Tag Archives: light

Photographs: Central California, Photographs: Nature, Photographs: Wildlife

Two Cranes, Morning, Marsh

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Two Cranes, Morning, Marsh
Two sandhill cranes stand in a marsh in early morning sunlight

Two Cranes, Morning, Marsh. San Joaquin Valley, California. December 9, 2017. © Copyright 2017 G Dan Mitchell – all rights reserved.

Two sandhill cranes stand in a marsh in early morning sunlight

This past Saturday was a full-on bird day for me. It started before dawn in the San Joaquin Valley, where I visited some wetlands areas to photograph various birds: cranes, geese, ibises, tri-color blackbirds, a solitary heron and a few egrets. Later that afternoon I wrapped up my bird photography and headed up to Oakhurst in the Sierra foothills to attend the opening reception for AVIAN: Birds in A Changing World at Gallery Five. The juried exhibit includes over 60 pieces by more than 40 artists, including a couple of my bird photographs. Afterwards I drove back to the Bay Area. Yes, it was a long day!

The conditions and the birds can vary a lot at this time of year in the San Joaquin Valley. Often it is foggy, but the skies were nearly clear when I arrived this time, with just a bit of scattered ground for a some haze. Two bird events were striking right after I arrived. First, a huge cloud of very small birds — perhaps tri-color blackbirds — rose before dawn and moved across the horizon. Second, a larger-than-usual number of sandhill cranes lifted off at dawn, and they followed unusual paths that brought them close to me. As the fly-out was getting underway I photographed these two cranes in the pond as the first light began to filter through the haze. They stood quietly for a few minutes, then suddenly took to the air and were gone.

G Dan Mitchell is a California photographer and visual opportunist. His book, “California’s Fall Color: A Photographer’s Guide to Autumn in the Sierra” is available from Heyday Books and Amazon.
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Photographs: Abstract, Photographs: Night, Photographs: San Francisco

A Reflection

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A Reflection
Reflecting patterns

I think this photograph is more fun if I avoid saying too much about it. I will say that it actually is a photograph, and one with no more post processing work than I might apply in, say, a landscape photograph. I made the photograph while out on the street in San Francisco earlier this week, doing night photography with my friends and fellow photographers of Studio Nocturne SF.

And that’s all I’m going to write…

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G Dan Mitchell is a California photographer and visual opportunist. His book, “California’s Fall Color: A Photographer’s Guide to Autumn in the Sierra” (Heyday Books) is available directly from him. Blog | Bluesky | Mastodon | Substack Notes | Flickr | Email

All media © Copyright G Dan Mitchell and others.

Photographs: Night, Photographs: San Francisco, Photographs: Urban/Street

A Gathering

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A Gathering
“A Gathering” — Nightime Segway riders gather around a glowing structure.

I thought about calling this “Gathering Of Segway Creatures Before The Giant Glowing Orb,” but that seemed to be going too far. A bit too far, anyway. Last night I joined my fellow night photographers from Studio Nocturne SF for a bit of camaraderie and photography in the San Francisco night. We started at the iconic Alamo Park (the location of the oft-photographed “painted ladies”), and I’m either embarrassed or proud to say that it was the first time I have gone there with a camera. I can also report that I did not photograph the “ladies,” instead wandering around with a tripod-less camera in the dark and photographing other things.

We then adjourned to the waterfront, where we spent some time photographing in another (justifiably) popular location. This light sculpture and some other features cast interesting and varying kinds of colored light on the scene, and I spent quite a bit of time searching out and photographing subjects that were transformed by the colorful light. But when these folks suddenly showed up I quickly switched my attention them, and I managed to squeeze of one handheld photograph before they disappeared into the night once again. As is so often the case, night photography brings some unusual events and experiences. Shortly after this, as I walked along a deserted walkway on a pier, three police officers suddenly appeared, rushing towards me. Fortunately, they weren’t interested in me and they passed right by. Within minutes there were a half-dozen police cruisers and two fire trucks in the neighborhood. San Francisco — never a dull moment…

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G Dan Mitchell is a California photographer and visual opportunist. His book, “California’s Fall Color: A Photographer’s Guide to Autumn in the Sierra” (Heyday Books) is available directly from him. Blog | Bluesky | Mastodon | Substack Notes | Flickr | Email

All media © Copyright G Dan Mitchell and others.

Photographs: Death Valley, Photographs: Desert, Photographs: Nature

Desert Hills, Evening Shadows

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Desert Hills, Evening Shadows
Evening light and shadows on desert hills and Death Valley salt flats

Desert Hills, Evening Shadows. Death Valley National Park, California. April 5, 2017. © Copyright 2017 G Dan Mitchell – all rights reserved.

Evening light and shadows on desert hills and Death Valley salt flats

My first visit to the park was in the late 1990s, but I’ve been a regular since then. I visit Death Valley for about a week at least once each year, and have photographed all over the park. In a way, this first surprised me a bit, since when I was younger I was not attracted to the desert at all, having been brought up on the notion of the “desert wasteland,” and having been a huge fan of the high Sierra since I was young. So even though the desert was nearby I didn’t visit before a chance encounter that came about when I was one of the adult chaperones on a trip introducing high school and middle school kids to the place. Literally from my first view of the place (after crawling out of a tent in a high place at dawn to look across the valley), I was entranced.

The photographic subjects in this national park (and similar desert locations) range from intimate to immense, and several things always draw my attention. Because of the hot and dry environment, the landscape is laid bare in ways that are uncommon in other mountains. (Unless you go above tree line, into another of my favorite worlds.) The land-forming effects of uplift, mountain-building, water (!) and wind are easy to see. And this naked landscape is often painted and colored by the light in beautiful ways. This photograph, at least as I see it, offers several contrasts: between the low hills and the flatness of their surroundings, between the shadow and light, and between the small and the large.

G Dan Mitchell is a California photographer and visual opportunist. His book, “California’s Fall Color: A Photographer’s Guide to Autumn in the Sierra” is available from Heyday Books and Amazon.
Blog | About | Flickr | Twitter | Facebook | Google+ | LinkedIn | Email

All media © Copyright G Dan Mitchell and others as indicated. Any use requires advance permission from G Dan Mitchell.