Tag Archives: light

Photographs: Desert, Photographs: Nature, Photographs: The Southwest, Photographs: Utah

Red Rock Detail

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Red Rock Detail
A section of sandstone cliff, Arches National Park.

Red Rock Detail. © Copyright 2012 G Dan Mitchell – all rights reserved.

A section of sandstone cliff, Arches National Park.

There is a story about my first visit to Arches National Park that we like to recount. (Perhaps you have heard it?) It derives from a habit of mine of not doing too much research before visiting a new location — I prefer to let some things remain a mystery so that I can have the joy of “discovering” the place for myself. That was the case on our first visit to Arches. I really didn’t know anything more than that there were (duh!) some archest there and that it was a national park. We arrived in Moab in the early afternoon, and finding ourselves with more time that day than expected we decided to make a quick first visit. A reliable source reports that I pretty much lost my composure upon “discovering” this collection of towers, arches, cliffs, and more.

This photograph comes from our second visit, a few years later and during a different season. By now we knew a bit more about what to expect, and I arranged to be in a particular spot early in the morning with the prospect of photographing dawn light on sandstone features. I made quite a few photographs that morning, but this one is an example of my interest in using long lenses to photograph small details of the landscape.

G Dan Mitchell is a California photographer and visual opportunist. His book, “California’s Fall Color: A Photographer’s Guide to Autumn in the Sierra” is available from Heyday Books and Amazon.

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Photographs: Nature, Photographs: The Southwest, Photographs: Utah

Aspen Groves, Evening

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Aspen Groves, Evening
Autumn aspen groves at dusk on Boulder Mountain.

Aspen Groves, Evening. © Copyright 2012 G Dan Mitchell – all rights reserved.

Autumn aspen groves at dusk on Boulder Mountain.

With this photograph, I believe I’m coming to the end of the images that came from this October passage along Boulder Mountain back in 2012. It was the second time I visited this area, and like the first visit it was merely a drive through between two other locations. Unlike the first visit, which was in the springtime, I timed this one to coincide with fall colors. (As it turned out, I mis-estimated the date a bit and we arrived for the very tail-end of the colors. ) Like the other photographs of this autumn subject, it was made as the day came to an end.

The distant sky and clouds bring up a subject that always interests me. I’ve lived almost my entire life near the western edge of the North American continent, in a place where the ocean is little more than a half hour away and where the daily weather is affected by it. I’m always aware of this presence. And when I travel I’m equally aware of its absence. Often when I’m in places like the one in this photograph I look west at the end of the day — as this photograph does — and as I ponder how much land lies between me and the ocean I feel its absence.

G Dan Mitchell is a California photographer and visual opportunist. His book, “California’s Fall Color: A Photographer’s Guide to Autumn in the Sierra” is available from Heyday Books and Amazon.

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Photographs: Desert, Photographs: Mono Lake Basin, Photographs: Nature

Shoreline, Mono Lake

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Shoreline, Mono Lake
A hazy summer morning along the shareline of Mono Lake.

Shoreline, Mono Lake. © Copyright 2012 G Dan Mitchell – all rights reserved.

A hazy summer morning along the shareline of Mono Lake.

Perhaps you see a few of my photographs and read the accompanying text… in which case you may already know my Mono Lake story: I’m attracted to the immense space and profound quite and stillness of the place, more so than specific features such as tufa towers. Perhaps because I’ve been to those popular features many times, I now tend to poke around in somewhat more obscure places or try to see other aspects of the lake and its surrounding basin.

I made this photograph on a clear sky day when haze — perhaps from wildfires? — was obscuring distant features on the far side of Mono Basin. With the light come from above and beyond those far ranges the atmosphere was luminous and seemed to almost glow. Winds were creating patterns on the surface of the lake. I included some of the near shore, too, perhaps to more clearly show the immense size of the lake.

G Dan Mitchell is a California photographer and visual opportunist. His book, “California’s Fall Color: A Photographer’s Guide to Autumn in the Sierra” is available from Heyday Books and Amazon.

Blog | About | Flickr | Facebook | Email

Links to Articles, Sales and Licensing, my Sierra Nevada Fall Color book, Contact Information.

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All media © Copyright G Dan Mitchell and others as indicated. Any use requires advance permission from G Dan Mitchell.

Photographs: Northern California, Photographs: San Francisco, Photographs: Urban/Street

Windows and Fire Escape Shadows

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Windows and Fire Escape Shadows
Shadows from a fire escape system fall across the facade of a San Francisco building.

Windows and Fire Escape Shadows. © Copyright 2012 G Dan Mitchell – all rights reserved.

Shadows from a fire escape system fall across the facade of a San Francisco building.

Yes, another of the photographs I make on walks in San Francisco — or used to make in the pre-pandemic days when I would regularly hop on a train to the City, something that would be unwise now. (The trains still run, on a reduced schedule, but it isn’t worth the risk to spend two hours or more on a train.) I look forward to the time when I can resume this happy habit and head back up there for some wandering!

I’ve thought a bit about what drew me to this subject. For one thing, my landscape-photographer eyes often see urban subjects as a kind of urban landscape full of its versions of peaks, valleys, cliffs, and more. I know that I’m also attracted to certain kinds of geometry and symmetry, usually the sort that is patterned but not quite perfectly. The very subtle colors also caught my attention — it mostly looks gray, but it actually is subtly colored, and in a few places the color becomes strong enough to register as being a bit outside the monochromatic continuum. Finally, those shadows really intrigue me, especially at this time of day on this day and in this season, when they fall almost perfectly across the front of the building.

G Dan Mitchell is a California photographer and visual opportunist. His book, “California’s Fall Color: A Photographer’s Guide to Autumn in the Sierra” is available from Heyday Books and Amazon.

Blog | About | Flickr | Facebook | Email

Links to Articles, Sales and Licensing, my Sierra Nevada Fall Color book, Contact Information.

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All media © Copyright G Dan Mitchell and others as indicated. Any use requires advance permission from G Dan Mitchell.