Tag Archives: light

Dunes and Sky

Dunes and Sky
Morning light and clouds, sand dunes, Death Valley National Park

Dunes and Sky. Death Valley National Park, California. March 30, 2016. © Copyright 2017 G Dan Mitchell – all rights reserved.

Morning light and clouds, sand dunes, Death Valley National Park

For photographers (and probably for others, too) sand dunes are a source of endless fascination. There is always something interesting, from the smallest scale (footprints of insects?) to the largest, all-compassing landscape. None of this is ever the same twice except in the most general ways. While the general configuration remains from year to year, the specific details change quickly, sometimes as you watch. And because the sand itself is a fairly neutral subject, the effects of light — its angles and qualities and colors — play out in unending ways on the dunes.

As is typical, we had wandered out amongst the dunes before sunrise, beginning to photograph in predawn light and then moving to larger landscape subjects as the first pink sunlight struck distant desert mountains. Before long the sun was up and the light began to lose the early hour color. This can make the scene extremely stark and harsh, but on this morning high clouds muted its intensity and we continued to photograph. I had a vague idea of a photograph combining dune textures and sky in a mostly abstract form, and this area of the dunes provided a subject that fit that concept.


G Dan Mitchell is a California photographer and visual opportunist. His book, “California’s Fall Color: A Photographer’s Guide to Autumn in the Sierra” is available from Heyday Books and Amazon.
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Before The Dust Storm

Before The Dust Storm
Just after dawn, the precursors of a day of Death Valley dust storms

Before The Dust Storm. Death Valley National Park, California. April 28, 2016. © Copyright 2016 G Dan Mitchell – all rights reserved.

Just after dawn, the precursors of a day of Death Valley dust storms

I’ve been through a number of desert dust storms in and around Death Valley National Park — ranging from minor “dust blowing through the campsite” events to “damaging to my vehicle” events. (The latter was some years back as I left the park and headed out to highway 395 and, as I later found out, drove through record-breaking wind and driving dust and sand, to the permanent distress of my windshield.) It is fair to say that my feelings about such conditions are mixed. Frankly, they are very unpleasant — the dust gets into everything, from clothes to eyes to camera gear, and it is almost impossible to do much of anything if you are inside a really bad storm. In fact, near the end of the day on which I made this photograph we simply had to hunker down indoors for several hours and wait for it to stop. But there can be a kind of terrible beauty in these events as well, and if you are cautious you can photograph them.

I recall a day many years ago when I started to make sense of the antecedent conditions that lead to such storms. It was the final day of a Death Valley visit and I was down along the southeast part of the main valley, when I noticed a kind of fuzzy glow in the atmosphere. I made a few photographs and headed north to leave the park, and within an hour or so I was engulfed in a huge cloud of dust. On the day I made this photograph we went to a high overlook along the top of a mountain range to photograph dawn light. This time I recognized that strange, milky atmosphere, seen along and above the Black Mountains in the distance in the photograph. The morning was, indeed, quite beautiful. But it was only hours later that we began to see dust above us — even though we were thousands of feet up in the mountains — as a giant storm developed, and by the time we returned to the bottom of Death Valley in the mid-afternoon one of the biggest dust storms I have seen enveloped the area.


G Dan Mitchell is a California photographer and visual opportunist. His book, “California’s Fall Color: A Photographer’s Guide to Autumn in the Sierra” is available from Heyday Books and Amazon.
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Windows And Hallway

Windows And Hallway
“Windows And Hallway” — Hallway with alcove windows, The Louvre, Paris

Of course, we visited the Louvre while we were in Paris. We had a day, and that was not nearly enough. A week might be about right. We managed to view one floor of one wing, and then quickly visit a few other areas. We mostly saw older work including some of the major classics for which the museum is known, but later in the day we briefly explored some areas that aren’t perhaps the typical things that American tourists look for there.

This was a day of interesting outdoor light. There were clouds, sometimes thick and sometimes thinning enough to produce directional light. As we passed through this hallway the light was softly directional and even though the architecture here was modern and somewhat plain, the light attracted me and I stopped to photograph this row of windows.


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G Dan Mitchell is a California photographer and visual opportunist. His book, “California’s Fall Color: A Photographer’s Guide to Autumn in the Sierra” (Heyday Books) is available directly from him.
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Restaurant, Spring Evening

Restaurant, Spring Evening
Restaurant with windows open on a spring evening, San Francisco

Restaurant, Spring Evening. San Francisco, California. April 30, 2017. © Copyright 2017 G Dan Mitchell – all rights reserved.

Restaurant with windows open on a spring evening, San Francisco

On foot in the twilight, I’m always intrigued by the worlds inside restaurants and bars, separated from the outside world on the street but visible through windows. I suppose there is a bit of a voyeuristic appeal in this, but I’m also fascinated by the light and by the little vignettes, sometimes almost like separate photographs, that are framed by the windows.

This time I was out with a small group of night and street photographers, and we had just wrapped up some photography of a somewhat iconic view of the San Francisco waterfront. I decided to wander back into areas more conducive to my kind of street photography, so I walked past and briefly photographed a number of places like this one, a small bar (I think) in an old (or at least old-looking) wooden structure attached to the side of a much larger building, and with its windows open to the pleasant air of a spring evening.


G Dan Mitchell is a California photographer and visual opportunist. His book, “California’s Fall Color: A Photographer’s Guide to Autumn in the Sierra” is available from Heyday Books and Amazon.
Blog | About | Flickr | Twitter | Facebook | Google+ | LinkedIn | Email


All media © Copyright G Dan Mitchell and others as indicated. Any use requires advance permission from G Dan Mitchell.