Tag Archives: lamp

Construction Lift, Building Interior

Construction Lift, Building Interior
Construction Lift, Building Interior

Construction Lift, Building Interior. San Francisco, California. July 12, 2010. © Copyright G Dan Mitchell – all rights reserved.

I suppose that posting this photograph is the web site equivalent of switching channels – this might be a bit jarring after weeks of Death Valley and other landscape/nature subjects.

I did not quite complete my end-of-year task of going through all of last year’s raw files back in December, so I have been returning to the task bit by bit over the past few weeks. I’m currently working with some photographs from San Francisco, made back in July 2010 when I did some street photography. In old-school style I stuck a 50mm prime on my full frame DSLR and headed out.

At one point I was exploring some waterfront areas of The City and poking my nose into windows of some buildings that were undergoing renovations. Among a few other scenes from this location, I found this one featuring… wait for it!… a piece of construction equipment, posing fetchingly in front of some nice, diffused light coming in from a window out of the frame to the left. I’m still not quite sure why, but I like this image. (Is it perhaps the R2D2-like quality of the orange lift?)

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Text, photographs, and other media are © Copyright G Dan Mitchell (or others when indicated) and are not in the public domain and may not be used on websites, blogs, or in other media without advance permission from G Dan Mitchell.

Motorcycle Parking, Night

Motorcycle Parking, Night
Motorcycle Parking, Night

Motorcycle Parking, Night. Mare Island Naval Ship Yard, California. February 26, 2011. © Copyright G Dan Mitchell – all rights reserved.

Night photograph of a covered area for motorcycle parking at the front of a clinic, Mare Island Naval Ship Yard.

This should be the final image in the recent run of night photography from Mare Island Naval Ship Yard, near Vallejo, California. To recap, near the end of February I joined my fellow night photographers from The Nocturnes for a “Mare Island Alumni” meetup and shoot. I’ve shot this location – virtually always at night – for something like five years now, and I still find new things to shoot on each visit.

Early on I mostly focused on what some call the “historic core” of the place – an area of dry docks, giant cranes, and old shops and factory buildings. Later I began to investigate areas around the periphery of this location and to poke my lens into odd little alleys and corners that I didn’t see at first. More recently I have begun to look at smaller and less obvious features of the place and I continue to expand the boundaries of the areas that I know and shoot. This shot and the companion shot I posted just before it are a bit of a departure from my usual Mare Island work in that the scene is a more modern sort of urban landscape illuminated by modern lighting that doesn’t have the warm glow of the security lights and other forms of illumination found elsewhere.

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Text, photographs, and other media are © Copyright G Dan Mitchell (or others when indicated) and are not in the public domain and may not be used on websites, blogs, or in other media without advance permission from G Dan Mitchell.

Yellow Building with Weathered Windows, Night Sky

Yellow Building with Weathered Windows, Night Sky
Yellow Building with Weathered Windows, Night Sky

Yellow Building with Weathered Windows, Night Sky. Mare Island Naval Ship Yard, California. February 12, 2011. © Copyright G Dan Mitchell – all rights reserved.

Weathered windows below the eaves of a dilapidated yellow building at Mare Island Naval Ship Yard with star trails in the night sky.

This is another building that I have photographed a number of times when I’ve visited the Mare Island Naval Ship Yard to do night photography. Typically I have focused on the lower walls of the building, which are interesting due to the presence of garish yellow sodium vapor lighting, the interesting texture of corrugated metal walls with peeling paint, dilapidated and broken doors and windows, and the odd presence of a UFO-shaped shadow from a lamp hanging on the exterior. (A recent photo I posted featured that oddity.)

Here I wanted to shoot something a bit less complex and graphically simple – so I aimed the camera almost straight up from a position right in front of the building. Though they are difficult to see in this small jpg, the sky is filled with faint star trails from the two-minute exposure, and I like the way its inky blue-black color contrasts with the very warm colors of the yellow walls that are lit by sodium vapor light coming from multiple directions. The terribly weathered window frame, the bit of conduit attached to the wall, and the broken window panes break up the wall.

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Text, photographs, and other media are © Copyright G Dan Mitchell (or others when indicated) and are not in the public domain and may not be used on websites, blogs, or in other media without advance permission from G Dan Mitchell.

Turnstile Shadows

Turnstile Shadows
Turnstile Shadows

Turnstile Shadows. Mare Island Naval Ship Yard, California. February 12, 2011. © Copyright G Dan Mitchell – all rights reserved.

Shadows cast by sodium vapor lamps shining on old turnstiles at Mare Island Naval Ship Yard.

This old row of abandoned turnstiles stands at the entrance to an alley through which we almost always walk as we begin shooting in the core area of the historic Mare Island Naval Ship Yard near Vallejo, California. It seems odd to see the structure here since now one can just walk around them, but I suspect that this area must have been somewhat secure at times since military ships were built here.

This isn’t an easy subject to photograph. Several of us were talking about how we have struggled to find a composition built around the turnstiles. I have one other photograph that I made a few years ago that I think works pretty well. In that one I aimed a bit higher and let the metal structure pretty much fill the frame, and I also ended up making it a black and white image. (It was used as a cover for a book at one point.) But on this evening a few of us were staring at the turnstiles again and remarking that there must be more photographs in there… somewhere… but that we are still trying to find them.

I thought it might be interesting to make the long and complex patterns of the shadows fill most of the frame, so I moved back just a little and pointed the camera down so that just a portion of the turnstile structure appears at the top of the frame. This also helps with a couple of technical challenges: the bright lights beyond the structure create a tremendously large dynamic range in the scene, and it can be difficult to keep some distracting background elements (like a stop sign!) out of the image. The garish yellow/orange light is from a large sodium vapor lamp that sits above the intersection on the road in the background. That coloration is part of what made me choose to make the previous photograph of this subject black and white, but on this night I decided to go with the color.

The final image is a blend of two exposures. The shorter one was selected to avoid blowing out the brightest areas in the upper part of the frame, and the longer one let me keep a bit more detail in the shadowed asphalt foreground.

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Text, photographs, and other media are © Copyright G Dan Mitchell (or others when indicated) and are not in the public domain and may not be used on websites, blogs, or in other media without advance permission from G Dan Mitchell.