Tag Archives: landscape

Dawn Fog, Central Valley

Dawn Fog, Central Valley
Dawn fog rises from a drainage canal in California Central Valley agricultural country.

Dawn Fog, Central Valley. © Copyright 2020 G Dan Mitchell – all rights reserved.

Dawn fog rises from a drainage canal in California Central Valley agricultural country.

This area of California’s Central Valley, not far from Sacramento, is a somewhat special place for me despite its relatively mundane appearance. It isn’t a park, you won’t find it on any maps, it is at the terminus of a narrow dead-end road. But it is the place where I “discovered” the state’s migratory birds and began photographing them. I had not really been interested in the subject at all until one morning I had a chance encounter with a colleague in the coffee line at my college. She told me I should go look at this place — “There are lots of birds.” For some reason, a few days later I arose well before dawn and drove a couple of hours to take a look..

She was right. There were lots of birds. Clouds of them, flying in all directions. I more or less had no idea what any of them were — I think I simply figured they were all “geese” — but I was hooked. (In fact I saw cranes, tundra swans, ibises, egrets, and, yes, lots of geese.) On this later trip I paused out on the little road and photographed back toward the early morning sky as fog rose from the water in an irrigation channel.


G Dan Mitchell is a California photographer and visual opportunist. His book, “California’s Fall Color: A Photographer’s Guide to Autumn in the Sierra” is available from Heyday Books and Amazon.

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Tufa Field, Dawn

Tufa Field, Dawn
First dawn light on a field of short tufa formations.

Tufa Field, Dawn. © Copyright 2012 G Dan Mitchell – all rights reserved.

First dawn light on a field of short tufa formations.

One of the great privileges about photographing landscapes is that I get to wake up way before dawn so that I can be in place before the sun rises. No, really. Like many of you, I used to dread the idea of getting up in the dark, and I could not fathom how anyone could actually want to do this. But even though I’ll admit that the sound of an alarm at, say, 3:30AM is not something I look forward to, at least I now understand that there are rewards that make it worthwhile. Such as standing alone in an immense, silent space as the first light creeps over mountains to the east.

Tufa, from I’ve come to understand, comes in quite a variety of shapes and sizes. There some well-known tufa structures that have been photographed lots of times not far from here, and I’ve photographed those, too. I have gotten to know some absolutely huge tufa formations in desert areas around Death Valley. (If you were familiar with only the first one I mentioned above, you might not even recognize the second as an example of the same thing.)These very small tufa structures embody yet another form of this stuff.


G Dan Mitchell is a California photographer and visual opportunist. His book, “California’s Fall Color: A Photographer’s Guide to Autumn in the Sierra” is available from Heyday Books and Amazon.

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Dunes, Mountains, Footprints

Dunes, Mountains, Footprints
Footprints of previoius visitors cross sand dunes beneath desert mountains.

Dunes, Mountains, Footprints. © Copyright 2020 G Dan Mitchell – all rights reserved.

Footprints of previoius visitors cross sand dunes beneath desert mountains.

If I had my druthers I suppose that I would have preferred dunes that were untracked, but that was not the case. So here, I think, the footprints of those who visited before me may be interesting in their own way as they trace the paths that those people followed — across the foreground dune, up the face of steeper sections, and along the highest ridges.

My visit on this occasion was brief. After spending nearly a week on the road I decided to make my final night in this park be in the far backcountry, so I drove to a location that was interesting on its own account and which gave access to an alternative route out of the park. I had an afternoon, a night, and a morning here before I headed over to the east side of the Sierra and started home.


G Dan Mitchell is a California photographer and visual opportunist. His book, “California’s Fall Color: A Photographer’s Guide to Autumn in the Sierra” is available from Heyday Books and Amazon.

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Sand Waves

Sand Waves
Rising waves of sand in soft light, Death Valley National Park

Sand Waves. © Copyright 2012 G Dan Mitchell – all rights reserved.

Rising waves of sand in soft light, Death Valley National Park.

This photograph comes from a memorable visit to a remote location in Death Valley National Park about eight years ago. I was in the park during the first few days of January. I saw far fewer other visitors than I usually encounter there these days, and I experienced some very cold temperatures! A few days earlier the thermometer in my vehicle registered at freezing as I drove below sea level very early one morning. On the morning after I made this photograph I finally got around to checking the temperature at around 9:00AM after the sun had come up, only to discover that it was still in the low twenties!

When I arrived at this location in the late afternoon there was only one other small group of visitors. (They were gone when I came back from photographing, and I had the place completely to myself that night.) I figured out where I would camp that night, and then I grabbed my photography gear and headed out into the nearby landscape of sand with distant vistas of playa and mountains. It was late enough the I soon found myself photographing the dunes in soft, post-sunset light.


G Dan Mitchell is a California photographer and visual opportunist. His book, “California’s Fall Color: A Photographer’s Guide to Autumn in the Sierra” is available from Heyday Books and Amazon.

Blog | About | Flickr | FacebookEmail

Links to Articles, Sales and Licensing, my Sierra Nevada Fall Color book, Contact Information.

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All media © Copyright G Dan Mitchell and others as indicated. Any use requires advance permission from G Dan Mitchell.