Tag Archives: late

Snow Field, Reflection

Snow Field, Reflection
A late-season snow field at the base of rugged cliffs, reflected in the surface of a High Sierra lake

Snow Field, Reflection. © Copyright 2018 G Dan Mitchell – all rights reserved.

A late-season snow field at the base of rugged cliffs, reflected in the surface of a High Sierra lake

I can say a few things concerning both the objective facts about this scene and about my subjective reaction to it. The facts: We walked to this lake frequently during our September photographic sojourn in the Eastern Sierra backcountry. It wasn’t far from our base camp at another nearby lake, and if we walked directly there it might take all of 10-15 minutes — though, as photographers, our walks are hardly ever direct, more often devolving into stop-and-go affairs as we are distracted by various subjects. The snow bank and the steep wall above the lake were most often in shadow, and by evening the light could become quite dim.

There are many ways I could (and perhaps did) photograph this subject, but here I wanted to focus on the contrast between the form of the bright snow field and the much darker surroundings of cliffs, talus, and shadowed lake. Late in the day a long shadow began along the talus field and gradually advanced across the lake, darkening the water and the surrounding forest and rocks. After sunset, my impression of the place was of stillness and oncoming darkness, and I wanted this version of the photograph to suggest these things.


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G Dan Mitchell is a California photographer and visual opportunist. His book, “California’s Fall Color: A Photographer’s Guide to Autumn in the Sierra” is available from Heyday Books and Amazon.
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Late-Season Color, Lake and Mountains

Late-Season Color, Lake and Mountains
Late-season color surrounds a subalpine lake beneath talus fields and cliff

Late-Season Color, Lake and Mountains. © Copyright 2018 G Dan Mitchell – all rights reserved.

Late-season color surrounds a subalpine lake beneath talus fields and cliff

This lake was just “up the block” from our campsite in the Sierra backcountry this past September. We were there in roughly the third week of the month, base-camped near a lake from which we could explore large areas of the surrounding territory. These surroundings were filled with an abundance of small lake, forest, and plenty of rocky scenery, from talus fields to high peaks.

On several evenings I wandered up the path from our campsite in order to get to nearby lakes that lay at a somewhat higher elevation. These lakes were still surrounded by trees, albeit increasingly small trees and often with space between them. This lake had a lovely growth of tall grasses along its inlet stream, and here I have photographed it against the background of a huge cliff that was nearby.


See top of this page for Articles, Sales and Licensing, my Sierra Nevada Fall Color book, Contact Information and more.

G Dan Mitchell is a California photographer and visual opportunist. His book, “California’s Fall Color: A Photographer’s Guide to Autumn in the Sierra” is available from Heyday Books and Amazon.
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All media © Copyright G Dan Mitchell and others as indicated. Any use requires advance permission from G Dan Mitchell.

Oak in Winter

Oak in Winter
Light snow covers a meadow and the branches of an oak tree during a spring storm, Yosemite Valley

Oak in Winter. © Copyright 2018 G Dan Mitchell – all rights reserved.

Light snow covers a meadow and the branches of an oak tree during a spring storm, Yosemite Valley

I went back and forth on the question of whether this photograph should be black and white or color. When I made the photograph, in light snow flurries and soft and low light, there was hardly any color in the scene, and I imagined the “I might as well” go with monochrome. I toyed with the idea of doing a color rendition and leaving the viewer to figure out if it really was in color or not. Finally, I simply decided that color wasn’t a particularly important aspect of the image… and here you are.

The scene might be just a bit deceiving. It is clearly a winter-like scene (though photographed in early spring) with new fallen snow. However, a closer look reveals that the snow is quite light — perhaps no more than an inch or so — yet it is fresh enough to cling to branches and cover the ground. It was snowing lightly as I made the photograph, in fact.


See top of this page for Articles, Sales and Licensing, my Sierra Nevada Fall Color book, Contact Information and more.

G Dan Mitchell is a California photographer and visual opportunist. His book, “California’s Fall Color: A Photographer’s Guide to Autumn in the Sierra” is available from Heyday Books and Amazon.
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All media © Copyright G Dan Mitchell and others as indicated. Any use requires advance permission from G Dan Mitchell.

Dunes, Afternoon Light, Blowing Sand

Dunes, Afternoon Light, Blowing Sand
Late afternoon light and blowing dust above Death Valley sand dunes

Dunes, Afternoon Light, Blowing Sand. © Copyright 2018 G Dan Mitchell – all rights reserved.

Late afternoon light and blowing dust above Death Valley sand dunes

Wind and blowing dust on sand dunes can produce an otherworldly and spectacular scene. They are also very difficult to work in — tough on equipment and tough on photographers! (I recently read some advice about entering the dunes during serious sand storms. Basically, the recommendation was, “don’t.” For the stubborn, who would do it anyway, the text continued with a recommendation to wear protective clothing, eye protection, and some kind of mask — perhaps towels soaked in water. Fun, eh?) The conditions on this occasion were not really that bad, probably not even as challenging as they might appear to be in the photograph, but it was an afternoon of blowing wind and sand.

We were in a section of low dunes, a distance away from the popular areas where the challenge seems to be to surmount the highest dune. In these lower areas there is plenty to see and photograph, and I usually prefer them to the less accessible and higher areas. Here there are plenty of plants growing in the same, and the more intimate landscape of hills and valleys provides endless subjects. As I was working that terrain I happened to look west toward the late day sun — barely out of the frame — to see the complex patters leading away on the closer dunes, the dark shape of the more distant tall dune, and the light shining through the wind-blown sand in the distance.


G Dan Mitchell is a California photographer and visual opportunist. His book, “California’s Fall Color: A Photographer’s Guide to Autumn in the Sierra” is available from Heyday Books and Amazon.
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All media © Copyright G Dan Mitchell and others as indicated. Any use requires advance permission from G Dan Mitchell.