Tag Archives: landscape

Autumn Hillside

Autumn Hillside
“Autumn Hillside” — Aspens and other autumn foliage, Utah.

This is another photograph from “nowhere in particular,” a location where I often find myself while searching for subjects. It turns out that there’s a lot of interesting stuff to see there if you slow down a bit and keep your eyes open. This slope is on the west side of a range of Utah mountains that overlooks much lower desert country, and I photographed it late in the day when the light was warm-toned and soft.

I suppose that this photograph violates a few of the “rules” about having a clear primary subject and so on. But here the main focus isn’t a single thing — it is the overall wash of color and texture on this hillside. Where is this spot? I can say that it is in the Dixie National Forest, but that is about as specific as I’ll be!


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G Dan Mitchell is a California photographer and visual opportunist. His book, “California’s Fall Color: A Photographer’s Guide to Autumn in the Sierra” (Heyday Books) is available directly from him. Blog | Bluesky | Mastodon | Substack Notes | Flickr | Email

All media © Copyright G Dan Mitchell and others.

Autumn Aspen Trees, Utah

Autumn Aspen Trees, Utah
“Autumn Aspen Trees, Utah” — Dense forest of tall aspen trees with autumn foliage, Dixie National Forest.

This seems like a somewhat unusual aspen photograph for me. One difference is the color palette — in addition to the usual yellows and reds, there is a lot of green from the small conifers growing beneath the aspen canopy. Another difference is that I photographed during the main part of the day, rather than in the soft light of early morning or evening.

Over the course of several visits to Utah I gradually learned that the best sights are not restricted to the famous national parks. There is a lot to see and photograph in those places, but state parks, national monuments, and national forests also present loads of opportunities. This photograph was made in the vast and diverse Dixie National Forest.


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G Dan Mitchell is a California photographer and visual opportunist. His book, “California’s Fall Color: A Photographer’s Guide to Autumn in the Sierra” (Heyday Books) is available directly from him. Blog | Bluesky | Mastodon | Substack Notes | Flickr | Email

All media © Copyright G Dan Mitchell and others.

Manly Lake Reflections

“Manly Lake Reflections” — Manly Lake reflects peaks of the Panamint Range, Death Valley.

We arrived before sunrise to photograph at Badwater Basin, featuring Manly Lake, and we continued to photograph well past the golden hour. As the day continues, the colors of the desert landscape soften and become less intense. That was the effect I was looking to capture in this photograph. The light on the mountains is still warm, but the dawn color is gone from the cloud-filled sky and its reflection.

I chose to include a bit of the playa material breaking the surface of the water in order to anchor the scale of the scene. While the mirrored forms of distant mountains and clouds are almost abstract, those bits of material emerging from the shallow water remind us of the reality of the scene.


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G Dan Mitchell is a California photographer and visual opportunist. His book, “California’s Fall Color: A Photographer’s Guide to Autumn in the Sierra” (Heyday Books) is available directly from him. Blog | Bluesky | Mastodon | Substack Notes | Flickr | Email

All media © Copyright G Dan Mitchell and others.

Shoreline and Reflected Ridge

Shoreline and Reflected Ridge
“Shoreline and Reflected Ridge” — A Sierra Nevada ridge reflected in a subalpine wilderness lake.

If you are a Sierra Nevada backcountry traveler, you recognize this a a classic Range of Light scene. It was early morning, and I had been photographing since before sunrise. I walked the shoreline of this subalpine lake, following terrain like that in this photograph. The sun’s light angled across the high peaks and talus slopes as it rose above ridges to the east.

When I first backpacked many years ago, I was astonished by the mere existence of such places and the idea that I could wander through them. Eventually I slowed down and no longer thought of scenes like this as just staging for the higher peaks, but as important places on their own. These days I’m happy to linger with my camera gear, often pausing just to look.


Leave a comment or question using the form. (If you are reading this on the home page, click the article title to see the full article and the comment form.

G Dan Mitchell is a California photographer and visual opportunist. His book, “California’s Fall Color: A Photographer’s Guide to Autumn in the Sierra” (Heyday Books) is available directly from him. Blog | Bluesky | Mastodon | Substack Notes | Flickr | Email

All media © Copyright G Dan Mitchell and others.