Tag Archives: haze

Ross’s Geese, Dusk

Ross's Geese, Dusk
Ross’s Geese, Dusk

Ross’s Geese, Dusk. San Joaquin Valley, California. December 13, 2013. © Copyright 2013 G Dan Mitchell – all rights reserved.

A group of Ross’s geese takes flight in hazy dusk light

I try to visit California’s San Joaquin Valley as often as possible during the fall, winter, and early spring months when migratory birds settle in for the cold season. The sounds of the birds and the sight of flocks of them setting in or flying overhead is addictive – so much so that I’m willing to go to somewhat great lengths to experience this. Most often this means getting up way before dawn, often on very cold mornings, and driving a couple of hours into the foggy landscape of the valley and then photographing for hours in the cold. I’m not complaining – I love doing this! I also have what has become an annual routine connected to my periodic Death Valley photography trips. I try to arrange my schedule on the last day in Death Valley so that I can do a morning shoot there, quickly strike camp and pack up, and leave soon enough that I can stop to photograph birds on the way home. (The two worlds – the dry, austere world of Death Valley, and the cold, damp, and bird-filled Central Valley – could not be more different.)

This photograph is one of several (well, OK, more than “several”) I made during a one hour stop at some valley wetlands at the end of the day on the long drive home. I arrived, did a quick reconnaissance around the area, discovered a large flock settled in along a gravel road in a pasture, and settled in to watch the evening’s events. I recall a time when I was disappointed when the light faded, since it eventually became too dark to maintain shutter speeds that would stop the motion of the geese as they flew in, out, and around. But it didn’t take long to discover that continuing to shoot in the fading light and accepting the slower shutter speeds led to motion blur would let me present the birds in a more abstract way, but one that is in many ways as true as isolating a moment of seeming stillness in a scene that is actually full of motion. I now look forward to this time of low light, when I can make photographs that might possess a bit more mystery.

G Dan Mitchell is a California photographer and visual opportunist whose subjects include the Pacific coast, redwood forests, central California oak/grasslands, the Sierra Nevada, California deserts, urban landscapes, night photography, and more.
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Text, photographs, and other media are © Copyright G Dan Mitchell (or others when indicated) and are not in the public domain and may not be used on websites, blogs, or in other media without advance permission from G Dan Mitchell.

Shoreline Sea Stacks

Shoreline Sea Stacks
Shoreline Seastacks

Shoreline Sea Stacks. Port Orford, Oregon. August 20, 2013. © Copyright 2013 G Dan Mitchell – all rights reserved.

Giant shoreline sea stacks along the Oregon Pacific Ocean coastline.

As we traveled south along the Oregon coastline on the Oregon Coast Highway (US 101) we passed through various towns ranging from quite small to middle-sized. Eventually we came to Port Orford, which did not seem to us to be all the exceptional of a place – though apologies to Port Orfordians, who probably know the beauties of the place far better than some Californians quickly passing through! However, there was one interesting feature that immediately caught our attention. As the highway pass through the town it curves to the left to follow the coast. But at the point where the curve went left, a short section of road continued straight ahead to the top of a hill that appeared to overlook the coast, and a giant sign hand-painted on the roadway almost demanded that we leave 101 and see what was there.

Just over the top of this short side road was an open view of the coast to the south, curving inland right below the town to form a shallow bay. Slightly beyond this we could see a set of large sea stacks along the beach… but no picture in this particular light from our position. We continued on along the highway, curving through town and then back towards the south, and soon came to the spot where the sea stacks stood. Despite some tricky light, including wildfire haze and afternoon intense light, we paused to make a few photographs. First, a large group of pelicans surprised us by slowly flying by into the strong headwind and then landing almost directly in front of us at the waterline. Then I put a longer lens on the camera and went looking for an angle that would let me combine near and far towers with a bit of surf along the wild beach.

G Dan Mitchell is a California photographer and visual opportunist whose subjects include the Pacific coast, redwood forests, central California oak/grasslands, the Sierra Nevada, California deserts, urban landscapes, night photography, and more.
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Text, photographs, and other media are © Copyright G Dan Mitchell (or others when indicated) and are not in the public domain and may not be used on websites, blogs, or in other media without advance permission from G Dan Mitchell.

Strait of Juan de Fuca, Evening

Strait of Juan de Fuca, Evening
Strait of Juan de Fuca, Evening

Strait of Juan de Fuca, Evening. Olympic Peninsula, Washington. August 16, 2013. © Copyright 2013 G Dan Mitchell – all rights reserved.

Evening light near Hurricane Ridge and over the Strait of Juan de Fuca

After shooting in the lowland rainforest earlier in the day, we planned to head up to Hurricane Ridge in Olympic National Park in the evening, hoping for some interesting late day light. I’ve been “skunked” (frustrated by poor conditions!) on more than one occasion here, including one notable visit when the clouds reduced visibility to a distance that might have been measured in yards. An earlier web cam check and what we could now see from down below encouraged us to think that we might get something better this time, so into the park and up the road we went.

When we arrived the conditions were not quite stupendous, but they held the promise of becoming better, so we stuck around and photographed. Although it was mostly somewhat hazy and cloudy, every so often the sun would come through an opening in the clouds to the west, and the beams of light would move across the rugged landscape of the Olympic Mountains spread out in front of us – and on one occasion this light crossed through rain showers and produced a momentary rainbow. As things wound down – without there ever having been a real climactic moment of light – I decided to walk over to a low ridge from which there was a view to the north and the Strait of Juan De Fuca, with Canadian territory beyond. Again, the atmosphere was murky, though there were potentially interesting clouds about. I made this photograph near the very end of the day when a bit of filtered though direct light swept across the foreground ridge.

G Dan Mitchell is a California photographer and visual opportunist whose subjects include the Pacific coast, redwood forests, central California oak/grasslands, the Sierra Nevada, California deserts, urban landscapes, night photography, and more.
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Text, photographs, and other media are © Copyright G Dan Mitchell (or others when indicated) and are not in the public domain and may not be used on websites, blogs, or in other media without advance permission from G Dan Mitchell.

Tree and Marsh

Tree and Marsh
Tree and Marsh

Tree and Marsh. San Joaquin Valley, California. December 2, 2013. © Copyright 2013 G Dan Mitchell – all rights reserved.

A solitary tree in marshland in the San Joaquin Valley, California

I have a bit of history with this tree. It is at a place where I frequently photograph at this time of year out in California’s San Joaquin Valley. These ponds are in an agricultural area that supports large populations of birds in the cooler seasons, and as I make my way around this place I often end up stopping here.

The stark tree stands alone at the edge of a pond, and there are often birds in its branches. Somewhere I have a photograph in which the branches are nearly full of red-winged blackbirds, and I’ve seen larger birds there, too. I’ve encountered it in completely clear conditions and in fog so thick that it was barely visible. This morning started out with some fog, but not much by wet-season San Joaquin Valley standards, and some sun made it through within a few minutes of sunrise. The foggy atmosphere stuck around enough to soften the light and mute colors a bit, but visibility was good and it was possible to see the blue sky above, with its layers of diminishing fog near the ground, lighter clouds beyond, and the blue sky above all else.

G Dan Mitchell is a California photographer and visual opportunist whose subjects include the Pacific coast, redwood forests, central California oak/grasslands, the Sierra Nevada, California deserts, urban landscapes, night photography, and more.
Blog | About | Flickr | Twitter | FacebookGoogle+ | 500px.com | LinkedIn | Email

Text, photographs, and other media are © Copyright G Dan Mitchell (or others when indicated) and are not in the public domain and may not be used on websites, blogs, or in other media without advance permission from G Dan Mitchell.