Tag Archives: levee

Levee Road, Fog, and Tree

Levee Road, Fog, and Tree
Autumn tule fog glows in morning sun, blankets a Central Valley levee road, and obscures an old tree.

Levee Road, Fog, and Tree. © Copyright 2022 G Dan Mitchell.

Autumn tule fog glows in morning sun, blankets a Central Valley levee road, and obscures an old tree.

The subject here is an old Central Valley tree along a levee road on a very foggy autumn morning. You may recall that my previous photograph of a fog-obscured tree from this location was in color — thought just barely, as I wrote about in that post. Color was similarly subtle (as in “nearly absent”) in this scene, too, so I went ahead and interpreted the scene in black and white.

The quiet and moody quality of this scene, of course, comes largely from the tule fog. But that is enhanced by the way it glows in the back light from the sun, seen just above and slightly to the left of the tree. The fog is very thick here, but not very deep, and even though visibility was probably little more than 100 feet, the sunlight was able to penetrate and light up the fog.


G Dan Mitchell is a California photographer and visual opportunist. His book, “California’s Fall Color: A Photographer’s Guide to Autumn in the Sierra” is available from Heyday Books, Amazon, and directly from G Dan Mitchell.

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Winter Trees, Levee Road, Fog

Tule fog softens the light on a Central Valley levee road winding among winter trees.

Winter Trees, Levee Road, Fog. © Copyright 2022 G Dan Mitchell – all rights reserved.

Tule fog softens the light on a Central Valley levee road winding among winter trees.

My usual inclination when photographing a place like this is to focus on the natural and to exclude the signs of the human presence. It is perhaps ironic that I embrace the human world in my street photography but often obscure it in my other work. I think this comes from the desire to imagine a “natural” work without, well, us. There are fine reasons to do this, but there are also some reasons to not imagine that we are not part of the natural world. (This subject likely deserves and article, a book, a small library — not a two-paragraph post!)

During the winter months I often photograph in California’s Central Valley, attracted by the tule fog and by the migratory birds. And I mostly photograph these subjects as examples of nature. But the Central Valley is anything but a natural wilderness! It is crisscrossed by roads large and small, increasingly filled by towns and cities, and dominated by the agriculture industry. The good news is that those things are interesting photographic subjects, too. This road more or less winds along a levee at the edge of a large pond. I paused here to look back and the way I had come, photographing the road winding through a gentle landscape of tule fog and winter trees.


G Dan Mitchell is a California photographer and visual opportunist. His book, “California’s Fall Color: A Photographer’s Guide to Autumn in the Sierra” is available from Heyday Books, Amazon, and directly from G Dan Mitchell.

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Cranes Above The Levee

Cranes Above The Levee
A small group of sandhill cranes flies into a mist-filled early morning winter sky above a Central Valley levee.

Cranes Above The Levee. © Copyright 2012 G Dan Mitchell – all rights reserved.

A small group of sandhill cranes flies into a mist-filled early morning winter sky above a Central Valley levee.

Light comes in infinite variations — bright, warm, cool, clear, misty, back, front, reflected, glowing, harsh, and on and on. (I wonder how many ways there are to describe light?) Photographers and photographers may be characterized by their favorite subjects, how they compose, elements of post-processing, and much more. But what light they prefer and how they handle it may be among the most important factors.

I have my preferences. One of them is for light coming through a glowing, mist or fog filled atmosphere, so bright that you almost cannot look straight at it. In this light the atmosphere almost becomes a tangible thing. This winter morning in California’s Central Valley had that quality as this small group of sandhill cranes flew past.


G Dan Mitchell is a California photographer and visual opportunist. His book, “California’s Fall Color: A Photographer’s Guide to Autumn in the Sierra” is available from Heyday Books and Amazon.

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Links to Articles, Sales and Licensing, my Sierra Nevada Fall Color book, Contact Information.

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All media © Copyright G Dan Mitchell and others as indicated. Any use requires advance permission from G Dan Mitchell.

Winter Wetlands

Winter Wetlands
Ponds and trees on a winter morning in the San Joaquin Valley

Winter Wetlands. San Joaquin Valley, California. January 1, 2017. © Copyright 2017 G Dan Mitchell – all rights reserved.

Ponds and trees on a winter morning in the San Joaquin Valley

This is a very familiar spot to me — and probably to some of my friends as well. We often pass through this area while photographing in the San Joaquin Valley, usually looking for migratory birds (and often in very dense fog!). This is a landscape of farmland, interspersed by ponds, in and area of the valley through which large rivers travel — or traveled, until the waterways were “managed” for agricultural and other uses. There are trees, too, though they are often widely separated from one another or else arranged in long rows along roads and property lines.

There are a few birds in this photograph — you may see them on the water if you look closely — but it is more about the landscape. Here it consists of (mostly) those ponds, divided by low levees on which grasses and other plants grow and an occasional tree takes root.


G Dan Mitchell is a California photographer and visual opportunist. His book, “California’s Fall Color: A Photographer’s Guide to Autumn in the Sierra” is available from Heyday Books and Amazon.
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All media © Copyright G Dan Mitchell and others as indicated. Any use requires advance permission from G Dan Mitchell.