Tag Archives: light

Photographs: Central California, Photographs: Nature, Photographs: Ocean & Coast

Fog, Trees, Knoll

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Fog, Trees, Knoll
Monterey Cypress trees on a rocky knoll above the Pacific Ocean in foggy morning light, Point Lobos

Fog, Trees, Knoll. Point Lobos State Reserve, California. July 18, 2017. © Copyright 2017 G Dan Mitchell – all rights reserved.

Monterey Cypress trees on a rocky knoll above the Pacific Ocean in foggy morning light, Point Lobos

Driving to Point Lobos from the San Francisco Bay Area in the early morning, I was not quite sure what conditions I would find. The forecast was for fog, clearing out before noon, but you can hardly ever tell for sure how this will evolve. A few days early I had been here on a day with a similar forecast and it never cleared. On this morning, however, it turned out that the fog was actually thicker inland, and it turned out that it cleared at the coast first!

We hiked over to the north shore trail, starting at a bluff above Whalers Cove, then climbing up to the higher bluffs that skirt the north shore of the park above steep and rocky cliffs that drop straight down to coastal coves. At first the fog was gray and almost oppressive. One can photograph in such conditions, but it is difficult to work the flat light. But very soon something much better began to arrive. As the fog cleared and the fog/sun boundary moved across the shore, the foggy atmosphere began to glow, and even in this soft light the colors began to intensify.

G Dan Mitchell is a California photographer and visual opportunist. His book, “California’s Fall Color: A Photographer’s Guide to Autumn in the Sierra” is available from Heyday Books and Amazon.
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Photographs: Architecture, Photographs: San Francisco, Photographs: Structures and Objects

Inside The Oculus

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Inside The Oculus
Play of midday light and shadows on the walls of the Oculus, SFMOMA

Inside The Oculus. San Francisco Museum of Modern Art. July 13, 2017. © Copyright 2017 G Dan Mitchell – all rights reserved.

Play of midday light and shadows on the walls of the Oculus, SFMOMA

This week we made a visit to the San Francisco Museum of Modern Art (SFMOMA) to see and hear the Soundtracks exhibit, which presents objects and installations of sonic art of various sorts. To be honest, I wasn’t that hopeful about this exhibit — I’ve often found that many visual artist’s ideas about sound art can be naive and banal in too many cases. However, the exhibit was (is, and you should go) excellent, with a wide variety of work that is interesting in a range of ways.

In any case, virtually every visit to this museum is also an excuse to make at least a few photographs, often of the architecture of the place. The central “Oculus” structure (which housed one of the sonic art pieces, too) is interesting to me as much for the play of light and shadows on its curved walls as it is for its own architectural form. I have photographed it many times, but being so close to the summer solstice the shadows took on different qualities than I had seen before. Here shadows from the structure of the upper window fall across a curved wall that is perforated by a pattern of large holes.

G Dan Mitchell is a California photographer and visual opportunist. His book, “California’s Fall Color: A Photographer’s Guide to Autumn in the Sierra” is available from Heyday Books and Amazon.
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Photographs: Nature, Photographs: Sierra Nevada, Photographs: Yosemite

Shoreline, First Morning Light

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Shoreline, First Morning Light
First morning light comes to the forested shoreline of a Sierra Nevada backcountry lake

Shoreline, First Morning Light. Yosemite National Park, California. September 5, 2014. © Copyright 2014 G Dan Mitchell – all rights reserved.

First morning light comes to the forested shoreline of a Sierra Nevada backcountry lake

Near the end of the summer of 2014 I ventured into the Yosemite backcountry with a group of friends and photographers for a week of landscape photography work, first at a somewhat isolated lake and then near a more popular location. Although I’ve been a backpacker for years, accustomed to slogging along with a big backpack carrying all of my own gear, on this trip we were supported by pack train. In fact, we had stupendous support. All of our non-photographic gear was packed in to the first location. A few days later a pack train returned and moved our gear to the next location. (Meanwhile we hiked a cross-country route to get there, following a trajectory that stock could not use.) And finally at the end of the trip the packers came back again and schlepped our gear back out to civilization. I think I could get used to this — though I still very much enjoy the quiet and slow pace of self-contained backpacking.

We were at the lake for three or four days, long enough go venture beyond the obvious things that one sees when first arriving at a place. We had time to return to subjects and reconsider them a few days later, possibly in different light or at a different time of day. We were also able to push out boundaries outward a bit from the lake itself, climbing a few of the nearby promontories. And, always, we had the luxury of rolling out of sleeping bags before dawn, walking a few steps to the lakeshore, and beginning the day’s work. This photograph was made not more than five minutes from camp as the first light began to work down to lake level.

G Dan Mitchell is a California photographer and visual opportunist. His book, “California’s Fall Color: A Photographer’s Guide to Autumn in the Sierra” is available from Heyday Books and Amazon.
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Photographs: Nature, Photographs: The Southwest, Photographs: Utah

Southwest Sky

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Southwest Sky
Morning clouds above the landscape of Capitol Reef National Park

Southwest Sky. Capitol Reef National Park, Utah. October 22, 2014. © Copyright 2014 G Dan Mitchell – all rights reserved.

Morning clouds above the landscape of Capitol Reef National Park

On this October morning we were up early, but not quite early enough — though it turned out fine in the end. We awoke before sunrise, with a plan to head down along the east side of Capitol Reef National Park along the Waterpocket Fold. We hoped to be a good distance down this route when the sun rose, but we got up later than expected. We were far from our goal when the dawn arrived.

Our location was, in some ways, not the spectacular sort of place that we had envisioned for sunrise. However, there were absolutely beautiful clouds to our north, and the dawn light’s color could probably make any subject look good. So our immediate goal became quickly finding any place that looked like it might have photographic potential — and to find it NOW! Within a few minutes we found a short side road, drove a short distance to a hilltop, parked, and piled out of the vehicle, more or less already in the act of setting up tripods and cameras. We had only a few moments on special light on the clouds before it began to fade to daytime light.

G Dan Mitchell is a California photographer and visual opportunist. His book, “California’s Fall Color: A Photographer’s Guide to Autumn in the Sierra” is available from Heyday Books and Amazon.
Blog | About | Flickr | Twitter | Facebook | Google+ | LinkedIn | Email

All media © Copyright G Dan Mitchell and others as indicated. Any use requires advance permission from G Dan Mitchell.