Tag Archives: john muir

Blue Hour Talus, Cliff and Lake

Blue Hour Talus, Cliff and Lake
A talus field extends across the shore of an alpine lake

Blue Hour Talus, Cliff and Lake. © Copyright 2018 G Dan Mitchell – all rights reserved.

A talus field extends across the shore of an alpine lake

During my recent September backcountry expedition to photograph areas of the John Muir Wilderness, we were fortunate to find ourselves in a place with lots of rocky terrain — tall peaks above, mountain slopes all around, talus fields leading into alpine lakes. The lower Sierra country with it forests and gentle steams is wonderful, but I really love the higher and more rugged country, where stunted trees grow among tarns and small lakes, and where the landscape is more and more rocky as you ascend.

Near the lake at which we camped a gigantic talus field descended from the nearby ridge. At first glance such things can appear almost random and undifferentiated, being the rock equivalent of beach sand. But in the right light, looked at in the right way, and especially with a smooth lake surface to reflect their forms, structural patterns and flows begin to appear from the complexity of this landscape. In direct sunlight these rocks can be almost too harsh to photograph, with huge contacts between black shadows and brilliant reflective highlights. But during the morning and evening “blue hour” periods the light is softened, filling in shadows, and adding a different sort of coloration to the scene.


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G Dan Mitchell is a California photographer and visual opportunist. His book, “California’s Fall Color: A Photographer’s Guide to Autumn in the Sierra” is available from Heyday Books and Amazon.
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Alpine Shoreline, Autumn Plants

Shoreline plants with early autumn colors along the back of a backcountry lake.

Alpine Shoreline, Autumn Plants. © Copyright 2018 G Dan Mitchell – all rights reserved.

Shoreline plants with early autumn colors along the back of a backcountry lake.

For all of the usual reasons, our group base-camped at a high, subalpine lake during our recent week in the Sierra Nevada backcountry. What are those reasons? Some are, of course, scenic — many lakes provide open vistas, reflections, an easy way to walk their perimeters (though not always!), meadows, and access to other nearby locations. “Our” lake had a large and convoluted shoreline. Most of it was covered with trees and mead owing areas, though one side was comprised of the base of a giant talus slope leading down from the nearby peaks.

I walked much of the lake’s perimeter, revisiting sections a number of times during our stay. On this morning I had set out to reach the farthest point of the lake, where a rocky outlet stream led to further meadows and more lakes. I had a lot of ideas about what I could photograph there, but central in my mind was to photograph a couple of bays like this one, surrounded by rocky terrain and early autumn vegetation, and with the distant peaks of the Sierra crest in the background.


See top of this page for Articles, Sales and Licensing, my Sierra Nevada Fall Color book, Contact Information and more.

G Dan Mitchell is a California photographer and visual opportunist. His book, “California’s Fall Color: A Photographer’s Guide to Autumn in the Sierra” is available from Heyday Books and Amazon.
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All media © Copyright G Dan Mitchell and others as indicated. Any use requires advance permission from G Dan Mitchell.

Outcropping, Reflection

Outcropping, Reflection
A shoreline granite outcropping is reflected in the still surface of a subalpine lake

Outcropping, Reflection. © Copyright 2018 G Dan Mitchell – all rights reserved.

A shoreline granite outcropping is reflected in the still surface of a subalpine lake

I have recently written about and shared a few images from this summer’s 9-day Sierra backcountry photographic adventure. The short story is that a group of us, as we do every year, headed into a backcountry location, set up a base camp, and photographed the surroundings for about a week. The “founders” of the group have been doing this for close to two decades — I gradually became part of the group about a decade ago or so.

One of the many advantages of working this way — setting up a base camp and working outwards from it — is that we can more thoroughly explore and photograph the surrounding area. When backpacking I would mostly pass through locations, rarely staying for more than a night. This gave me an evening and a morning, but with a base camp I can can “work” an area for a full week, often returning to a location to find better conditions. This year our camp was within a short walk of many small, intimate lakes. The daily question was often, “Which lake this time?” I visited the lake in this photograph several times, and each time learned more about it. On this occasion, in the evening, the water was still and reflected the form of the granite outcropping on the other side of the lake.


See top of this page for Articles, Sales and Licensing, my Sierra Nevada Fall Color book, Contact Information and more.

G Dan Mitchell is a California photographer and visual opportunist. His book, “California’s Fall Color: A Photographer’s Guide to Autumn in the Sierra” is available from Heyday Books and Amazon.
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All media © Copyright G Dan Mitchell and others as indicated. Any use requires advance permission from G Dan Mitchell.

Snag and Needles

Snag and Needles
Detail of an old snag littered with a few needles

Snag and Needles. © Copyright 2018 G Dan Mitchell – all rights reserved.

Detail of an old snag littered with a few needles

High in the Sierra Nevada, as you get close to the tree line, there are more and more of these old “snags” — the skeletal remnants of trees that died some time ago. In order to survive in such an environment, these trees must be very tough, and their forms given evidence of that. They often seem stunted and are twisted into remarkable shapes as they grow on and around rocks and boulders and slabs. They may survive for a long time, even as they sacrifice branches in to the elements. When they do die their wood lasts for decades. Living or dead, they sometimes seem to me to inhabit a space midway between geology and fauna, being as close to the rock as to more familiar green things.

As I have mentioned already, our location high in the eastern Sierra Nevada backcountry was in an area where the sun was blocked for hours after sunrise and for hours before sunset. In was mid-morning before any direct sunlight reached our camp and late afternoon when it left, and I could wander in the cold, soft light for hours making photographs… and freezing! I photographed this bit of an old snag in this softly shadowed blue-toned light.


See top of this page for Articles, Sales and Licensing, my Sierra Nevada Fall Color book, Contact Information and more.

G Dan Mitchell is a California photographer and visual opportunist. His book, “California’s Fall Color: A Photographer’s Guide to Autumn in the Sierra” is available from Heyday Books and Amazon.
Blog | About | Flickr | Twitter | Facebook | LinkedIn | Email


All media © Copyright G Dan Mitchell and others as indicated. Any use requires advance permission from G Dan Mitchell.