Tag Archives: leaves

Frost-Rimmed Oak Leaves, Autumn

Frost-Rimmed Oak Leaves, Autumn - A very cold autumn morning brings a touch of frost to late-fall oak leaves in Yosemite Valley
A very cold autumn morning brings a touch of frost to late-fall oak leaves in Yosemite Valley

Frost-Rimmed Oak Leaves, Autumn. Yosemite Valley, California. November 13, 2012. © Copyright 2012 G Dan Mitchell – all rights reserved.

A very cold autumn morning brings a touch of frost to late-fall oak leaves in Yosemite Valley

Earlier this week I had (just barely) enough time for a very quick one-day up-and-back visit to Yosemite Valley. Such a visit, entailing a four-hour drive each way, and beginning with a 3:30 a.m. alarm going off, is not completely fun in all imaginable ways… but I won’t complain in front of people who might regard a visit to this valley as a once-in-a-lifetime experience. I’m fortunate to live where I’m able to get to such a place and back in a day. The reason for the quick visit was that I had not made my annual “autumn leaves” visit to the Valley. In a typical year I do that right around the first of November (though I often think of it as a Halloween trip!) when the maple, oak, and dogwood leaves can be very colorful. I thought that I had missed the show this year, but over the weekend I heard from friends that there were still leaves in The Valley, so I figured that I would try to get up there for a quick visit.

Having gone there for decades, I no longer go straight for the usual iconic subjects – though I will photograph them when the conditions are extraordinary. Instead, I often end up poking around in odd corners, looking for things that are smaller and less easily seen, but which I associate with The Valley just as much as, say, Half Dome or El Capitan or Yosemite Falls. So, odd as it may seem, when I made my first stop of the day at El Capitan Meadow, with its iconic views of Sentinel Rocks and El Capitan on opposite sides of The Valley… I spent the first 15 minutes with my lens pointed down into a small patch of the Merced River where there were some interesting reflections, and then I wandered off along the river bank in a few inches of snow to photograph close-up views of the wonderful oak leaves rimmed with morning frost. It occurred to me later that some might think it is a bit odd to drive so far to photograph such things!

G Dan Mitchell is a California photographer whose subjects include the Pacific coast, redwood forests, central California oak/grasslands, the Sierra Nevada, California deserts, urban landscapes, night photography, and more.
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Text, photographs, and other media are © Copyright G Dan Mitchell (or others when indicated) and are not in the public domain and may not be used on websites, blogs, or in other media without advance permission from G Dan Mitchell.

Small Tree and Pink Rock

Small Tree and Pink Rock - A small tree with yellow autumn leaves grows from a crack in pink sandstone, Grand Staircase-Escalante National Monument
A small tree with yellow autumn leaves grows from a crack in pink sandstone, Grand Staircase-Escalante National Monument

Small Tree and Pink Rock. Grand Staircase-Escalante National Monument. October 23, 2012. © Copyright 2012 G Dan Mitchell – all rights reserved.

A small tree with yellow autumn leaves grows from a crack in pink sandstone, Grand Staircase-Escalante National Monument

The narrow canyons and slots of South Utah, which I’m just coming to know, are full of surprises at every turn. The “turns” are a literal source of the surprise, since you can’t generally see far up or down the canyons and each turn literally does reveal things that were not visible a moment before. As you progress up (or down) the canyons, the nature of the rock constantly changes as you pass through layers of angled strata of rock – smooth and deep red one moment, pale and broken another, and then light pink or gray. The incline of the canyon changes, as does its width – one moment you are walking on a veritable sidewalk, smooth and wide, and the next you are trying to find your way over rocks and boulders, walking up the middle of a stream, trying to avoid deep and sucking sand, squeezing through a slot, or looking for a higher route around an impassable section. The canyon might be rocky and seemingly devoid of plant life… or you might have to squeeze your way among trees and bushes.

This small canyon presented most of these variables at one point or another. Most of the time we were acutely aware of the stream in the canyon, as our route was in, around, or across the water almost constantly. Here a few small bushes found cracks in the rocky walls with sufficient soil to survive, and the light from far above bounced back and forth between the high canyon walls, picking up the reddish color of the sandstone.

G Dan Mitchell is a California photographer whose subjects include the Pacific coast, redwood forests, central California oak/grasslands, the Sierra Nevada, California deserts, urban landscapes, night photography, and more.
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Text, photographs, and other media are © Copyright G Dan Mitchell (or others when indicated) and are not in the public domain and may not be used on websites, blogs, or in other media without advance permission from G Dan Mitchell.

Aspen Grove, North Bishop Creek

Aspen Grove, North Bishop Creek - An aspen grove along North Bishop Creek in late afternoon light.
An aspen grove along North Bishop Creek in late afternoon light.

Aspen Grove, North Bishop Creek. Eastern Sierra Nevada, California. October 3, 2012. © Copyright 2012 G Dan Mitchell – all rights reserved.

An aspen grove along North Bishop Creek in late afternoon light.

While I like huge, expansive groves of aspens, I also like small, isolated groups, especially when set against the background of what I think of as sage brush country. This group of trees is actually part of a long, thin grove that stretches along a small dirt side road up in the Bishop Creek drainage. The grove and the road are on my “must visit” list for my annual aspen-chasing trips to the eastern Sierra, so by now I’ve learned a lot about the “personality” of this particular spot. Like a number of other spots to which I return each year, you might not notice anything spectacular about this grove – but by means of repeated visits I have learned where to look for certain little subjects: a creek that flows past boulders beneath colorful trees, a particular thick grove of very thin-truck trees, groves of trees that seem barely taller than I am.

I made this photograph in what might seem like unlikely lighting conditions. It was late afternoon, and the trees were back-lit. The sun was close to dropping behind the very tall ridge that lies above and beyond the border of the photograph, so the light was angling across the several background ridges running down into the valley, and lighting their upper edges. And, of course, the leaves glow when the light come through them from behind.

G Dan Mitchell is a California photographer whose subjects include the Pacific coast, redwood forests, central California oak/grasslands, the Sierra Nevada, California deserts, urban landscapes, night photography, and more.
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Text, photographs, and other media are © Copyright G Dan Mitchell (or others when indicated) and are not in the public domain and may not be used on websites, blogs, or in other media without advance permission from G Dan Mitchell.

Aspen Grove, Old Road

Aspen Grove, Old Road - An old dirt road winds into the heart of an aspen grove in full autumn color, Dixie National Forest, Utah
An old dirt road winds into the heart of an aspen grove in full autumn color, Dixie National Forest, Utah

Aspen Grove, Old Road. Dixie National Forest, Utah. October 5, 2012. © Copyright 2012 G Dan Mitchell – all rights reserved.

An old dirt road winds into the heart of an aspen grove in full autumn color, Dixie National Forest, Utah

This is another of the “could have been anywhere” photographs, both because little scenes like this can be found all over the American West and because it is a scene that I simply happened to notice while passing by. So, the specific location is most certainly unimportant, though I’ll say that it was along a gravel road running through a section of the national forest in roughly the Zion/Cedar City area, a road that we had turned up more or less randomly and then explored for perhaps a couple of hours before turning back. The goal of that little drive had been to get into or as close as possible to some extensive forests of colorful aspen trees that we had seen from a distance. We succeeded.

There is something evocative on a number of levels about a simple scene like this one – with factors including the literal and subjective aspects of the changing season, the image of the small road disappearing into the grove as it wanders off to an unknown place, and the light of autumn filtered through the golden canopy of aspen leaves. If you don’t pay careful attention when you are there you might miss it, but the golden color suffuses the entire understory when the light is just right. (Photographers and painters may notice this sort of thing more than most people, since we/they are used to dealing with the otherwise blue coloration of the shadow light.) This sort of scene is extremely transitory. While we can permit ourselves to believe that both the green time of summer and the snowy time of winter are relatively permanent, no such illusion is possible during the brief span of literally a few days when the aspen color comes to these groves – they are different every day, and sometimes you can literally see the color going away as the wind blows down the leaves.

G Dan Mitchell is a California photographer whose subjects include the Pacific coast, redwood forests, central California oak/grasslands, the Sierra Nevada, California deserts, urban landscapes, night photography, and more.
Blog | About | Flickr | Twitter | FacebookGoogle+ | 500px.com | LinkedIn | Email

Text, photographs, and other media are © Copyright G Dan Mitchell (or others when indicated) and are not in the public domain and may not be used on websites, blogs, or in other media without advance permission from G Dan Mitchell.