The shoreline of a Yosemite backcountry lake in the late season
This lake was our home for a good week this past September. I was among a small group of photographers who spend a week or more doing this every year. This year we camped by the shore of an accessible backcountry Yosemite lake. We woke up every morning to views of this lake and we went to bed in the evening with such images still in our minds.
At times on this visit the light was very subdued. Early on this was because of intense wildfire smoke — some of the worst I’ve encountered in the range. Near the end of the trip a Pacific weather pattern swept through, and in its wake there was a period of several days of raining, cold conditions.
Photographer Doug Kaye prowling a San Francisco alley in late afternoon light
Back in early September I joined up with a group of fellow photographers to explore areas of downtown San Francisco in late afternoon light, followed by dinner, and then a return to the streets to photograph at night. Among the group was photographer Doug Kaye, here seen walking into the light along a narrow San Francisco street, a street lined with a bit of Dr. Seuss architecture with wildly dissonant angles from shadows, fire escape leaders, perspective convergence, and a crazily tilting lamp-post.
Later on this evening we headed back out after dark to photograph areas between roughly upper Chinatown and the Union Square vicinity. Night street photography is rapidly becoming a bit of a passion. Last year on a trip to Manhattan I realized that my little mirrorless camera performs well enough at high ISOs that I can effectively do handheld photography in the urban night environment — and this was a revelation!
Tourists on a late-night walk pass closed Chinatown shops in San Francisco
This is (yet another!) night street photography image made on one of my summer night walks in The City, in this case between roughly Union Square and almost to North Beach. A group of us meets up to photograph these subjects every so often. We begin before sunset and then continue walking, watching, and photographing right on into the night.
I recently read a nice description of part of what is appealing about photographing the street at night. In the daytime everything is more or less evenly lit, but at night small groups move into and out of the light, becoming “spotlighted” against the backdrop of the night. In places where we might see undifferentiated subjects in the daytime, subjects that pass though localized pools for light acquire more importance, and other elements of the scene recede. Here a small group of slightly uncomfortable-looking tourists shuffles past the closed up storefronts of Chinatown. Something about the group does not look entirely comfortable with their surroundings.
The John Muir Trail crosses Cathedral Pass near Cathedral Peak on a late-summer morning
Late in the season in the Sierra backcountry the population begins to change. During the high season of July through Labor Day, when passes are usually clear of snow and when people are in the middle of their summer vacations, the backcountry is filled with backpackers of all sorts, though quite a few are weekend visitors out of a few days. The through-hikers are there, but they are outnumbered by the other folks. After Labor Day things begin to change, and I have a sense that a greater percentage of the backpackers are of the “serious” sort — the people who are out for longer trips, who are covering greater mileage, and who may visit some of the more out-of-the-way locations. Our photography trip into the Yosemite backcountry was during this period, and out camp was on a section of the John Muir Trail, so quite a few of these “hard-core” hikers passed through. (I enjoy talking to them, since I’ve been across almost all of the trails they were traversing.)
One morning I got up, as we always do on these trips, before dawn. I gradually worked my way up through a rocky forest/meadow behind our camp, climbing toward a saddle not far above our location and photographing along the way. Shortly before the saddle I caught sight of an actual trail heading up there, and I quickly figured out that it was the portion of the JMT that ran past our lake. I arrived at the saddle before the sun had risen far enough to light the beautiful meadow that extended beyond it, but knowing that the light would soon slant across the pass I set up and picked some possible compositions. Here I made a conscious choice to “document” this bit of the JMT as it crossed the pass and headed off toward the distant peak, and right as the first light bit the trail I made a series of photographs.
Photographer and visual opportunist. Daily photos since 2005, plus articles, reviews, news, and ideas.
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G Dan Mitchell is a California photographer and visual opportunist. His book, “California’s Fall Color: A Photographer’s Guide to Autumn in the Sierra” is available from Heyday Books and Amazon.
