. (I also timed some of the shots so that the people would be hidden behind the oak trees.)

As luck would have it, after I decided on this approach there was a point at which no human figures appeared in the scene, so I do have my natural landscape version of this scene. However, after thinking about it a bit more, I actually like the version with a person in it better! While most of my landscapes are “people-free,” every so often I do one that includes the figures in the frame. I’ve learned a few things about this. First, having a person in the frame isn’t always a bad thing. (Yes, file that in the “duh!” file.) The presence of a human figure can both crystallize the composition and it causes us to relate to the scene very differently – perhaps imaging ourselves being there or perhaps considering what the person in the photograph might be thinking and experiencing. Second, the figure can often be quite small and still change the effect of the image in ways that are much bigger than the small figure might suggest. As an exercise, try to just barely cover the person with your finger. Notice how the greatly the effect of this scene changes?

G Dan Mitchell is a California photographer and visual opportunist whose subjects include the Pacific coast, redwood forests, central California oak/grasslands, the Sierra Nevada, California deserts, urban landscapes, night photography, and more.
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Text, photographs, and other media are © Copyright G Dan Mitchell (or others when indicated) and are not in the public domain and may not be used on websites, blogs, or in other media without advance permission from G Dan Mitchell.

Aspen Color, Eastern California

Aspen Color, Eastern California
Aspen Color, Eastern California

Aspen Color, Eastern California. Near Glass Mountain, California. October 13, 2013. © Copyright 2013 G Dan Mitchell – all rights reserved.

Peak autumn color in a small stand of aspens high in a desert mountain range east of the Sierra Nevada

It is no secret that I love aspen trees, especially in the fall, and that I’m a big fan of the aspens along the eastern slopes of the Sierra Nevada. I photograph them every year, and I have come to know quite a bit about where to find them and how to photograph them in a variety of conditions ranging from sun to clouds and rain to snow. The aspens in this photo are also in California… but just not in the Sierra.

For a while I’ve had the idea to photograph aspens that are east of the range, since I have seen them from time to time while out there, but usually at the “wrong” time of year. This year I had a chance to make such trees the target of some travel, and we went looking for them east of the Sierra between roughly Long Valley and Bridgeport or thereabouts. The specific location of these trees is not all that important, though I’ll say that we came across this stand in some mountains east of the Sierra – as we rounded a bend and dropped into a valley in mostly sagebrush and juniper country, the stunning color of this grove along a small stream bed provided a vivid contrast with the surrounding terrain. We stopped and wandered around the edges of the grove, mostly making photographs of the trees themselves rather than their larger setting. Sierra fall aspen photographers are (sometimes painfully) aware of the ways that aspen leaves can deteriorate in the autumn, including brown or black spotted leaves or trees that go straight to drab dead leaves without passing through a colorful stage. However, the leaves on these trees were among the most perfect I have seen, with barely a blemish and with intense colors covering the spectrum from barely green though golden and on towards orange and red.

G Dan Mitchell is a California photographer and visual opportunist whose subjects include the Pacific coast, redwood forests, central California oak/grasslands, the Sierra Nevada, California deserts, urban landscapes, night photography, and more.
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Text, photographs, and other media are © Copyright G Dan Mitchell (or others when indicated) and are not in the public domain and may not be used on websites, blogs, or in other media without advance permission from G Dan Mitchell.

Autumn Cottonwood Trees, Meadow, Fog

Autumn Cottonwood Trees, Meadow, Fog
Autumn Cottonwood Trees, Meadow, Fog

Autumn Cottonwood Trees, Meadow, Fog. Yosemite Valley, California. October 31, 2013. © Copyright 2013 G Dan Mitchell – all rights reserved.

Morning fog drifts through a stand of cottonwood trees with golden autumn leaves, Yosemite Valley

Like essentially everyone who has photographed much in Yosemite Valley, I know this little stand of cottonwood trees very well. It is an obvious attractive photographic subject since its densely grouped trees stand apart from other trees in the middle of a meadow, its “perfect cottonwood-ness” is broken by the presence of a couple of other trees almost hidden within the stand, there are a variety of potential backgrounds for the small grove, at the right times it can be beautifully lit, and the meadow often forms beautiful ground fog early in the morning during certain seasons and conditions. Since the fall color of the trees seemed near its peak, I made a plan to be out there at one of the potentially ideal times on Halloween morning.

On the prior day I had decided on the spot from which I would photograph, with the idea being to make a fairly tightly cropped photograph of the trees with a bit of canyon wall in the background. With this plan in mind, I woke up in the darkness and arrived here well before sunrise and went directly to the spot I had picked out. I was very happy to find ground fog drifting over the meadow and frost on its dried grasses. I started photographing almost right away, before there was any direct light here or anywhere else in the Valley, and I planned to shoot right through sunrise and the point when the first direct light strikes the meadow and this group of trees. Before long, the first bit of sunlight came to the upper edge of the trees, and the light changed quickly as the beam of light from up near Half Dome moved down across the trees and began to cast alternating light and shadow across the meadow. This image from the series of photographs seems like the best combination of fog (which began to dissipate as the sun arrived), sunlight on trees and meadow, and background still in shade.

G Dan Mitchell is a California photographer and visual opportunist whose subjects include the Pacific coast, redwood forests, central California oak/grasslands, the Sierra Nevada, California deserts, urban landscapes, night photography, and more.
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Text, photographs, and other media are © Copyright G Dan Mitchell (or others when indicated) and are not in the public domain and may not be used on websites, blogs, or in other media without advance permission from G Dan Mitchell.

Sagebrush and Aspens

Sagebrush and Aspens
Sagebrush and Aspens

Sagebrush and Aspens. East of the Sierra Nevada, California. October 13, 2013. © Copyright 2013 G Dan Mitchell – all rights reserved.

Sparse, colorful aspen trees in the high sagebrush country east of the Sierra Nevada.

Back in October I made my annual trek to the east side of the Sierra Nevada to photograph autumn subjects, including but not limited to aspen trees in their fall colors. As often happens at this time of the year, we encountered a wide range of conditions ranging from beautiful sunny days to one day on which it snowed the entire time as we drove over the crest and down highway 395. Overall, this turned out to be a fine year for aspen color, though it was not exactly a typical year. The color came a bit early and seemed to change quickly in a number of areas. Even though many of us were concerned that the past two years of California drought – perhaps combined with the effects of global climate changes – might have reduced the colors, in the end the effect was simply to change the timing a bit. (And long time aspen photographers know that, in a sense, there really is no such thing as a “typical season” for aspen color.)

The final day of our five-day visit was a diverse one, and it took us to a range of quite different locations. It started in Mammoth Lakes, where we were surprised to find that it was snowing lightly when we left our motel in the pre-dawn darkness and headed out into Long Valley. After stopping there to photograph the morning snow flurries along the eastern Sierra, we continued to the east and drove all the way to Benton before turning around and heading back toward Mono Lake, investigating the interesting fall color in this less-visited area. As we reached highway 395 again we found that the snow was continuing to fall along the eastern escarpment here, too. We stopped in Lee Vining for a (very) late breakfast and decided to continue on to the north. After a stop to photograph the vast stands of aspens on the summit north of Lee Vining, it looked like the weather might be photographically interesting out toward Bodie, so we headed that direction. I photographed this little high desert valley with its small stands of autumn aspens momentarily illuminated as cloud shadows raced across the landscape. Mono Lake and the surrounding mountains are visible in the distance.

G Dan Mitchell is a California photographer and visual opportunist whose subjects include the Pacific coast, redwood forests, central California oak/grasslands, the Sierra Nevada, California deserts, urban landscapes, night photography, and more.
Blog | About | Flickr | Twitter | FacebookGoogle+ | 500px.com | LinkedIn | Email

Text, photographs, and other media are © Copyright G Dan Mitchell (or others when indicated) and are not in the public domain and may not be used on websites, blogs, or in other media without advance permission from G Dan Mitchell.