Tag Archives: light

Morning Light, Domes, Lake

Morning Light, Domes, Lake
Morning light on Tenaya Lake, granite domes, and Mount Conness

Morning Light, Domes, Lake. Yosemite National Park. July 16, 2016. © Copyright 2016 G Dan Mitchell – all rights reserved.

Morning light on Tenaya Lake, granite domes, and Mount Conness

I have been in a bit of a black and white mood recently. Although most of my photographs today are color photographs, my roots are in black and white. Many years ago that is what I learned to develop and print, all the way back to when my father took me into his home darkroom when I was a very young kid. Until I began to use slide film, virtually everything I shot was in black and white, and so many of my early photographic heroes also worked almost exclusively in monochrome.

I order to render the conjunction of shapes and masses, curves and textures in this complex scene of the Sierra Nevada landscape rising from Tenaya Lake, it seemed to me that black and white was the right choice. I made the photograph in the morning — not “crack of dawn” early, but a bit later, when the sun’s rays were clearing the higher ridge to the right and illuminating elements of the scene right down to the lake itself. The distant mass of Mount Conness is slightly obscured by haze, and a thin layer of bright clouds pass overhead.


G Dan Mitchell is a California photographer and visual opportunist. His book, “California’s Fall Color: A Photographer’s Guide to Autumn in the Sierra” is available from Heyday Books and Amazon.
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Mono Basin

Mono Basin
Desert hills, Mono Lake, Paoha Island, and the Mono Basin in morning light

Mono Basin. East of the Sierra Nevada, California. July 15, 2016. © Copyright 2016 G Dan Mitchell – all rights reserved.

Desert hills, Mono Lake, Paoha Island, and the Mono Basin in morning light

When people think of Mono Lake they often seen to think first of the unusual tufa tower formations found along portions of its shoreline — and the subject of many photographs from the place. The towers are indeed impressive and unusual, and especially in the right light they can produce an almost other-worldly impression. But there is much more to be seen here.

My strongest associations with the lake do not involve tufa towers. Instead the strongest may simply be an impression of the vast space of the basin holding this giant lake, and the immense expanse of sky above — often pure blue and clear, but at times opaque with haze or broken by thunder clouds. There are sonic associations, and the strongest may be the sound of gulls and other birds, especially on a quiet and windless morning. On the morning when I made this photograph I was not at the “usual places” at dawn, but I passed by just a bit later, when the sun was a bit higher but the light was still spreading mostly sideways across the landscape, producing large and dark shadows.


G Dan Mitchell is a California photographer and visual opportunist. His book, “California’s Fall Color: A Photographer’s Guide to Autumn in the Sierra” is available from Heyday Books and Amazon.
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All media © Copyright G Dan Mitchell and others as indicated. Any use requires advance permission from G Dan Mitchell.

Doorway, Windows, Stairs

Doorway, Windows, Stairs
A San Francisco doorway with an interior stairway, night

Doorway, Windows, Stairs. San Francisco, California. April 30, 2017. © Copyright 2017 G Dan Mitchell – all rights reserved.

A San Francisco doorway with an interior stairway, night

For me street photography is not just about people — though I photograph that subject, too. It is also about what I might call “street landscape,” and I’m as intrigued by this landscape as I am by any other. Even when my subjects are the people in the urban world, I’m virtually always considering them at least partly in the context of where they are. I’m no less away of this landscape background in the urban world than I am when photographing birds in flight against the background of their landscape. And sometimes here, as in the natural world, I like to photograph that landscape without its “wildlife.”

The urban world especially fascinates me at night, and simple things can take on a new appearance. This was almost a “grab shot” as I walked back toward my car from where I had spent an hour photographing with friends along the San Francisco waterfront. If such things appeal to you, there might be a lot to find and consider in this image. Or not. You decide.


G Dan Mitchell is a California photographer and visual opportunist. His book, “California’s Fall Color: A Photographer’s Guide to Autumn in the Sierra” is available from Heyday Books and Amazon.
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All media © Copyright G Dan Mitchell and others as indicated. Any use requires advance permission from G Dan Mitchell.

Dunes and Sky

Dunes and Sky
Morning light and clouds, sand dunes, Death Valley National Park

Dunes and Sky. Death Valley National Park, California. March 30, 2016. © Copyright 2017 G Dan Mitchell – all rights reserved.

Morning light and clouds, sand dunes, Death Valley National Park

For photographers (and probably for others, too) sand dunes are a source of endless fascination. There is always something interesting, from the smallest scale (footprints of insects?) to the largest, all-compassing landscape. None of this is ever the same twice except in the most general ways. While the general configuration remains from year to year, the specific details change quickly, sometimes as you watch. And because the sand itself is a fairly neutral subject, the effects of light — its angles and qualities and colors — play out in unending ways on the dunes.

As is typical, we had wandered out amongst the dunes before sunrise, beginning to photograph in predawn light and then moving to larger landscape subjects as the first pink sunlight struck distant desert mountains. Before long the sun was up and the light began to lose the early hour color. This can make the scene extremely stark and harsh, but on this morning high clouds muted its intensity and we continued to photograph. I had a vague idea of a photograph combining dune textures and sky in a mostly abstract form, and this area of the dunes provided a subject that fit that concept.


G Dan Mitchell is a California photographer and visual opportunist. His book, “California’s Fall Color: A Photographer’s Guide to Autumn in the Sierra” is available from Heyday Books and Amazon.
Blog | About | Flickr | Twitter | FacebookGoogle+ | LinkedIn | Email


All media © Copyright G Dan Mitchell and others as indicated. Any use requires advance permission from G Dan Mitchell.