Tag Archives: layers

Photographs: Death Valley, Photographs: Desert, Photographs: Nature

Receding Desert Ridges

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Receding Desert Ridges
“Receding Desert Ridges” — Desert ridges recede into the distance, Death Valley.

The desert is a fine place to photograph basic geological forms and effects of light. At first glance this may appear to be a monochromatic photograph, but it is just that the colors are so soft and subtle, being muted by the desert atmospheric haze. That haze is also responsible for the lighter tones of the distant mountains — an effect known as “atmospheric recession.”

Now, weeks after I made the photograph, I can only recall the location in general terms. It certainly was not an iconic spot nor a location where most people would stop. But these patterns speak to me, and I’m fascinated by the conjunctions and relationships of lines and by the layers of tonality in a such scenes.

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G Dan Mitchell is a California photographer and visual opportunist. His book, “California’s Fall Color: A Photographer’s Guide to Autumn in the Sierra” (Heyday Books) is available directly from him. Blog | Bluesky | Mastodon | Substack Notes | Flickr | Email

All media © Copyright G Dan Mitchell and others.

Photographs: Death Valley, Photographs: Desert, Photographs: Nature

Desert Mountains, Sunrise

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Desert Mountains, Sunrise
“Desert Mountains, Sunrise” — Winter sunrise clouds above Death Valley National Park desert mountains.

The mountains of Death Valley National Park have a very different quality than the familiar desert landscapes of the lowlands. They are often quiet, lonely places. In the winter they can be cold, with snow on the highest peaks. We arrived at this spot high in the Panamint Mountains well before sunrise and then stuck around to photograph as the light transitioned from intense dawn colors to something a bit subtler.

One feature of Death Valley that is unusual among the national parks is its history of prospecting and mining. It is not unusual to find the remnants of those endeavors in surprising and rugged places. If you look very closely at this photograph (you may need to click to enlarge it) you may spot some evidence of this history.

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G Dan Mitchell is a California photographer and visual opportunist. His book, “California’s Fall Color: A Photographer’s Guide to Autumn in the Sierra” (Heyday Books) is available directly from him. Blog | Bluesky | Mastodon | Substack Notes | Flickr | Email

All media © Copyright G Dan Mitchell and others.

Photographs: Nature, Photographs: The Southwest, Photographs: Utah

Cedar Breaks

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Cedar Breaks
“Cedar Breaks” — Eroded sandstone strata at Cedar Breaks National Monument.

Cedar Breaks seems to me a bit of an odd spot. It sits on the edge of a high ridge in Utah just south of the Brian Head ski area. While it is spectacular, it is small, and and out of the way, and I think that it gets a bit lost by comparison to the other iconic parks of the state. In fact, it wasn’t a primary destination for us either — it was near a convenient place to spend a few nights on our way between California and points east of here.

But what it lacks in size and fame, it makes up for in spectacular features. A gigantic west-facing gash cuts into the summit of a high plateau. (The difference between that gentle plateau and this feature is remarkable.) Rather than the gigantic solid masses of sandstone found in places like Zion, Capitol Reef, and Arches, here the terrain is softer and the strata seem thinner, giving it a very different character.

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G Dan Mitchell is a California photographer and visual opportunist. His book, “California’s Fall Color: A Photographer’s Guide to Autumn in the Sierra” (Heyday Books) is available directly from him. Blog | Bluesky | Mastodon | Substack Notes | Flickr | Email

All media © Copyright G Dan Mitchell and others.

Photographs: Fall, Photographs: Fall Color, Photographs: Nature, Photographs: Sierra Nevada

Layered Autumn Aspen Groves

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Layered Autumn Aspen Groves
“Layered Autumn Aspen Groves” — Groves of Sierra Nevada aspen trees at various stages of autum color transformation.

As I look back on this year’s autumn aspen photography one theme that emerges (which I wasn’t aware of when I was in the field) is groves that encompass a wide range of foliage color. At the right moments and in the right places you can sometimes see simultaneously all of the states of the autumn leaf transition, from green trees through yellow, orange, and red… and even some bare trees. (I suspect that the tall, leafless trees in this scene are old, dead snags.)

This photograph provides another opportunity to mention my preferred light for this subject. I tend to stay away from the bright midday sun, with the exception of a few photographs in which it backlights the trees. I much prefer somewhat soft light from slightly overcast skies or the shadows of morning and evening. I made this photograph under broken clouds, which retained a bit of the directional quality of the late-day light.

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G Dan Mitchell is a California photographer and visual opportunist. His book, “California’s Fall Color: A Photographer’s Guide to Autumn in the Sierra” (Heyday Books) is available directly from him. Blog | Bluesky | Mastodon | Substack Notes | Flickr | Email

All media © Copyright G Dan Mitchell and others.