A solitary tree in marshland in the San Joaquin Valley, California
I have a bit of history with this tree. It is at a place where I frequently photograph at this time of year out in California’s San Joaquin Valley. These ponds are in an agricultural area that supports large populations of birds in the cooler seasons, and as I make my way around this place I often end up stopping here.
The stark tree stands alone at the edge of a pond, and there are often birds in its branches. Somewhere I have a photograph in which the branches are nearly full of red-winged blackbirds, and I’ve seen larger birds there, too. I’ve encountered it in completely clear conditions and in fog so thick that it was barely visible. This morning started out with some fog, but not much by wet-season San Joaquin Valley standards, and some sun made it through within a few minutes of sunrise. The foggy atmosphere stuck around enough to soften the light and mute colors a bit, but visibility was good and it was possible to see the blue sky above, with its layers of diminishing fog near the ground, lighter clouds beyond, and the blue sky above all else.
G Dan Mitchell is a California photographer and visual opportunist whose subjects include the Pacific coast, redwood forests, central California oak/grasslands, the Sierra Nevada, California deserts, urban landscapes, night photography, and more. Blog | About | Flickr | Twitter | Facebook | Google+ | 500px.com | LinkedIn | Email
Soft autumn light on Yosemite Valley forests and granite cliffs.
A typical day of shooting in normal weather in a place like Yosemite Valley starts early – though perhaps not as early as in some other locations, since the first light is somewhat muted by the tall cliffs and taller peaks to the east. I select subjects largely based on what the light is like and where I think it will be interesting, often focusing on places where I can get nice backlight, soft light in shadows, or perhaps atmospheric conditions such as fog. I may move around the Valley, shooting in one spot for a while and then moving on to another place where I suspect that conditions might be interesting. Depending upon the conditions and the season, this can go on for hours in the morning until eventually the light becomes “midday blah” and I’m exhausted and hungry! Time for a (very late) breakfast break and a pause in the photography on most days. After coffee and food I’ll usually take care of some business, for example breaking camp if it my final day there, and I’ll often wander around to visit familiar places – perhaps a gallery or a museum – and then it is probably time for a short nap. (Keep in mind that I’ve been up since well before dawn, and will likely shoot until dark and then possibly drive for four hours or more!)
At some point in the mid to early afternoon it feels like time to photograph some more – the angle of the light becomes less and backlight opportunities increase, afternoon haze may be increasing the sense of depth in the landscape, and I need to begin figuring where I’ll want to be at various times during the evolution of the light that will continue until after sunset. On this afternoon I went back into photography mode at about 2:30 or so, and this photograph was made at the “early” hour of around 3:00. But because it was fall, the sun angle was already low enough to backlight and highlight the cottonwood trees at the edge of the meadow and the textures and shapes of the granite cliffs rising above the Valley.
G Dan Mitchell is a California photographer and visual opportunist whose subjects include the Pacific coast, redwood forests, central California oak/grasslands, the Sierra Nevada, California deserts, urban landscapes, night photography, and more. Blog | About | Flickr | Twitter | Facebook | Google+ | 500px.com | LinkedIn | Email
Hazy morning light filters across the burned hillsides in the area of the Rim Fire, California
In photographic terms this is perhaps not the most spectacular photograph, and the location is not quite a scenic icon – though it is a place that many stop and take a look on their way to Yosemite, the “Rim of the World” overlook along highway 120 between Groveland and the northern park entrance. However, this view is loaded with implications and connected to many stories.
Late this past summer, the state of California was tremendously dry after a second drought season. It wasn’t a question of whether there would be big wildfires, but more of where, when, and how many. Perhaps the biggest one of all started very near the Rim of the World overlook, and in the hot and dry conditions it quickly – some might say explosively – spread to the north, east, and south. While many think of it as “the Yosemite fire” – and it did burn a lot of terrain inside the park – it really was more of a “Yosemite area” fire. Because of the conditions – the long-term conditions of drought and the immediate conditions of heat and wind – the fire apparently did very serious damage to the forests in the are.
Shortly after the fire was contained, I thought that I might drive through the park on Tioga Pass Road to get to and from the eastern Sierra in early October. In fact, the roads had opened up again by that time, but snow closed Tioga Pass on my trip to the west and we ended up coming back over Sonora Pass. So the post-fire conditions of this area, which is very familiar to me after years of visits, were still an unknown when I drove to The Valley on October 30 for a few days of autumn photography. Passing into the first fringes of the burned areas along highway 120 things didn’t look all that different than they do after any wildfire – some areas badly burned, some singed, and others that mostly escaped the fire. I decided to stop at the Rim of the World overlook, which was pretty much the only place where stopping was allowed, and get out and take a look. I was floored by the scale of the fire. It had come from behind my position, burned down and across the deep canyon of the Tuolumne River, up the canyon walls on the far side, and then across a vast series of receding ridges. Some smoke and haze still seemed to be coming from the area, and early morning light glanced across the ridges, with their dead trees. In the far distance there is a low peak with a bit of early season snow.
I have seen quite a few fires in the park over the past few decades. One not far from here destroyed a large area of forest a few decades ago – and on this trip, ironically, I was noting that new evergreen trees are finally taking hold there. Later several very bad fires blew up from near Foresta, doing terrible damage to the section of Crane Flat Road descending towards The Valley. There have been others. In most of these cases – though I wondered in the case of the most recent Foresta fire, too – it seemed that I could watch the forest recover and return to something resembling what I remember. However, given the intensity and scale of this fire, I wonder if I’ll have that opportunity where the Rim Fire burned?
To end on a cheerier note, a couple of other observations. Even near badly burned areas, I did see sections where this fire only burned some of the vegetation and a few that seemed to have been completely spared. And when I got to a spot inside the park along highway 120 where I often stop to photography dogwood trees in the spring and fall, a spot that seemed like it might have been within the burn zone on the maps, I found my little spot completely intact, with the dogwoods turning to fall colors.
G Dan Mitchell is a California photographer and visual opportunist whose subjects include the Pacific coast, redwood forests, central California oak/grasslands, the Sierra Nevada, California deserts, urban landscapes, night photography, and more. Blog | About | Flickr | Twitter | Facebook | Google+ | 500px.com | LinkedIn | Email
Hazy autumn afternoon light on golden cottonwood trees growing along the banks of the Merced River, Yosemite Valley
As I try to do every fall, I visited Yosemite Valley for a few days right at the end of October so that I could photograph fall color and other seasonal subjects. I typically target my visits for near the end of the last week of the month, since at about this time the cottonwood, big leaf maple, black oak, and dogwood trees can produce beautiful colors and the meadows turn wonderful shades of tan and brown and gold. There are other benefits to visiting at this time of year, too – far fewer people, cooler temperatures, availability of campsites, and I often run into friends and other interesting people in the Valley.
I’m a big fan of backlit trees, and I have shot in this area of meadows and cottonwood trees and river bank many times before. In the afternoon the light begins to come into the valley from the low sun in the west and while trees can be backlit, some of the granite cliffs are already in shadow. If there is a bit of atmospheric haze, I like it even more! On this afternoon I decided to poke around along the banks of the Merced in this area where it flows through a series of bends among meadows and forest – and there were backlit cottonwood trees galore to work with!
G Dan Mitchell is a California photographer and visual opportunist whose subjects include the Pacific coast, redwood forests, central California oak/grasslands, the Sierra Nevada, California deserts, urban landscapes, night photography, and more. Blog | About | Flickr | Twitter | Facebook | Google+ | 500px.com | LinkedIn | Email
G Dan Mitchell is a California photographer and visual opportunist whose subjects include the Pacific coast, redwood forests, central California oak/grasslands, the Sierra Nevada, California deserts, urban landscapes, night photography, and more.
