Tag Archives: historic

Deserted Street, Porto

Deserted Street, Porto
“Deserted Street, Porto” — Nighttime on a deserted street in Porto.

On our sort-of-first-night in Porto in May we ended up at a little restaurant on this street. (I write “sort-of-first-night” since we had actually stopped for one night earlier on the trip, between Coimbra and our walk in the Douro hills.) We walked out of our hotel looking for a nearby place to eat that didn’t scream “tourist restaurant. We ended up at a little restaurant here, so unobtrusive that you might not even spot its entrance sign in the photo.

I made the photograph a few nights later as we headed back to our hotel from a long walk to the other side of the Douro River and back. We crossed back over the river after sunset, and our route took us past this side street again. This time I thought the night scene looked fascinating, so I paused and photographed down the deserted street.

G Dan Mitchell is a California photographer and visual opportunist. His book, “California’s Fall Color: A Photographer’s Guide to Autumn in the Sierra” (Heyday Books) is available directly from him. Blog | Bluesky | Mastodon | Substack Notes | Flickr | Email

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Trogir Building

Trogir Building
“Trogir Building” — Bicycles are parked in front of a Trogir building in morning light.

A friend and I arrived in Trogir very early in the morning. Our plan was to photograph the city before the daytime tourist crowds arrived. We had already been photographing for some time when I made this photograph in reflected morning light. Much of the city is connected by very narrow passageways, which means things are often in the shadows. But here the city was open enough to allow reflected light to illuminate this building.

This photograph is largely about the beautiful, warm, soft reflected light. But other things play into it as well. To my eye, there is a lot of interesting geometry here — from the triangular shapes of the roof structure to the big rectangles of the windows and doors, and then the finer patterns of the stones in the building and the sidewalk. Yet all of the geometry is broken up by other elements — the curving wire on the roof, the metal cylinder near the right door, and the bicycles.

G Dan Mitchell is a California photographer and visual opportunist. His book, “California’s Fall Color: A Photographer’s Guide to Autumn in the Sierra” (Heyday Books) is available directly from him. Blog | Bluesky | Mastodon | Substack Notes | Flickr | Email

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Old Bridge and Water

Old Bridge and Water, Valbona Valley
“Old Bridge and Water” — An old and very dilapidated wooden bridge across the Valbona River, Albania.

This is one more (and perhaps the last) of my photographs from our brief foray into the Albanian Alps and the Valbona Valley during the summer of 2023. To recap, we were staying in Kosovo for several days, and one day our family member from Kosovo took us all on a trip into these remarkable mountains. I made the photograph on our drive back to Kosovo.

We stopped along a curve in the river where a small mosque stood on the opposite bank, backed by the distant peaks far up the valley. We got out and walked around a bit, eventually venturing onto a bridge across the river. From that bridge we could look down on what I assume is a much older bridge, the one in this photograph. It looked like you probably still could cross it… but you probably would not want to try! The bridge fascinated me, but so did the perfectly clear mountain water flowing over the stones on the riverbed.

G Dan Mitchell is a California photographer and visual opportunist. His book, “California’s Fall Color: A Photographer’s Guide to Autumn in the Sierra” (Heyday Books) is available directly from him. Blog | Bluesky | Mastodon | Substack Notes | Flickr | Email

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Monastery of São Vicente de Fora

Monastery of São Vicente de Fora
“Monastery of São Vicente de Fora” — The Monastery of São Vicente de Fora rises above Alfama, Lisbon.

Unfortunately we did not actually get to the Monastery of São Vicente de Fora during our Lisbon visit — we were merely tempted by the sight of the impressive architecture on this ridge above Alfama in Lisbon. As is our practice, we headed out for a walk on this day, a walk that followed only the most general plan. We knew we wanted to get to visit Alfama, but beyond that we would just wander. Eventually — and, I suppose, inevitably — we arrived at Portas do Solwhich presented this view.

The buildings of Alfama are tightly packed and separated by very narrow streets, many of which would not accommodate vehicle traffic. A small section of such buildings is in the foreground in this photograph, temporarily shaded by the passing clouds. The Monastery dominates the view, as it sits on the hilltop above the district — and at this moment it was in the sunshine.

G Dan Mitchell is a California photographer and visual opportunist. His book, “California’s Fall Color: A Photographer’s Guide to Autumn in the Sierra” (Heyday Books) is available directly from him. Blog | Bluesky | Mastodon | Substack Notes | Flickr | Email

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(All media © Copyright G Dan Mitchell and others.)