Tag Archives: landscape

Wetland Island and Fog

Wetland Island and Fog
“Wetland Island and Fog” — Tule fog mutes the wetland landscape beyond reed-covered islands.

Fog can make photography wonderful… or difficult when I photograph migratory birds in California’s Central Valley. There are practical issues, such as driving on roads that are dangerously obscured, or not being able to see the birds in the murk. It is cold and damp. But I love the atmosphere that tule fog brings to this landscape, and that’s why I keep going back.

I also like the way that it lets me “minimize” the landscape. Fog blanks out any subjects that are not close to the camera position. On a clear day you would see trees, possibly utility lines and poles, a sky with clouds, and who knows what else. But when the fog is thick all of those distractions disappear and I can work with the most minimal of materials.


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G Dan Mitchell is a California photographer and visual opportunist. His book, “California’s Fall Color: A Photographer’s Guide to Autumn in the Sierra” (Heyday Books) is available directly from him. Blog | Bluesky | Mastodon | Substack Notes | Flickr | Email

All media © Copyright G Dan Mitchell and others.

Wildflowers, Playa, and Mountains

Wildflowers, Playa, and Mountains
“Wildflowers, Playa, and Mountains” — Desert gold blooms on gravel hills backed by Death Valley playa and desert mountains.

This was one of the first photographs I made on our late-February visit to Death Valley National Park. It was literally the first time I took the camera out after arriving, and the second exposure I made. We had entered the Valley, crossed it, and were starting our drive toward Beatty, Nevada. I felt that the scene encapsulated the scale of this valley and the surrounding desert mountains, and the patch of desert gold flowers was the icing on the cake.

When arriving at a location after a very long drive, it can be tempting to just set up camp or go to the hotel and crash. But I prefer to take the camera out and at least “prime the pump” by making a few photographs. That helps get things going, and marks my switch to photographer mode for the rest of the visit.


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G Dan Mitchell is a California photographer and visual opportunist. His book, “California’s Fall Color: A Photographer’s Guide to Autumn in the Sierra” (Heyday Books) is available directly from him. Blog | Bluesky | Mastodon | Substack Notes | Flickr | Email

All media © Copyright G Dan Mitchell and others.

Morning Sky, Edge of Lake Manly

Morning Sky, Edge of Lake Manly
“Morning Sky, Edge of Lake Manly” — Morning cloud-filled sky above the shore of Lake Manly.

It looks like I’m finally coming to the end of this season’s Death Valley Photographs. But there were quite a few, many featuring Lake Manly, the temporary lake flooding Badwater Basin. When the lake appears after a wet year it gives us an unusual opportunity in this desert landscape — to photograph reflected sky and mountains where we would usually see a salt flat.

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Crater Wall Detail

Crater Wall Detail
“Crater Wall Detail” — Eroded strata of a Death Valley crater wall.

We re-visited this location in Death Valley at the recommendation of a friend. I have photographed here before but was never particularly inspired by the subject. We arrived late in the day, and almost didn’t get there in time for decent light… because we stopped before we got there when I was distracted by another subject.

We showed up just as the sun was dropping behind high ridges to the west, and clouds were further softening the light. That soft light is often good for a subject like this. For one thing it makes the subject less harsh. For another it reduces the contrast between highlights and shadows and opens up those shadows a bit.


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G Dan Mitchell is a California photographer and visual opportunist. His book, “California’s Fall Color: A Photographer’s Guide to Autumn in the Sierra” (Heyday Books) is available directly from him. Blog | Bluesky | Mastodon | Substack Notes | Flickr | Email

All media © Copyright G Dan Mitchell and others.