Late afternoon winter light on the exterior of a neighborhood Indian restaurant.
This restaurant is located not far from where I live – close enough that I could photograph it on a walk from my home. (Though these walks can sometimes carry me out to about a four mile radius or so…) This is not one of those fancy, up-scale Indian restaurants, but rather a local, neighborhood place whose location and outer appearance might not encourage you to go inside and try the delicious food. Yes, I’ve eaten there.
At first I was just thinking about the angles and surfaces of the building, but also about this interesting late-afternoon winter light that slants in almost parallel to the ground in the vertical dimension, and almost flat across the front wall of the restaurant. As I moved in to try to find a composition I noticed the empty vase for the first time, and as I line things up to keep the very bright light on a hidden wall out of the frame, I saw the bright and somewhat orange light reflected from that wall onto the more distant area to the left where a door is open (even though the restaurant is closed) and a blue milk carton crate has been abandoned.
G Dan Mitchell is a California photographer and visual opportunist whose subjects include the Pacific coast, redwood forests, central California oak/grasslands, the Sierra Nevada, California deserts, urban landscapes, night photography, and more. Blog | About | Flickr | Twitter | Facebook | Google+ | 500px.com | LinkedIn | Email
Hazy California Central Valley light on groves of trees as tule fog clears
In early December, 2012 I had my third opportunity of the season to photograph winter migratory birds. (The first time was last month when I made a quick foray to nearby Central Valley refuges, the second was shortly after that when I found myself with a free day in the Seattle area and drove up to Skagit Valley to photograph trumpeter swans and snow geese.) This was an especially great trip since not only were there birds about (Ross’s geese, a few odd snow geese, white-faced ibises, sandhill cranes, white pelicans, a few egrets and a single great blue heron) but the conditions turned out to be good almost all day and I was joined by a band of great folks: Michael Frye and Claudia Welsh, Dave and Charlotte Hoffman, and my wife Patty Mitchell. And what a day it turned out to be!
Things did not begin so promisingly. As Patty and I drove over from the south San Francisco Bay Area there was a lot of fog and continued to thicken until shortly after leaving Los Banos behind, where we encountered the classic pea soup Central Valley tule fog. Although it was so shallow that we could look up and see pre-dawn Venus and the new moon, ahead it was so thick that the road was barely visible in front of us. It was still thick when we reached the refuge and met the rest of the gang, and on the first part of our drive around the refuge the fog was so thick that we could barely seen any birds, although we could hear them. (One of the most mysterious experiences was hearing sandhill cranes nearby and being able to tell that they were airborne and moving but not see them at all until they would momentarily and briefly partially emerge from the murk and then just as quickly disappear.) Finally, as we came around the far side of the refuge we found a very large group of Ross’s geese close to the dirt road, and from here on things only got better. We had hours of shooting in the fog, which only slowly diminished and didn’t thin out enough to let sun through until probably noon or so. But this was actually a Good Thing, as on a perfectly clear morning the sense of mystery that fog imparts would have been missing… and the shooting probably would have been over in an hour or two. Instead, we continued until it was after 1:30, at which point we finally broke away long enough for lunch before returning for an evening shoot. Again, conditions that started out looking unpromising – the clouds of an incoming weather front were beginning to block the sky to the west – turned out to be perfect and even exceptional as the geese continued their show and the sky lit up brilliantly right at sunset.
I suppose that this photograph proves that I’m still a landscape photographer at heart. While looking around the refuge for birds, my eyes kept moving to the groves of large cottonwood trees and the smaller individual trees, many of which still held a bit of fall color. I’m also a really big fan of misty, hazy atmosphere, and we had that in spades. The fog did lift, but it left behind a beautiful luminous atmosphere and could glow in the right light.
G Dan Mitchell is a California photographer and visual opportunist whose subjects include the Pacific coast, redwood forests, central California oak/grasslands, the Sierra Nevada, California deserts, urban landscapes, night photography, and more. Blog | About | Flickr | Twitter | Facebook | Google+ | 500px.com | LinkedIn | Email
A very cold autumn morning brings a touch of frost to late-fall oak leaves in Yosemite Valley
Earlier this week I had (just barely) enough time for a very quick one-day up-and-back visit to Yosemite Valley. Such a visit, entailing a four-hour drive each way, and beginning with a 3:30 a.m. alarm going off, is not completely fun in all imaginable ways… but I won’t complain in front of people who might regard a visit to this valley as a once-in-a-lifetime experience. I’m fortunate to live where I’m able to get to such a place and back in a day. The reason for the quick visit was that I had not made my annual “autumn leaves” visit to the Valley. In a typical year I do that right around the first of November (though I often think of it as a Halloween trip!) when the maple, oak, and dogwood leaves can be very colorful. I thought that I had missed the show this year, but over the weekend I heard from friends that there were still leaves in The Valley, so I figured that I would try to get up there for a quick visit.
Having gone there for decades, I no longer go straight for the usual iconic subjects – though I will photograph them when the conditions are extraordinary. Instead, I often end up poking around in odd corners, looking for things that are smaller and less easily seen, but which I associate with The Valley just as much as, say, Half Dome or El Capitan or Yosemite Falls. So, odd as it may seem, when I made my first stop of the day at El Capitan Meadow, with its iconic views of Sentinel Rocks and El Capitan on opposite sides of The Valley… I spent the first 15 minutes with my lens pointed down into a small patch of the Merced River where there were some interesting reflections, and then I wandered off along the river bank in a few inches of snow to photograph close-up views of the wonderful oak leaves rimmed with morning frost. It occurred to me later that some might think it is a bit odd to drive so far to photograph such things!
G Dan Mitchell is a California photographer whose subjects include the Pacific coast, redwood forests, central California oak/grasslands, the Sierra Nevada, California deserts, urban landscapes, night photography, and more. Blog | About | Flickr | Twitter | Facebook | Google+ | 500px.com | LinkedIn | Email
An aspen grove along North Bishop Creek in late afternoon light.
While I like huge, expansive groves of aspens, I also like small, isolated groups, especially when set against the background of what I think of as sage brush country. This group of trees is actually part of a long, thin grove that stretches along a small dirt side road up in the Bishop Creek drainage. The grove and the road are on my “must visit” list for my annual aspen-chasing trips to the eastern Sierra, so by now I’ve learned a lot about the “personality” of this particular spot. Like a number of other spots to which I return each year, you might not notice anything spectacular about this grove – but by means of repeated visits I have learned where to look for certain little subjects: a creek that flows past boulders beneath colorful trees, a particular thick grove of very thin-truck trees, groves of trees that seem barely taller than I am.
I made this photograph in what might seem like unlikely lighting conditions. It was late afternoon, and the trees were back-lit. The sun was close to dropping behind the very tall ridge that lies above and beyond the border of the photograph, so the light was angling across the several background ridges running down into the valley, and lighting their upper edges. And, of course, the leaves glow when the light come through them from behind.
G Dan Mitchell is a California photographer whose subjects include the Pacific coast, redwood forests, central California oak/grasslands, the Sierra Nevada, California deserts, urban landscapes, night photography, and more. Blog | About | Flickr | Twitter | Facebook | Google+ | 500px.com | LinkedIn | Email
Photographer and visual opportunist. Daily photos since 2005, plus articles, reviews, news, and ideas.
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G Dan Mitchell is a California photographer and visual opportunist whose subjects include the Pacific coast, redwood forests, central California oak/grasslands, the Sierra Nevada, California deserts, urban landscapes, night photography, and more.
