Tag Archives: leaves

Brown Aspen Leaves

Brown Aspen Leaves
Brown Aspen Leaves

Brown Aspen Leaves. Sierra Nevada, California. October 10, 2010. © Copyright G Dan Mitchell – all rights reserved.

Closeup of a group of brown autumn aspen leaves against a background of yellow leaves.

While I like the brilliantly colored yellow, orange, red, lime green, and golden fall aspen leaves, this color isn’t the only thing that appeals to me about these trees. I enjoy photographing their trunks, too – sometimes when most or all of the leaves are gone. I’m also interested in photographing the brown and sometimes black leaves that seem to appear after a freeze. I found this grove along a slope not far from Mammoth Lakes, and I spent some time wandering up a hillside among the trees in the middle of the day. Although this is not typically the best time for photographing the intense aspen colors, by working under a canopy of leaves and by looking for a few backlit leaves I managed to find a few shots that work. This group of brown leaves ended up being almost colorful because light filtering through the overhead trees and leaves created backlight that was a bit softer and diffused that the “normal” midday light.

This photograph is not in the public domain and may not be used on websites, blogs, or in other media without advance permission from G Dan Mitchell.

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Golden Aspen Grove, Conway Summit

Golden Aspen Grove, Conway Summit
Golden Aspen Grove, Conway Summit

Golden Aspen Grove, Conway Summit. Sierra Nevada, California. October 10, 2010. © Copyright G Dan Mitchell – all rights reserved.

Groves of tightly spaced slender aspen trees with golden fall leaves at Conway Summit, California.

Conway Summit is a location well-known to many eastern Sierra photographers, especially those who photograph the autumn aspen color displays. The “Summit” is the high point on the highway 395 just north of the town of Lee Vining, and the aspens grow to the west on the slopes that gradually rise toward Dunderberg Meadow and Peak. When I’m looking for brilliant autumn color here, several factors come into play. First, you have to be there at the right time. This isn’t always easy to predict, and when the color is great in one area of these trees it may have passed or not yet arrived in others. Second, you need to come at the “right” time of day. For me this means, at least at Conway, coming in the mid- to late-afternoon when the groves are lit by backlight coming across the Sierra crest. Third, it helps a lot if you can be there for conditions that are not too ordinary. For example, on the afternoon when I made this and some others photographs that may follow, after a weekend of boring perfect cloud-free weather some puffy clouds began to form above the Sierra crest, and their shadows raced across the area and created patterns of light and dark.

This photograph is also an example of long lens landscape photography. For some reason there are those who think that landscape photography must be done with certain lenses, often those of “normal” to wide focal length ranges. Those certainly have their place, and I use them too. However, I find that longer focal lengths are also indispensable – not just for filling the frame with subjects that you otherwise might not be able to approach, but also to compress foreground and background and to narrow the depth of field, among other reasons. Here I photographed with a 100-400mm telephoto at 250mm.

This photograph is not in the public domain and may not be used on websites, blogs, or in other media without advance permission from G Dan Mitchell.

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Aspen Grove, North Lake Road

Aspen Grove, North Lake Road
Aspen Grove, North Lake Road

Aspen Grove, North Lake Road. Sierra Nevada, California. October 3, 2010. © Copyright G Dan Mitchell – all rights reserved.

Fallen leaves in an aspen grove along the road to North Lake, Sierra Nevada, California.

This photograph of a grove of large and small aspens with much undergrowth and fallen leaves was made on a morning of beautiful soft and diffused light as a weather front was moving in and light rain was starting. In this light the harsh highlights of the bright leaves are softened and the shadows open up (since the sky becomes one giant light box) so that details become more apparent and the colorful trees and leaves can almost glow.

This grove is beside a road used by many photographers to get to one of the most popular and iconic fall color locations in the eastern Sierra. As I worked alone, or nearly so, in this small grove on a gentle hillside, five minutes up the road perhaps 50 or 60 photographers were lined up side by side at the end of a lake to make the same photograph. In fairness, the subject of their photographs is a very beautiful and compelling one… but I urge photographers to look beyond the “same old, same old,” and to slow down and search out subjects and compositions that only become apparent with time and some contemplation.

This photograph is not in the public domain and may not be used on websites, blogs, or in other media without advance permission from G Dan Mitchell.

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Bare Aspen Trunks and Fallen Leaves

Bare Aspen Trunks and Fallen Leaves
Bare Aspen Trunks and Fallen Leaves

Bare Aspen Trunks and Fallen Leaves. Bishop Creek, California. October 3, 2010. © Copyright G Dan Mitchell – all rights reserved.

The white trunks of nearly leafless aspen trees with fallen leaves below, Bishop Creek, California.

While the brilliant fall colors of the eastern Sierra aspens are an obvious attraction, I also like the bare, white trunks that begin to appear more clearly as the leaves fall. In fact, in some ways I prefer them as a subject to the leave. While I can’t stop myself from shooting those incredible colors, at some point they almost seem to produce a sort of visual overload. But the light-colored trunks, ranging from stout older trees to delicate and twisting small trees, especially against a background of rocks, fallen leaves, or the clutter of the forest have their own magic.

This is a scene from no special place – it is a just a spot along a road that I passed over more than once. I had shot in the general area earlier, but only noticed this as I passed by again on this cloudy and misty morning when the softer light allowed more of the details to appear and the slight rain brought out the colors a bit more.


G Dan Mitchell is a California photographer and visual opportunist. His book, “California’s Fall Color: A Photographer’s Guide to Autumn in the Sierra” (Heyday Books) is available directly from him.

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