Tag Archives: intimate

Photographs: Nature, Photographs: The Southwest, Photographs: Utah

Edges

Image August 13, 2020 G Dan Mitchell Leave a comment

A conjunction of striated sandstone in a Utah canyon.

I photographed this somewhere in Utah, almost certainly in Grand Staircase-Escalante National Monument, and I’m pretty sure I remember which little canyon I was walking through… but I can’t say that I recall the exact spot. We had driven to a rather out-of-the-way location, wandered up a shallow stream, and entered a lovely, quiet, light-filled canyon full of the usual twists and turns.

The canyon presented a veritable feast of photography — plants, reflections of sky and canyon walls in the water, sand, red rock walls, and more. Given the narrowness of the canyon, the subjects all belonged to the “intimate landscape” genre, and it was rare to have a view of anything more than a few yards away. And everywhere the star of the show was there light reflected down from above and bouncing off the sandstone canyon walls.

G Dan Mitchell is a California photographer and visual opportunist. His book, “California’s Fall Color: A Photographer’s Guide to Autumn in the Sierra” is available from Heyday Books and Amazon.

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Photographs: Fall, Photographs: Fall Color, Photographs: Nature, Photographs: Sierra Nevada

Early Aspen Color

Image October 9, 2019 G Dan Mitchell Leave a comment

Early autumn season aspens begin to change color.

As fall approaches I always anticipate the color change of aspen trees way in advance of the actual event, and I start watching for early signs more than a month before the color peaks. Way back in August I typically find a few early clues — yellowing corn lilies, drying meadows — and at some point in September I find my first few yellow aspen leaves. The change begins in earnest by the first week of October, and that is when I made this photograph. At this point, the aspen trees seem to move toward a sort of “lime green” color, often with a few interspersed yellow leaves, and in the right light you can convince yourself the fall colors have arrived.

There is a useful lesson about lighting in this photograph, too. Although this scene seems pretty straightforward, there’s more going on with the direction and color of the light than you might first notice. This grove of trees is, indeed, in the shade. The camera is pointing roughly east, a tall ridge rises behind this little grove, and it was still shading the trees hours after sunrise. This provides soft light that fills in shadow details much better than direct sunlight. Look deeper into the grove and beyond and you may notice that the color becomes more blue. Light in shadows is usually quite blue — after all, the main light source is the very blue sky! But the trees in the foreground are not very blue… and there’s a reason. Behind my camera position (if we could turn around and look backwards) was a very large mountain in direct sunlight, and the reflection of that light was strongly diffused and directed straight into the grove, warming the colors and highlighting the front trees.

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Photographs: Nature, Photographs: Sierra Nevada

Rocks, Water, Reflection*

Image September 19, 2019 G Dan Mitchell Leave a comment

* This is the first of two photographs that I’m posting for an unusual reason — after the original post I rethought the aspect ratio of the photograph and decided that I like it in the (unusual for me!) square format. The text below is the same as that used in the original post.

Granite slabs and submerged rocks at the edge of an alpine Sierra Nevada lake.

One advantage of photographing for a long time in one small area is that you may begin to see things that you initially overlooked. I’m often immediately attracted to the large scale landscape — lakes, peaks, forests, sky — and it takes more time, patience, and attention to start to start to see subtler, smaller subjects. These often constitute what has been called the “intimate landscape,” made up of distinctly non-iconic elements, and frequently offering and almost abstract quality of shape, color, and texture.

To find these things I have to slow down a lot. It is easy to become anxious about finding that Great Photograph that will knock viewers over. But those don’t come every day or even every week. Sometimes, in fact, there are long gaps between them. At one point on this trip one of my fellow photographers mentioned that he had seen me from where he was working, and that I seemed to be doing a lot of “contemplation.” Guilty as charged! In a sense, most of the work of photography may be done without the camera. Sure, the camera is in my bag or attached to my tripod, but I’m looking and considering and thinking more than I’m actually making photographs. This photograph comes from one of those moments — I had simply been walking along the edge of “our” lake, spending a lot of time just looking, when I noticed this pattern of granite and still water than I had walked past quite a few times before.

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