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Murphy Point and Murphy Hogback, Evening

Murphy Point and Murphy Hogback, Evening - Evening light on the brow of Murphy Point, with Murphy Hogback leading to the right and the areas of the Green and Colorado Rivers confluence and the Needles beyond, Canyonlands National Park.
Evening light on the brow of Murphy Point, with Murphy Hogback leading to the right and the areas of the Green and Colorado Rivers confluence and the Needles beyond, Canyonlands National Park.

Murphy Point and Murphy Hogback, Evening. Canyonlands National Park, Utah. April 6, 2012. © Copyright 2012 G Dan Mitchell – all rights reserved.

Evening light on the brow of Murphy Point, with Murphy Hogback leading to the right and the areas of the Green and Colorado Rivers confluence and the Needles beyond, Canyonlands National Park.

When I photographed from the Green River Overlook in Canyonlands National Park back in early April, I arrived there in the evening with one shot definitely planned out ahead of time (though the conditions were, as they often are, a bit of a pleasant surprise once I arrived) and one sort of half planned. The first was a shot across the rugged terrain to the west and southwest through which the Green River has carved a deep and twisting canyon. The second was of more or less the same subject, but shot in vertical format with a longer lens and tracking some of the formations out toward the horizon.

Once there, I quickly figured out my shooting location – to be honest, there are quite a few options and unless you include cliff-top foreground subjects you don’t have to be terribly particular. I composed the first, landscape-orientation shot and then sort of went back and forth between that image and the vertical shot as the light evolved. As I did this and the low angle light began to cut through some of the haze a bit more, the terrain to my south that I had not really thought about earlier started to look a bit more interesting. From the Green River Overlook, the upper sandstone cliffs first curve back away from the river canyon, then run south, and once again extend a bit out into the canyon at Murphy Point, the impressive prominence at the left side of this photograph. One thousand feet below, Murphy Hogback – a flat-topped ridge – extends further toward the Green River. Beyond that the terrain extends into the distance, full of features that were unfamiliar to me but still very impressive – a series of plateaus, often with white rock edges, steep drop-offs into deep canyons, more distant and barely visible towers and other formations. From what I’ve read since then, I’m pretty certain that beyond the shoulder of Murphy Point, I am seeing the area roughly where the Green and Colorado Rivers meet and beyond that the area known as The Needles.

G Dan Mitchell is a California photographer whose subjects include the Pacific coast, redwood forests, central California oak/grasslands, the Sierra Nevada, California deserts, urban landscapes, night photography, and more.
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Text, photographs, and other media are © Copyright G Dan Mitchell (or others when indicated) and are not in the public domain and may not be used on websites, blogs, or in other media without advance permission from G Dan Mitchell.

Murphy Point, Sunset

Murphy Point, Sunset - Sunset light on Murphy Point, photographed from Green River Overlook, Canyonlands National Park
Sunset light on Murphy Point, photographed from Green River Overlook, Canyonlands National Park

Murphy Point, Sunset. Canyonlands National Park, Utah. April 6, 2012. © Copyright 2012 G Dan Mitchell – all rights reserved.

Sunset light on Murphy Point, photographed from Green River Overlook, Canyonlands National Park.

We spent the better part of a day scouting around the “Island in the Sky” section of Canyonlands National Park, partly with the goal of figuring out where to be for golden hour light. In the end, the very first place we had really considered ended up being the place we came back to – the Green River Overlook. While quite a few landscape photographs can be somewhat spontaneous and a matter of quickly taking advantage of ephemeral conditions, the decision to photograph at the Green River Overlook was quite the opposite. Not only had I decided that I wanted to shoot at this location, but I had even worked out the composition of the shot that I wanted.

With that in mind, we came back here almost an hour before actual sunset, confident that the photograph I had in mind would be waiting for me. And it was! That photograph was shot looking roughly west or a bit south of west and across the canyons dropping into the Green River. But I also had quite a bit of time to look around at other possible subjects as the light slowly transformed. The steep upper cliffs of (what I believe to be) Murphy Point stood to my south and the sunset light began to intensely color their red rocks during the final few minute of sunlight. So I took a moment away from the shot I had come for, pivoted the tripod this direction, and made a few exposures. The geology seen in this area is amazing. Layer upon layer build from the bottoms of the river canyon, through the side canyons and onto the lower plateaus. Then shattered rock stacks up against the tall upper sandstone cliffs that are topped by the relative flatlands of the “Island in the Sky” area. Here the low angle side-light from the setting sun reveals a lot of the more subtle details of this landscape.

G Dan Mitchell is a California photographer whose subjects include the Pacific coast, redwood forests, central California oak/grasslands, the Sierra Nevada, California deserts, urban landscapes, night photography, and more.
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Text, photographs, and other media are © Copyright G Dan Mitchell (or others when indicated) and are not in the public domain and may not be used on websites, blogs, or in other media without advance permission from G Dan Mitchell.

Canon EOS 5D Mark III 24-105mm Lens Kit Back in Stock at B&H

I see that the Canon EOS 5D Mark III Digital Camera Kit with Canon 24-105mm f/4L IS USM AF Lens is back in stock at site-sponsor B&H Photo. The camera was recently announced, but initially was very hard to find – and then became virtually impossible to find while Canon was dealing with some inevitable first-batch issues. But it sounds like those issues have now been resolved, and the camera is again becoming available.

The 5D3 is in some ways very similar to the previous model, the 5D2. The MP count is only very slightly higher – and the small increase won’t have any practical effect on still photographs. Whether a full-frame DSLR has 21MP or 22MP, in the hands of a skillful photographer it will be capable of producing photographs that can be printed quite large. The 5D3 does build in the 5D2 and it offers real improvements – to mention two, the new camera has an upgraded auto-focus system and a significantly higher frame rate. Features like these expand the camera’s useful to encompass a wider range of photographic subjects and situations.

I use the 24-105mm f/4 L IS zoom that is include in this bundle. For most people looking for a first lens for this camera, the 24-105 is likely to be the best option. It provides excellent image quality, image-stabilization, and a usefully large focal-length range. For many types of photography it can be sufficient all by itself.

If you have been waiting for this Canon EOS 5D Mark III Digital Camera Kit, you may want to act quickly – B&H reports that the current stock is limited.

G Dan Mitchell is a California photographer whose subjects include the Pacific coast, redwood forests, central California oak/grasslands, the Sierra Nevada, California deserts, urban landscapes, night photography, and more.
Blog | About | Flickr | Twitter | FacebookGoogle+ | 500px.com | LinkedIn | Email

Text, photographs, and other media are © Copyright G Dan Mitchell (or others when indicated) and are not in the public domain and may not be used on websites, blogs, or in other media without advance permission from G Dan Mitchell.

Turks Head, Green River

Turks Head, Green River - The green river curves around Turks Head and through deep canyons in hazy evening light, Canyonlands National Park, Utah
The green river curves around Turks Head and through deep canyons in hazy evening light, Canyonlands National Park, Utah

Turks Head, Green River. Canyonlands National Park, Utah. © Copyright 2012 G Dan Mitchell – all rights reserved.

The green river curves around Turks Head and through deep canyons in hazy evening light, Canyonlands National Park, Utah.

I made several photographs Canyonlands National Park’s Green River Overlook on this beautiful early April evening. The upper portion of this area of the park is a high, flat area at about 6000′ of elevation that tends to drop off steeply, especially on the east, south, and west sides which lead to the canyons of the Colorado and Green Rivers just above their confluence. Below this upper plateau there is a second plateau at the level of the White Rim about 1000′ lower, with yet another drop-off into the bottoms of the river canyons and their tributaries.

This photograph is looking roughly southwest into the canyon of the Green River, which is barely visible between the foreground White Rim area and the solitary butte of “Turks Head” just beyond. (At least I hope it is Turks Head! That looks to be the only feature in this area that would fit that description, but I’m now to this geography.) At this early evening time the light was slanting nearly horizontally across the scene from the right and hitting a few of the west-facing slopes and glancing along the top of the White Rim. Haze filled the air, softening the light, muting the colors of the scene, and accentuating the grand scale of this landscape.

G Dan Mitchell is a California photographer whose subjects include the Pacific coast, redwood forests, central California oak/grasslands, the Sierra Nevada, California deserts, urban landscapes, night photography, and more.
Blog | About | Flickr | Twitter | FacebookGoogle+ | 500px.com | LinkedIn | Email

Text, photographs, and other media are © Copyright G Dan Mitchell (or others when indicated) and are not in the public domain and may not be used on websites, blogs, or in other media without advance permission from G Dan Mitchell.