Tag Archives: light

Evening Rain, Reflection

Evening Rain, Reflection
The reflection of an evening thunderhead on the surface of Mono Lake

Evening Rain, Reflection. Mono Lake, California. July 27, 2017. © Copyright 2017 G Dan Mitchell – all rights reserved.

The reflection of an evening thunderhead on the surface of Mono Lake

During the past few days I was once again in the Sierra, camping just outside Yosemite’s Tioga Pass entrance and photographing in the surrounding areas. There is a lot to write about: the tremendous amount of snow still in the high country, the remarkable amounts of water everywhere, how odd it is to see all park campgrounds along Tioga Pass road still closed, the challenges of hiking in these conditions. I’ll save most of the details about those things for another post for now, except as they may relate to this photograph. After photographing elsewhere very early in the morning and then killing time in camp until about noon, I decided to hike into an east side canyon. It was a beautiful hike, though because I was alone and had not brought trekking poles, I eventually turned around soon than I had planned rather than risk solo crossings of high-water creeks. Coming back down from the hike I was surprised to see a thunderstorm brewing over the lower end of the canyon, and I quickly found a high overlook from which to watch the show. Before long the show became a bit too exciting! Heavy hail and rain developed — too much so for photography — and I high-tailed it down to Lee Vining.

As often happens, the convective action was mostly developing to the east of the Sierra crest, so I found a (not very secret!) location from which I could watch the evening light develop above Mono Lake. Multiple thunderstorms continued to develop right through the sunset, dropping rain on the high desert mountains and reflecting the evening light onto the surface of the lake.


G Dan Mitchell is a California photographer and visual opportunist. His book, “California’s Fall Color: A Photographer’s Guide to Autumn in the Sierra” is available from Heyday Books and Amazon.
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Fog, Trees, Knoll

Fog, Trees, Knoll
Monterey Cypress trees on a rocky knoll above the Pacific Ocean in foggy morning light, Point Lobos

Fog, Trees, Knoll. Point Lobos State Reserve, California. July 18, 2017. © Copyright 2017 G Dan Mitchell – all rights reserved.

Monterey Cypress trees on a rocky knoll above the Pacific Ocean in foggy morning light, Point Lobos

Driving to Point Lobos from the San Francisco Bay Area in the early morning, I was not quite sure what conditions I would find. The forecast was for fog, clearing out before noon, but you can hardly ever tell for sure how this will evolve. A few days early I had been here on a day with a similar forecast and it never cleared. On this morning, however, it turned out that the fog was actually thicker inland, and it turned out that it cleared at the coast first!

We hiked over to the north shore trail, starting at a bluff above Whalers Cove, then climbing up to the higher bluffs that skirt the north shore of the park above steep and rocky cliffs that drop straight down to coastal coves. At first the fog was gray and almost oppressive. One can photograph in such conditions, but it is difficult to work the flat light. But very soon something much better began to arrive. As the fog cleared and the fog/sun boundary moved across the shore, the foggy atmosphere began to glow, and even in this soft light the colors began to intensify.


G Dan Mitchell is a California photographer and visual opportunist. His book, “California’s Fall Color: A Photographer’s Guide to Autumn in the Sierra” is available from Heyday Books and Amazon.
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All media © Copyright G Dan Mitchell and others as indicated. Any use requires advance permission from G Dan Mitchell.

Inside The Oculus

Inside The Oculus
Play of midday light and shadows on the walls of the Oculus, SFMOMA

Inside The Oculus. San Francisco Museum of Modern Art. July 13, 2017. © Copyright 2017 G Dan Mitchell – all rights reserved.

Play of midday light and shadows on the walls of the Oculus, SFMOMA

This week we made a visit to the San Francisco Museum of Modern Art (SFMOMA) to see and hear the Soundtracks exhibit, which presents objects and installations of sonic art of various sorts. To be honest, I wasn’t that hopeful about this exhibit — I’ve often found that many visual artist’s ideas about sound art can be naive and banal in too many cases. However, the exhibit was (is, and you should go) excellent, with a wide variety of work that is interesting in a range of ways.

In any case, virtually every visit to this museum is also an excuse to make at least a few photographs, often of the architecture of the place. The central “Oculus” structure (which housed one of the sonic art pieces, too) is interesting to me as much for the play of light and shadows on its curved walls as it is for its own architectural form. I have photographed it many times, but being so close to the summer solstice the shadows took on different qualities than I had seen before. Here shadows from the structure of the upper window fall across a curved wall that is perforated by a pattern of large holes.


G Dan Mitchell is a California photographer and visual opportunist. His book, “California’s Fall Color: A Photographer’s Guide to Autumn in the Sierra” is available from Heyday Books and Amazon.
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All media © Copyright G Dan Mitchell and others as indicated. Any use requires advance permission from G Dan Mitchell.

Shoreline, First Morning Light

Shoreline, First Morning Light
First morning light comes to the forested shoreline of a Sierra Nevada backcountry lake

Shoreline, First Morning Light. Yosemite National Park, California. September 5, 2014. © Copyright 2014 G Dan Mitchell – all rights reserved.

First morning light comes to the forested shoreline of a Sierra Nevada backcountry lake

Near the end of the summer of 2014 I ventured into the Yosemite backcountry with a group of friends and photographers for a week of landscape photography work, first at a somewhat isolated lake and then near a more popular location. Although I’ve been a backpacker for years, accustomed to slogging along with a big backpack carrying all of my own gear, on this trip we were supported by pack train. In fact, we had stupendous support. All of our non-photographic gear was packed in to the first location. A few days later a pack train returned and moved our gear to the next location. (Meanwhile we hiked a cross-country route to get there, following a trajectory that stock could not use.) And finally at the end of the trip the packers came back again and schlepped our gear back out to civilization. I think I could get used to this — though I still very much enjoy the quiet and slow pace of self-contained backpacking.

We were at the lake for three or four days, long enough go venture beyond the obvious things that one sees when first arriving at a place. We had time to return to subjects and reconsider them a few days later, possibly in different light or at a different time of day. We were also able to push out boundaries outward a bit from the lake itself, climbing a few of the nearby promontories. And, always, we had the luxury of rolling out of sleeping bags before dawn, walking a few steps to the lakeshore, and beginning the day’s work. This photograph was made not more than five minutes from camp as the first light began to work down to lake level.


G Dan Mitchell is a California photographer and visual opportunist. His book, “California’s Fall Color: A Photographer’s Guide to Autumn in the Sierra” is available from Heyday Books and Amazon.
Blog | About | Flickr | Twitter | FacebookGoogle+ | LinkedIn | Email


All media © Copyright G Dan Mitchell and others as indicated. Any use requires advance permission from G Dan Mitchell.