Tag Archives: layers

Photographs: Central California, Photographs: Nature, Photographs: Ocean & Coast

Clearing Fog, Point Lobos

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Clearing Fog, Point Lobos
“Clearing Fog, Point Lobos” — Morning fog clears in the distance at Point Lobos.

In early spring I made a quick visit to Point Lobos, located between Monterey and the Big Sur area. (The latter was still closed due to storm-caused road damage, and the thru-route won’t likely open again until much later this year.) I went early on a weekday morning, more or less the only way to enjoy this place without crowds, especially now that the weather is warming. I spent hours slowly wandering familiar areas, and enjoying the quiet morning.

As much as any other photographer, I often gravitate to making photographs of the Pacific coast that capture its grand scale and the power of the ocean. (I love to photograph the drama of Pacific winter storm surf.) But this morning and this picture represent a different but also compelling state of the coast — a quiet, gray day on which nothing seemed hurried.

G Dan Mitchell is a California photographer and visual opportunist. His book, “California’s Fall Color: A Photographer’s Guide to Autumn in the Sierra” is available from Heyday Books, Amazon, and directly from G Dan Mitchell.

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Photographs: Central California, Photographs: Nature, Photographs: Ocean & Coast

Eroded Layers

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Eroded Layers
“Eroded Layers” — Erosion exposes layers in rocks, Pacific Coast, Point Lobos.

These rock formations have fascinated me since I saw them many decades ago as a child. My parents used to take us on family outings to Point Lobos, and very early on I began to photograph the place. (I am pretty sure that I went there on an elementary school field trip, a memory brought back to me on this visit when I saw a busload of kids eating lunch at picnic tables.) This little intimate landscape includes forms which seem to suggest the sea itself — I can see waves and inlets and more in it.

This particular spot at the reserve has a variety of interesting features. Stratified rock layers descend to the water of a cove, and they are twisted all sorts of interesting ways as the work of the water exposes them. There are colorful bands and intrusions. Sometimes the layers are turned on their sides. And, as here, the action of waves gradually peels back the layers, leaving abstract forms. (Hint: If you look closely you might spot a tiny tide pool and a few of its small inhabitants.)

G Dan Mitchell is a California photographer and visual opportunist. His book, “California’s Fall Color: A Photographer’s Guide to Autumn in the Sierra” is available from Heyday Books, Amazon, and directly from G Dan Mitchell.

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Links: Articles, Sales and Licensing, my Sierra Nevada Fall Color book, Contact Info.

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California Fall Color, Photographs: Fall, Photographs: Fall Color, Photographs: Nature, Photographs: Sierra Nevada

Aspen Layers

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Aspen Layers
Layers of colorful autumn aspen trees ascend the slopes of the Eastern Sierra Nevada.

Aspen Layers. © Copyright 2023 G Dan Mitchell.

Layers of colorful autumn aspen trees ascend the slopes of the Eastern Sierra Nevada.

We spent time in the Eastern Sierra Nevada this past week, mostly searching for autumn color up and down the range. It seemed like a good year for fall color. If 2023 has a “fall color personality” it might be that the colors seemed to take off all at once across a broader range of locations and elevations than is typical. While things may have peaked this past week, at least by some measures, there should still be fine color for another week or so, especially at lower elevations and in more sheltered areas with larger trees.

I made this photograph in soft evening light, generally my favorite type for this subject — along with soft morning light of course. While intense sunlight can produce extremely saturated colors, especially when the trees are back-lit, soft light tends to reveal details, especially in the shadows. Here layers of trees march up the slopes of the Eastern Sierra toward the crest.

G Dan Mitchell is a California photographer and visual opportunist. His book, “California’s Fall Color: A Photographer’s Guide to Autumn in the Sierra” is available from Heyday Books, Amazon, and directly from G Dan Mitchell.

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Links to Articles, Sales and Licensing, my Sierra Nevada Fall Color book, Contact Information.

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Photographs: Death Valley, Photographs: Desert, Photographs: Nature, Photographs: Southern California

Morning Light on Dunes

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Morning Light on Dunes
Morning light on sand dunes with distance desert hills in the background.

Morning Light on Dunes. © Copyright 2023 G Dan Mitchell.

Morning light on sand dunes with distance desert hills in the background.

The camera position for this photograph is very close to that of a previous dune photograph I shared here — one made a few minutes before sunrise when the light was soft and the colors still subtle. What a difference a few minutes can make at this time of the morning, a time when light evolves with incredible speed! I made this photograph a few minutes later, after the sun rose above the mountains to the east and not long before the saturation and intensity of the first light began to fade.

I’ll use this photograph to note a fact about dunes that might surprise some visitors. If you have been out there in a sand storm it is easy to imagine the dunes blowing along like wave on the sea. The analogy isn’t entirely wrong, but the big surprise is that most major dune features don’t move much at all. I have photographs from here made years apart in which the same dunes are in the same locations and have the same outlines.

G Dan Mitchell is a California photographer and visual opportunist. His book, “California’s Fall Color: A Photographer’s Guide to Autumn in the Sierra” is available from Heyday Books, Amazon, and directly from G Dan Mitchell.

Blog | About | Twitter | Flickr | Facebook | Email

Links to Articles, Sales and Licensing, my Sierra Nevada Fall Color book, Contact Information.

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All media © Copyright G Dan Mitchell and others as indicated. Any use requires advance permission from G Dan Mitchell.