Tag Archives: haze

From Panamints To Death Valley

From Panamints To Death Valley
The view down into Death Valley from high along the summit of the Panamint Mountains

From Panamints To Death Valley. © Copyright 2018 G Dan Mitchell – all rights reserved.

The view down into Death Valley from high along the summit of the Panamint Mountains

Death Valley National Park — like virtually all national parks — contains a few features that have become iconic. These are the places everyone goes, and I probably don’t have to name them here. I would not dismiss such places — many of them, as we say, “are icons for a reason.” When I first visited this part two decades ago, I started with a few of those locations and I was thrilled to do so.

But now, after many, many visits to the place, I have pushed out my boundaries more and more. This is a huge and diverse park, with everything from the familiar low desert to high mountain ranges reaching above 11,000′ of elevation. While the better known locations can be a bit crowded, especially during the ideal season (when it isn’t so hot!), it doesn’t take a lot of exploring to find solitude. The location where I made this photograph isn’t the most isolated in the park, but it does afford a different view of the main valley.


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G Dan Mitchell is a California photographer and visual opportunist. His book, “California’s Fall Color: A Photographer’s Guide to Autumn in the Sierra” is available from Heyday Books and Amazon.
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Coastal Bluffs, Clearing Fog

Coastal Bluffs, Clearing Fog
A coastal inversion layer is visible as fog thins above the rugged Big Sur coastline

Coastal Bluffs, Clearing Fog. © Copyright 2018 G Dan Mitchell – all rights reserved.

A coastal inversion layer is visible as fog thins above the rugged Big Sur coastline

The quality of the Big Sur coast is, I think, the sum of a lot of contributing factors. As you drive south (my usual direction of approach, as a San Francisco Bay Area resident), the expanse of the Pacific Ocean extends to your right, and it may be brilliantly lit, completely fogged in, full of storm clouds, or just plain blue. Because the route alternately drops to the water level and climbs up above the headlands, this view expands and contracts. Surprisingly, it can be quite warm here, especially when the fog clears on a summer day and the road climbs. Views may be intimate as you pass through forested sections and around tight turns, or they may stretch to the horizon and far to the north and south.

On this mid-summer visit remnants of fog were still dissipating as I passed through. In places it sat thickly on hilltops, while elsewhere it had cleared and the light was brilliantly bright. This view appeared as I began my descent from one of the high places, and the top of the coastal inversion was clearly visible.


See top of this page for Articles, Sales and Licensing, my Sierra Nevada Fall Color book, Contact Information and more.

G Dan Mitchell is a California photographer and visual opportunist. His book, “California’s Fall Color: A Photographer’s Guide to Autumn in the Sierra” is available from Heyday Books and Amazon.
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All media © Copyright G Dan Mitchell and others as indicated. Any use requires advance permission from G Dan Mitchell.

Spring Meadow, Clearing Clouds

Spring Meadow, Clearing Clouds
Clouds and mist clear above Tuolumne Meadows, still brown and full of spring run-off

Spring Meadow, Clearing Clouds. © Copyright 2018 G Dan Mitchell – all rights reserved.

Clouds and mist clear above Tuolumne Meadows, still brown and full of spring run-off

Every spring (or early summer in very wet years) I try to head up to Tioga Pass Road, Tuolumne Meadows, and Tioga Pass on the day that this trans-Sierra highway reopens for the season or as soon thereafter as possible. The road opens as early as late April and as late as early July, depending on various factors but mostly on the amount of snow that fell over the winter. In heavy snowfall years, especially when winter conditions last later, even in July there can still be a lot of snow on the ground and there is water everywhere. Two years ago there was still a lot of snow, waterfalls were everywhere, creeks were overflowing, and in places the water flowed right across the roadway.

This was not a very wet winter. Early in the season it looked promising, but then there was an extended warm and dry spell early in 2018. Fortunately there was a second surprise — a wetter and colder end to the winter season. When all was said and done, while the winter wasn’t complete bust it was well below normal. Given those conditions I was surprised when the road didn’t open until the second half of May. I made it up there a few days after the opening and spent a day along the route, enjoying the transitional return to the warm season, watching ephemeral signs of the snow melt, and making a few photographs. Meadows that are lush and green as I write this post were still brown when I visited. It takes a while for the snow to melt, the water to collect, and the grasses to come back to life. This photograph looks across Tuolumne Meadows, across which the Tuolumne River meanders, toward more distant ridge and domes blanketed by clearing mist and clouds.


See top of this page for Articles, Sales and Licensing, my Sierra Nevada Fall Color book, Contact Information and more.

G Dan Mitchell is a California photographer and visual opportunist. His book, “California’s Fall Color: A Photographer’s Guide to Autumn in the Sierra” is available from Heyday Books and Amazon.
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All media © Copyright G Dan Mitchell and others as indicated. Any use requires advance permission from G Dan Mitchell.

Afternoon Light, Lee Vining Canyon

Afternoon Light, Lee Vining Canyon
Clouds from a dissipating storm, afternoon haze and light, spring aspens and meadows in Lee Vining Canyon

Afternoon Light, Lee Vining Canyon. © Copyright 2018 G Dan Mitchell – all rights reserved.

Clouds from a dissipating storm, afternoon haze and light, spring aspens and meadows in Lee Vining Canyon

This is another photograph from my marathon one-day trip from the San Francisco Bay Area over Tioga Pass and back earlier this week. This was as close to Monday’s opening of Tioga Pass Road as I could make it. In some ways it may have turned out for the best to not go on the actual opening day. I suspect that there were more people up there that day, and it was fairly deserted a couple of days later. I think that the weather was probably a bit more cooperative when I went, too — it was mostly fair, but with some interesting clouds and even a couple of drops of rain.

By mid-afternoon I had crossed the pass and dropped down to Lee Vining. The midday light isn’t generally my favorite for photography, so I went for a hike near Mono Lake before swinging back to Lee Vining to grab an early dinner before starting my return trip. The plan was to start back up through Lee Vining Canyon as the light was starting to become interesting, giving my as much as a couple of hours of potential photography time along Tioga Pass Road. It was somewhat hazy — a slightly thick atmosphere left behind in the wake of a weather front. This can produce dramatic lighting sometimes, but it can also lower contrast, mute colors, and generally make photography a bit tricky. (One option is to shoot for black and white!) As I started the climb up into Lee Vining Canyon, some beams of light came down from dissipating clouds and began to light the new growth of meadows and aspen trees at the bottom of the canyon.


See top of this page for Articles, Sales and Licensing, my Sierra Nevada Fall Color book, Contact Information and more.

G Dan Mitchell is a California photographer and visual opportunist. His book, “California’s Fall Color: A Photographer’s Guide to Autumn in the Sierra” is available from Heyday Books and Amazon.
Blog | About | Flickr | Twitter | Facebook | LinkedIn | Email


All media © Copyright G Dan Mitchell and others as indicated. Any use requires advance permission from G Dan Mitchell.